The Director : a novel / Daniel Kehlmann ; translated from the German by Ross Benjamin.
An artist's life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema's greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels--the minister of propaganda in Berlin--sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels's thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann's latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.
Record details
- ISBN: 9781668087794 (hardcover)
- Physical Description: 333 pages ; 24 cm
- Edition: First Summit Books hardcover edition.
- Publisher: New York : Summit Books, 2025.
Content descriptions
Language Note: | In English, translated from the German. |
Search for related items by subject
Genre: | Historical fiction. Novels. |
Available copies
- 1 of 1 copy available at Tsuga Consortium.
Holds
- 0 current holds with 1 total copy.
Show Only Available Copies
Location | Call Number / Copy Notes | Barcode | Shelving Location | Status | Due Date |
---|---|---|---|---|---|
Cookstown Branch | FIC Kehlm | 31681010418184 | FICTION | Available | - |
- B & T Entertainment
Fleeing Nazi Germany for Hollywood, acclaimed director G.W. Pabst struggles in obscurity until his return to Austria forces him into a perilous choice when Joseph Goebbels offers him prominence in exchange for complicity with the regimeâs propaganda machine. - Baker & Taylor
A tale inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to be forced to return to his homeland and create propaganda films for the German Reich. - Simon and Schuster
âA call to strengthen our spines.â âThe New York Review of Books
âNothing short of brilliant.â âThe Wall Street Journal
âA surpassingly gifted storyteller.â âThe New York Times
From âone of the brightest, most pleasure-giving writers at work todayâ (Jeffrey Eugenides, Pulitzer Prizeâwinning author), a visionary tale inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to be forced to return to his homeland and create propaganda films for the German Reich.
An artistâs life, a pact with the devil, and the dangerous illusions of the silver screen.
G.W. Pabst, one of cinemaâs greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him.
When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbelsâthe minister of propaganda in Berlinâsees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbelsâs thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement.
Kehlmannâs latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator.