Gatsby's Oxford : Scott, Zelda, and the Jazz Age invasion of Britain : 1904-1929 / Christopher A. Snyder.
Record details
- ISBN: 9781643130095 (hardcover)
- Physical Description: xxii, 346 pages, 8 unnumbered pages of plates : illustrations, map ; 24 cm
- Edition: First Pegasus Books cloth edition.
- Publisher: New York : Pegasus Books, 2019.
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references (pages 267-323) and index. |
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Available copies
- 1 of 1 copy available at Tsuga Consortium.
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- 0 current holds with 1 total copy.
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Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
---|---|---|---|---|---|
Lakeshore Branch | 813.52 Sny | 31681010149052 | NONFIC | Available | - |
- Simon and Schuster
The story of F. Scott Fitzgerald's creation of Jay Gatsby'war hero and Oxford man'at the beginning of the Jazz Age, when the City of Dreaming Spires attracted an astounding array of intellectuals, including the Inklings, W.B. Yeats, and T.S. Eliot.
A diverse group of Americans came to Oxford in the first quarter of the twentieth century'the Jazz Age'when the Rhodes Scholar program had just begun and the Great War had enveloped much of Europe. Scott Fitzgerald created his most memorable character'Jay Gatsby'shortly after his and Zelda's visit to Oxford. Fitzgerald's creation is a cultural reflection of the aspirations of many Americans who came to the University of Oxford.
Beginning in 1904, when the first American Rhodes Scholars arrived in Oxford, this book chronicles the experiences of Americans in Oxford through the Great War to the beginning of the Great Depression. This period is interpreted through the pages of The Great Gatsby, producing a vivid cultural history. Archival material covering Scholars who came to Oxford during Trinity Term 1919'when Jay Gatsby claims he studied at Oxford'enables the narrative to illuminate a detailed portrait of what a 'historical Gatsby' would have looked like, what he would have experienced at the postwar university, and who he would have encountered around Oxford'an impressive array of artists including W.B. Yeats, Virginia Woolf, Aldous Huxley, and C.S. Lewis. - Simon and Schuster
The story of F. Scott Fitzgerald's creation of Jay Gatsby'war hero and Oxford man'at the beginning of the Jazz Age, when the City of Dreaming Spires attracted an astounding array of intellectuals, including the Inklings, W.B. Yeats, and T.S. Eliot.
A diverse group of Americans came to Oxford in the first quarter of the twentieth century'the Jazz Age'when the Rhodes Scholar program had just begun and the Great War had enveloped much of Europe. Scott Fitzgerald created his most memorable character'Jay Gatsby'shortly after his and Zelda's visit to Oxford. Fitzgerald's creation is a cultural reflection of the aspirations of many Americans who came to the University of Oxford.
Beginning in 1904, when the first American Rhodes Scholars arrived in Oxford, this book chronicles the experiences of Americans in Oxford through the Great War to the beginning of the Great Depression. This period is interpreted through the pages of The Great Gatsby, producing a vivid cultural history. Archival material covering Scholars who came to Oxford during Trinity Term 1919'when Jay Gatsby claims he studied at Oxford'enables the narrative to illuminate a detailed portrait of what a 'historical Gatsby' would have looked like, what he would have experienced at the postwar university, and who he would have encountered around Oxford'an impressive array of artists including W.B. Yeats, Virginia Woolf, Aldous Huxley, and C.S. Lewis. - WW Norton
The story of F. Scott Fitzgerald's creation of Jay Gatsbyâwar hero and Oxford manâat the beginning of the Jazz Age, when the City of Dreaming Spires attracted an astounding array of intellectuals, including the Inklings, W.B. Yeats, and T.S. Eliot. - WW Norton
The poet T.S. Eliot. The polo star Tommy Hitchcock. F. Scott and Zelda Fitzgerald. This diverse group of Americans came to Oxford in the first quarter of the twentieth centuryâthe Jazz Ageâwhen the Rhodes Scholar program had just begun and the Great War had enveloped much of Europe. Scott Fitzgerald created his most memorable characterâJay Gatsby, the Oxford man in the pink suitâshortly after his and Zeldaâs visit to Oxford. Fitzgeraldâs creation is a cultural reflection of the aspirations of many Americans who came to the University of Oxford seeking beauty, wisdom, and social connections.Beginning in 1904, when the first American Rhodes Scholars arrived in Oxford, this book chronicles the experiences of Americans in Oxford through the Great War and the years of recovery to 1929, the end of Prohibition and the beginning of the Great Depression. This period is interpreted through the pages of The Great Gatsby, producing a vivid cultural history. It shows just how much Fitzgerald, the quintessential American modernist author, owes a debt to the medieval, the Romantic, and the European historical tradition. Archival material covering the first American Rhodes Scholars who came to Oxford during Trinity Term 1919âwhen Jay Gatsby claims he studied at Oxfordâenables the narrative to illuminate a detailed portrait of what a âhistorical Gatsbyâ would have looked like, what he would have experienced at the postwar university, and who he would have encountered around Oxfordâan impressive array of artists including Eliot, W.B. Yeats, Virginia Woolf, Aldous Huxley, Evelyn Waugh, Winston Churchill, J.R.R. Tolkien, and C.S. Lewis.