A kid from Marlboro Road : a novel / Edward Burns.
"An Irish-American family comes to life in this first novel by actor and independent filmmaker Ed Burns. The book opens at a wake, as our twelve-year-old narrator, an aspiring writer, takes in the death of his beloved grandfather, Pop, a larger-than-life figure to him. The overflowing crowd includes sandhogs in their muddy work boots, old Irish biddies in black dresses and cops in uniform, along with the family in mourning. There's an open casket, the first time he's seen a dead person. Later, at the bar across the street, he tells a story to the assembled crowd about the day his dad proposed to his mom, and how he almost got beat up by her brothers for it, and then how Pop made him propose twice. His mom calls him "Kneenie," and with her husband and older son Tommy lost to her, he's the best thing she's got. He sees her struggling, but doesn't know how to help -- since like his brother and father before him he knows he'll also abandon her soon enough. Stories cascade between the prior generation's colorful origins in the Bronx and the softer world of the Long Island town of Gibson, where the family lives now. There are scenes in the Rockaways, at Belmont Race Track, and in Montauk. Out of individual struggles a collective warmth emerges, a certain kind of American story, raucous and joyous"-- Provided by publisher.
Record details
- ISBN: 9781644214077 (hardcover)
- Physical Description: 220 pages ; 22 cm
- Publisher: New York : Seven Stories Press, [2024]
- Copyright: ©2024
Search for related items by subject
Subject: | Family life > Fiction. Irish Americans > Fiction. Mothers and sons > Fiction. |
Genre: | Bildungsromans. Novels. |
Available copies
- 1 of 1 copy available at Tsuga Consortium.
Holds
- 0 current holds with 1 total copy.
Other Formats and Editions
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
---|---|---|---|---|---|
Cookstown Branch | FIC Burns | 31681010385920 | FICTION | Available | - |
- Baker & Taylor
"An Irish-American family comes to life in this first novel by actor and independent filmmaker Ed Burns. The book opens at a wake, as our twelve-year-old narrator, an aspiring writer, takes in the death of his beloved grandfather, Pop, a larger-than-lifefigure to him. The overflowing crowd includes sandhogs in their muddy work boots, old Irish biddies in black dresses and cops in uniform, along with the family in mourning. There's an open casket, the first time he's seen a dead person. Later, at the baracross the street, he tells a story to the assembled crowd about the day his dad proposed to his mom, and how he almost got beat up by her brothers for it, and then how Pop made him propose twice. His mom calls him "Kneenie," and with her husband and older son Tommy lost to her, he's the best thing she's got. He sees her struggling, but doesn't know how to help-since like his brother and father before him he knows he'll also abandon her soon enough. Stories cascade between the prior generation's colorfulorigins in the Bronx and the softer world of the Long Island town of Gibson, where the family lives now. There are scenes in the Rockaways, at Belmont Race Track, and in Montauk. Out of individual struggles a collective warmth emerges, a certain kind of American story, raucous and joyous"-- - Baker & Taylor
A twelve-year-old aspiring writer reflects on his larger-than-life grandfatherâs wake and recounts his life on Long Island surrounded by a diverse crowd that shapes his Irish American identity and foreshadows his lifeâs journey in the debut novel from the actor-filmmaker. - Random House, Inc.
An Irish-American family comes to life through the eyes of a 12-year-old boy in this debut novel by actor-filmmaker Ed Burns.
Immigrants and storytellers, lilting voices and Long Island moxie are all part of this colorful Irish-Catholic community in 1970s New York.
Our twelve-year-old narrator, an aspiring writer, is at a wake. He takes in the death of his beloved grandfather, Pop, a larger-than-life figure. The overflowing crowdâa sign of a life well livedâcomprises sandhogs in their muddy work boots, Irish grandmothers in black dresses, cops in uniform, members of the family deep in mourning. He watches it all, not yet realizing how this Irish American world defines who he is and who he will become. His older brother Tommy has no patience for rules and domesticities, his father is emotionally elsewhere. This boy knows heâs the best thing his mother's got, though her sadness envelops them both. Â
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In A Kid from Marlboro Road, past and present intermingle as family stories are told and retold. The narrative careens between the prior generationâs colorful sojourns in the Bronx and Hellâs Kitchen and the softer world of Gibson, the town on Long Island where they live now. There are scenes in the Rockaways, at Belmont racetrack, and in Montauk.
Edward Burnsâs buoyant first novel is a bildungsroman. Out of one boyâs story a collective warmth emerges, a certain kind of American tale, raucous and joyous.
With eight pages of photographs of some of the people and historical locations that inspired characters and scenes in the novel.