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Barbieland : the unauthorized history  Cover Image Book Book

Barbieland : the unauthorized history / Tarpley Hitt.

Hitt, Tarpley, (author.).

Summary:

The secret history of Barbie and what Mattel has done to keep her on top. For nearly seven decades, Mattel billed Barbie as the first adult doll -- a revolutionary alternative to the baby dolls before her, which had treated little girls as future mothers rather than future women. But Barbie was no original. She was a knockoff: a nearly identical copy of a German doll now erased from the narrative in favour of Mattel's preferred version of history. It was Barbie's first secret but far from her last. In Barbieland, journalist and The Drift editor Tarpley Hitt exposes the long-hidden backstory of the world's most famous doll. After snuffing out her predecessor, Barbie climbed to the throne of global girlhood and stayed there, fending off rivals with a mix of strategic marketing, government influence, ruthless litigation, and covert tactics worthy of a classic spy novel. This lively, authoritative ride through the underbelly of American business pulls back the curtain on the corporate titans, cultural influencers, and toyland rivals who shaped this icon's world -- from flawed founder Ruth Handler to convicted Wall Street fraudster (and improbable Barbie saviour) Michael Milken to the Bratz doll empire, which once put the brand on life support. Along the way, Hitt delves into the stories of the eccentrics and autocrats who brought Barbie to life through sheer force of will: a pair of ex-Nazi toymakers, a toy mogul friend of J. Edgar Hoover's, a swinging missile designer turned Barbie executive married to Zsa Zsa Gabor, and Mattel's mid-century Freudian marketeer, who saw the doll as a psychosexual skeleton key to controlling the American mind. Through investigative reporting, global archival research, and interviews with key players from across the Barbie extended universe, Barbieland lays bare the unseen -- and so often absurd -- work that made Mattel a multibillion-dollar business and turned Barbie into an institution: a symbol as synonymous with American soft power as Coca-Cola and McDonald's french fries.

Record details

  • ISBN: 9781668031827 (hardcover)
  • Physical Description: vi, 343 pages ; 24 cm
  • Edition: First One Signal Publishers/Atria hardcover edition.
  • Publisher: New York : One Signal Publishers/Atria, 2025.

Content descriptions

Bibliography, etc. Note:
Includes bibliographical references and index.
Subject: Barbie (Fictitious character)
Mattel, Inc.
Barbie dolls > History.
Barbie dolls > Social aspects.
Feminism.
Popular culture.
Toy industry.

Available copies

  • 1 of 1 copy available at Tsuga Consortium.

Holds

  • 0 current holds with 1 total copy.
Show Only Available Copies
Location Call Number / Copy Notes Barcode Shelving Location Status Due Date
Lakeshore Branch 688.7221 Hit 31681010446466 NONFIC Available -

  • Simon and Schuster
    A fresh and colorful cultural history of Mattel’s Barbie and how she helped shape our understanding of modern feminism and capitalism—perfect for fans of The Secret History of Wonder Woman and DisneyWar.

    In June of 1952, German publishing tycoon Axel Springer was sending a new paper to print: a four-page broadsheet that almost ready, save for a narrow blank on the second page. With minutes to spare, Springer commissioned a one-block cartoon of a petite blonde with a predilection for rich men. That blonde was named “Lilli.” But in a span of seven short years, she would be reborn in plastic, across an ocean, and under a different name: Barbara Millicent Roberts.

    If Barbie began as a blank space, the world has spent seven decades filling it in. No doll has elicited more adoration from fans, more hatred from detractors, and more eyerolls from the indifferent. To boosters, she is the ultimate symbol of unabashed girlhood, an 11.5-inch figurine who shot to the moon before American women could get credit cards, an evolving illustration that, per one tagline, “we girls can do anything.” To critics, she represents an inane vision of femininity that was going out of style just years after she was “born”—an homage to impossible body proportions, an emblem of Eurocentric beauty standards, a bimbo built on an empire of polyethylene. For everyone else, Barbie is to dolls what Xerox is to copy machines, or Kleenex is to tissues. She is, for better or for worse, an American icon.

    Barbie’s conquest over the toy market did not happen by accident. It is the byproduct of meticulous marketing, occasional backstabbing, squadrons of designers with strong opinions on coral lip shades, and covert corporate maneuvers—many of which replicate, in miniature, the economic trajectory of the country Barbie seems to represent.

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