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In the margins : on the pleasures of reading and writing  Cover Image Book Book

In the margins : on the pleasures of reading and writing / Elena Ferrante ; translated from the Italian by Ann Goldstein.

Ferrante, Elena, (author.). Goldstein, Ann, 1949- (translator.). Ferrante, Elena. translation of: Margini e il dettato. English. (Added Author).

Summary:

A delightful collection of essays exploring reading and writing. "In the Margins" contains Elena Ferrante's latest reflections on literature, and the works and authors that have influenced her throughout her career.

Record details

  • ISBN: 9781609457372 (hardcover)
  • Physical Description: 111 pages : colour illustrations ; 22 cm
  • Publisher: New York, N.Y. : Europa Editions, 2022.

Content descriptions

General Note:
Originally published in Italian as I margini e il dettato: Rome : Edizioni e/o, 2021.
Formatted Contents Note:
Pain and pen -- Aquamarine -- Histories, I -- Dante's rib.
Language Note:
Translated from the Italian.
Subject: Authorship.
Women authors.
Genre: Essays.

Available copies

  • 1 of 1 copy available at Tsuga Consortium.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Cookstown Branch 809 Ferra 31681010277671 NONFIC Available -

  • Baker & Taylor
    A delightful collection of essays exploring reading and writing. "In the Margins" contains Elena Ferrante's latest reflections on literature, and the works and authors that have influenced her throughout her career.
  • Perseus Publishing

    A NATIONAL INDIE BESTSELLER
    A BEST BOOK OF 2022 (Air Mail)

    Four new and revelatory essays by the author of My Brilliant Friend and The Lost Daughter.

    In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors.” Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers. She writes about her influences, her struggles, and her formation as both a reader and a writer; she describes the perils of “bad language” and suggests ways in which it has long excluded women’s truth; she proposes a choral fusion of feminine talent as she brilliantly discourses on the work of Emily Dickinson, Gertrude Stein, Ingeborg Bachmann, and many others.

    Here is a subtle yet candid book by “one of the great novelists of our time” about adventures in literature, both in and out of the margins.

    “Everyone should read everything with Elena Ferrante’s name on it.”—The Boston Globe


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