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- Thriller. by Potter, Sally,film director.; Laffont, Colette,actor.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Colette LaffontOriginally produced by Women Make Movies in 1979.Since its release in 1980, Sally Potter's rewriting of Puccini's opera, La Boheme, has become a classic in feminist film theory. A model for the deconstruction of the Hollywood film, THRILLER turns the conventional role of women as romantic victims in fiction on its head. Mimi, the seamstress heroine of the opera who must die before the curtain goes down, decides to investigate the reasons for her death. In doing so, she begins to explore the dichotomy which separates her from the opera's other female character, the "bad girl" Musetta. As rich in sounds and imagery as it is theoretically compelling, THRILLER provides the female spectator with a long-awaited recognition of her version of the story.Mode of access: World Wide Web.- Subjects: Feature films.; Motion pictures.; Drama.; Short films.; Motion pictures, British.; Detective and mystery films.; Motion pictures--Europe.;
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- The Gold Diggers. by Potter, Sally,film director.; Laffont, Colette,actor.; Gale, David,actor.; Christie, Julie,actor.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Colette Laffont, David Gale, Julie ChristieOriginally produced by Women Make Movies in 1983.THE GOLD DIGGERS is the ground-breaking, exquisitely photographed early feminist film by Sally Potter, director of Orlando and The Tango Lesson."Drawing from the same well of avant-garde anti-structure as enfant terrible Jean-Luc Godard and playwright Bertolt Brecht, Sally Potter’s whip-smart THE GOLD DIGGERS is brimming with cultural and political signifiers that combine to form a singular work in the feminist counter cinema space. Employing an all-female crew to shoot, compose, and design this proto-Lynchian world of romantic surrealism, the British filmmaker establishes herself as a trailblazer in this “search for the secret of [her] own transformation.” Babette Mangolte’s career-best cinematography elucidates a visual and thematic sendup of silent comedies, Depression-era musicals, and European arthouse cinema in an elegant, non-narrative ode to — and critique of — traditional Hollywood moviemaking."- UCLA Film & Television ArchiveMode of access: World Wide Web.- Subjects: Feature films.; Motion pictures.; Drama.; Musicals.;
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Results 1 to 2 of 2