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The great war : the persuasive power of photography = La grand guerre : le pouvoir d'influence de al photographie  Cover Image Book Book

The great war : the persuasive power of photography = La grand guerre : le pouvoir d'influence de al photographie / Ann Thomas ; with an essay by Anthony Petiteau.

Thomas, Ann. (Author). Petiteau, Anthony. (Added Author).

Record details

  • ISBN: 8874396783
  • ISBN: 9788874396788
  • Physical Description: 143 p. : ill. (some col.)
  • Publisher: Milan : 5 Continents Editions, c2014.

Content descriptions

Immediate Source of Acquisition Note:
LSC 45.00
Subject: World War, 1914-1918 > Photography.
War photography.

Available copies

  • 1 of 1 copy available at Tsuga Consortium. (Show)
  • 1 of 1 copy available at Innisfil Public Library System. (Show)
  • 1 of 1 copy available at Lakeshore Branch.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Lakeshore Branch 778.993550207471384 Tho 31681002594521 NONFIC Available -

  • Harry N. Abrams, Inc.
    World War I could be called the “war of the camera.” While earlier conflicts were documented using photography, WWI represented a turning point in how the medium was applied and by whom. Both the Allied forces and the Central Powers employed official photos to spy, to provoke, and to persuade—a study in strategy, censorship, and the constant need to whip up public support for the cause. In sharp contrast, the importance of photography for personal use was undeniable. For soldiers and those left behind, studio portraits and photo albums created permanent records of lives that were suddenly placed at risk. Published on the 100th anniversary of the beginning of WWI, this book brings together a diverse, remarkable selection of images that illustrates the beginning of photography’s inextricability from modern warfare.

     
  • NBN
    World War I could be called the 'war of the camera'. While earlier conflicts were documented using photography, WWI represented a turning point in how the medium was applied and by whom. Both the Allied forces and the Central Powers employed official photos to spy, to provoke, and to persuade - a study in strategy, censorship, and the constant need to whip up public support for the cause. In sharp contrast, the importance of photography for personal use was undeniable. For soldiers and those left behind, studio portraits and photo albums created permanent records of lives that were suddenly placed at risk. Published on the 100th anniversary of the beginning of WWI, this book brings together a diverse, remarkable selection of images that illustrates the beginning of photography's inextricability from modern warfare.

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