Results 1 to 2 of 2
- Remember [videorecording] / by Heatcoat, Scott.; Lammiman, Dallas.; Lewis, Justin.; Peacock, Rachel.; Stolz, Diana Marie.; Moviemakers (Firm); Phase 4 Films (Firm);
Original Score, Rick Holets.Justin Lewis, Rachel Peacock, Scott Heatcoat, Diana Marie Stolz, Lewis Frere Tavia, Kiara Bertsch.It's the year 2050. We are recovering from a catastrophic collapse of the economy and population implosion. We have traded our freedom for security, turned our children over to the state at birth and we take memory blocking drug to cope. Captain Carl Onoway's job is to protect children from adults who might attempt to break free from society's mold and reunite with their children. Following a traumatic incident, Carl receives a series of unusual messages that challenge him to remember his past, question his beliefs about families and lead him to play a double role that not even he himself suspects. What is a man to do when he finds himself on the right side of the law, but on the wrong side of truth?Canadian Home Video Rating: PG.DVD, Dolby Digital, widescreen (16:9) presentation; Dolby Digital 2.0.- Subjects: Children; Children's films.; Dystopian films.; Feature films.; Parent and child; Population; Science fiction films.; Video recordings for children.;
- For private home use only.
- Available copies: 1 / Total copies: 1
-
unAPI
- The Gold Diggers. by Potter, Sally,film director.; Laffont, Colette,actor.; Gale, David,actor.; Christie, Julie,actor.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Colette Laffont, David Gale, Julie ChristieOriginally produced by Women Make Movies in 1983.THE GOLD DIGGERS is the ground-breaking, exquisitely photographed early feminist film by Sally Potter, director of Orlando and The Tango Lesson."Drawing from the same well of avant-garde anti-structure as enfant terrible Jean-Luc Godard and playwright Bertolt Brecht, Sally Potter’s whip-smart THE GOLD DIGGERS is brimming with cultural and political signifiers that combine to form a singular work in the feminist counter cinema space. Employing an all-female crew to shoot, compose, and design this proto-Lynchian world of romantic surrealism, the British filmmaker establishes herself as a trailblazer in this “search for the secret of [her] own transformation.” Babette Mangolte’s career-best cinematography elucidates a visual and thematic sendup of silent comedies, Depression-era musicals, and European arthouse cinema in an elegant, non-narrative ode to — and critique of — traditional Hollywood moviemaking."- UCLA Film & Television ArchiveMode of access: World Wide Web.- Subjects: Feature films.; Motion pictures.; Drama.; Musicals.;
-
unAPI
Results 1 to 2 of 2