Big girls don't cry : a memoir about taking up space / Susan Swan ; foreword by Margaret Atwood.
Record details
- ISBN: 9781443473033 (trade paperback)
- Physical Description: xiii, 254 pages ; 23 cm
- Edition: First edition.
- Publisher: Toronto, ON : HarperCollins Publishers, [2025]
- Copyright: ©2025
Search for related items by subject
| Subject: | Swan, Susan, 1945- Tall people > Canada > Biography. Tall women > Canada > Biography. Authors, Canadian (English) > Biography. Women authors, Canadian (English) > Biography. |
| Genre: | Biographies. Autobiographies. Personal narratives. |
Available copies
- 1 of 1 copy available at Tsuga Consortium.
Holds
- 0 current holds with 1 total copy.
Other Formats and Editions
| Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
|---|---|---|---|---|---|
| Cookstown Branch | 819.354 Swan | 31681010421667 | NONFICPBK | Available | - |
- HARPERCOLL
â[Swanâs writing offers] not only an enjoyable read, but also the chance to think and reflect on the vast complex living entity that is the world." âNobel Prize-winner Olga Tokarczuk
Where do we belong if we donât fit in?
A memoir about what it means to defy expectations as a woman, a mother and an artist, for readers of Joan Didion and Gloria Steinem and listeners of the podcast Wiser than Me
Susan Swan has never fit inside the boxes that other people have made for herâthe daughter box, the wife box, the mother box, the femininity box. Instead, throughout her richly lived, independent decades, she has carved her own path and lived with the consequences.
In this revealing and revelatory memoir, Swan shares the key moments of her life. As a child in a small Ontario town, she was defined by her sizeâattracting ridicule because she was six-foot-two by the age of twelve. She left her marriage to be a single mother and a fiction writer in the edgy, underground art scene of 1970s Toronto. In her forties, she embraced the new freedom of the Aphrodite years. Despite the costs to her relationships, Swan kept searching for the place she fit, living in the literary circles of New York while seeking pleasure and spiritual wisdom in Greece, and culminating in the hard-won experience of true self-acceptance in her seventies.
Swan examines the expectations of women of her generation and beyond using the lens of her then-unusual height as a metaphor for the way women are expected not to take up space in the world. Inspiring and thought-provoking, Big Girls Donât Cry invites us to re-examine what weâve been taught to believe about ourselves and ask how it could be different.