The facemaker : a visionary surgeon's battle to mend the disfigured soldiers of World War I / Lindsey Fitzharris.
Record details
- ISBN: 9780374282301 (hardcover)
- Physical Description: xii, 315 pages, 16 unnumbered pages of plates : illustrations, map ; 24 cm
- Edition: First edition.
- Publisher: New York, NY : Farrar, Straus and Giroux, 2022.
Content descriptions
| Bibliography, etc. Note: | Includes bibliographical references and index. |
| Formatted Contents Note: | Prologue: "An unlovely object" -- The ballerina's rump -- The silver ghost -- Special duty -- A strange new art -- The chamber of horrors -- The mirrorless ward -- Tin noses and steel hearts -- The miracle workers -- The boys on blue benches -- Percy -- Heroic failures -- Against all odds -- All that glitters -- Epilogue: Cutting a path. |
Search for related items by subject
| Genre: | Biographies. Personal narratives. |
Available copies
- 1 of 1 copy available at Tsuga Consortium.
Holds
- 0 current holds with 1 total copy.
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
|---|---|---|---|---|---|
| Stroud Branch | 617.092 Gilli-F | 31681010286003 | NONFIC | Available | - |
- Baker & Taylor
This real-life wartime medical thriller, showing what courage and imagination can accomplish in the presence of horror, follows pioneering plastic surgeon Dr. Harold Gillies, who after the First World War, dedicated himself to restoring the broken and burned faces of the injured soldiers under his care. 75,000 first printing. Illustrations. - Baker & Taylor
"A biography of the plastic surgeon Harold Gillies with an emphasis on the development of plastic surgery during WWI"-- - McMillan Palgrave
A New York Times Bestseller
"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." âErik Larson, author of The Splendid and the Vile
Lindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World Warâs injured heroes, and in the process ushered in the modern era of plastic surgery.
From the moment the first machine gun rang out over the Western Front, one thing was clear: humankindâs military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care.
Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the worldâs first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits.
The Facemaker places Gilliesâs ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.