Uncle : race, nostalgia, and the politics of loyalty / Cheryl Thompson.
Record details
- ISBN: 9781552454107 (trade paperback)
- Physical Description: 271 pages : illustrations ; 22 cm
- Publisher: Toronto : Coach House Books, 2021.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references and index. |
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Available copies
- 1 of 1 copy available at Tsuga Consortium.
Holds
- 0 current holds with 1 total copy.
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
|---|---|---|---|---|---|
| Cookstown Branch | 813.3 Thomp | 31681010226132 | NONFICPBK | Available | - |
- Baker & Taylor
How, why, and with what consequences did Uncle Tom become a slur for African American men deemed to have betrayed their race? The Uncle Tom in Harriet Beecher Stoweâs anti-slavery novel, Uncle Tomâs Cabin, died a martyrâs death. And yet, theatre performed the story with white men in blackface. Cheryl Thompson traces Uncle Tomâs transition from literary character to tropeâand how he became a nostalgic, racial epithet for black men. Original. - Perseus Publishing
From martyr to insult, how 'Uncle Tom' has influenced two centuries of racial politics.
- Perseus Publishing
From martyr to insult, how âUncle Tomâ has influenced two centuries of racial politics.
Jackie Robinson, President Barack Obama, Supreme Court Justice Clarence Thomas, O.J. Simpson and Christopher Darden have all been accused of being an Uncle Tom during their careers. How, why, and with what consequences for our society did Uncle Tom morph first into a servile old man and then to a racial epithet hurled at African American men deemed, by other Black people, to have betrayed their race?
Uncle Tom, the eponymous figure in Harriet Beecher Stoweâs sentimental anti-slavery novel, Uncle Tomâs Cabin, was a loyal Christian who died a martyrâs death. But soon after the best-selling novel appeared, theatre troupes across North America and Europe transformed Stoweâs story into minstrel shows featuring white men in blackface. In Uncle, Cheryl Thompson traces Tomâs journey from literary character to racial trope. She explores how Uncle Tom came to be and exposes the relentless reworking of Uncle Tom into a nostalgic, racial metaphor with the power to shape how we see Black men, a distortion visible in everything from Uncle Ben and Rastus The Cream of Wheat chef to Shirley Temple and Bill âBojanglesâ Robinson to Bill Cosby.
In Donald Trumpâs post-truth America, where nostalgia is used as a political tool to rewrite history, Uncle makes the case for why understanding the production of racial stereotypes matters more than ever before.