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Coyote Christmas : a Lakota story / by Nelson, S. D.;
His stomach rumbling, Coyote approaches a house on Christmas Eve hoping to trick the family there out of a hot meal by dressing as Santa Claus, but Sister Raven sees the strange events and plays a wonderful trick of her own.
Subjects: Coyote (Legendary character); Raven (Legendary character); Christmas; Magic; Tricksters;
© c2007., Abrams Books for Young Readers,
Available copies: 1 / Total copies: 1
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Arthur's in charge / by Brown, Marc Tolon; Nelson, Judy,1963-;
When D.W. disappears at the mall, it's up to Arthur to find her.
Subjects: Responsibility in children;
© c2001., Advance Publishers,
Available copies: 1 / Total copies: 1
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The story of snow : the science of winter's wonder / by Cassino, Mark.; Nelson, Jon,Ph.D.; Aoyagi, Nora.;
LSC
Subjects: Snowflakes; Snow;
© c2009., Chronicle Books,
Available copies: 1 / Total copies: 1
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The velvet rope economy : how inequality became big business / by Schwartz, Nelson,author.;
Includes bibliographical references and index."In nearly every realm of daily life--from health care to education, highways to home security--there is an invisible velvet rope rising, separating Americans into two radically different experiences of life. On one side of the velvet rope is a friction-free existence where, for a price, needs are anticipated and catered to. Red tape is cut, lines are jumped, appointments are secured, and doors are opened. On the other side of the rope, friction is practically the defining characteristic, with middle-and working-class Americans facing a Darwinian fight for an empty seat on the plane, a place in line with their kids at the amusement park, a college acceptance, a hospital bed. We are all aware of the gap between the rich and everyone else, but when we weren't looking business innovators stepped in to exploit it, shifting services away from the masses and finding new ways to serve the privileged. New York Times business reporter Nelson Schwartz offers a behind-the-scenes tour of the velvet rope economy and those who created it: the ship-within-a-ship on Norwegian Cruise Lines that saves the best views for the wealthy, a special pager for donors that reaches San Francisco's top cardiologist, a $4,000-a-night maternity suite, firefighters who save one home but not the house next door. And he shows the toll of velvet rope innovation on the rest of us: long waits for an ambulance, packed highways, school athletics that are pay to play. What's more, as decision-makers and corporate leaders increasingly live on the friction-free side of the velvet rope, they are less inclined to change--or even notice--the barriers everyone else must contend with"--
Subjects: Income distribution; Affluent consumers; Classism;
Available copies: 1 / Total copies: 1
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Willie, Waylon, and the boys : how Nashville outsiders changed country music forever / by Fairbanks, Brian,1981-author.;
Includes bibliographical references and index."The tragic and inspiring story of the leaders of Outlaw country and their influence on today's Alt-County and Americana superstars, tracing a path from Waylon Jennings' survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen. On February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered. Jennings switched to playing country, creating the Outlaw movement and later forming the Highwaymen supergroup, the first in country music, with Johnny Cash, Willie Nelson, and Kris Kristofferson. The foursome battled addiction, record companies, ex-wives, violent fans, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Kacey Musgraves, Ryan Bingham, Sturgill Simpson, and Taylor Swift outsell all challengers, and country is the most popular of all genres. In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today, bringing the reader deep into the worlds of not only Cash, Nelson, Kristofferson, and Jennings but artists like Chris Stapleton, Simpson, Bingham, and Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell. Thought-provoking and meticulously researched, Willie, Waylon, and the Boys ultimately shows how a twenty-one-year-old bass-playing plane crash survivor helped changed the course of American music"--
Subjects: Cash, Johnny.; Jennings, Waylon.; Kristofferson, Kris.; Nelson, Willie, 1933-; Country musicians; Country music;
Available copies: 1 / Total copies: 1
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Children of the stars [sound recording] : a novel / by Escobar, Mario,1971-author.; Hoffman, Zach,narrator.; Abernathy, Gretchen,translator.; translation of:Escobar, Mario,1971-Niños de la estrella amarilla.English[sound recording].; Brilliance Audio (Firm),publisher.; Thomas Nelson Publishers,publisher.;
Read by Zach Hoffman.August 1942. Jacob and Moses Stein, two young Jewish brothers, are staying with their aunt in Paris amid the Nazi occupation. The boys' parents, well-known German playwrights, have left the brothers in their aunt's care until they can find safe harbor for their family. But before the Steins can reunite, a great and terrifying roundup occurs. The French gendarmes, under Nazi order, arrest the boys and take them to the Vélodrome d'Hiver-- a massive, bleak structure in Paris where thousands of France's Jews are being forcibly detained. Jacob and Moses know they must flee in order to survive, but they only have a set of letters sent from the south of France to guide them to their parents. Danger lurks around every corner as the boys, with nothing but each other, trek across the occupied country. Along their remarkable journey, they meet strangers and brave souls who put themselves at risk to protect the children-- some of whom pay the ultimate price for helping these young refugees of war. This inspiring novel, now available for the first time in English, demonstrates the power of family and the endurance of the human spirit-- even through the darkest moments of human history.
Subjects: War fiction.; Audiobooks.; Historical fiction.; Brothers; Jews; World War, 1939-1945;
Available copies: 1 / Total copies: 1
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The beautiful ones / by Prince,author.; Piepenbring, Dan,editor.;
Includes bibliographical references (pages 254-276).Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of "Uptown" to the mythical landscape of Purple Rain to the psychedelia of "Paisley Park." But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince-- a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince's early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince's evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain-- the final stage in Prince's self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring's riveting and moving introduction about his profound collaboration with Prince in his final months-- a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated-- and annotations that provide context to the book's images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince's ideas and vision, his voice and image-- his undying gift to the world.
Subjects: Biographies.; Prince.; African American musicians; Rock musicians;
Available copies: 1 / Total copies: 1
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Mothers' instinct [videorecording] / by Bielitz, Baylen D.,actor.; Bronckart, Jacques-Henri,film producer.; Carmichael, Kelly,film producer.; Charles, Josh,1971-actor.; Chastain, Jessica,1977-film producer,actor.; Conradt, Sarah,screenwriter.; Danielsen Lie, Anders,1979-actor.; Delhomme, Benoît,film director.; Hathaway, Anne,1982-film producer,actor.; Lagerfelt, Caroline,actor.; Nelson, Paul(Producer),film producer.; Nikitin, Anne,composer (expression); O'Connell, Eamon Patrick,actor.; motion picture adaptation of (work):Abel, Barbara,1969-Derrière la haine.English.; Anton (Firm),presenter.; Decal (Firm),publisher.; Freckle Films (Firm),production company.; Mosaic Media Group (Firm),production company.; Neon (Firm),film distributor.; Versus Production,production company.;
Director of photography, Benoît Delhomme ; editor, Juliette Welfling ; music by Anne Nikitin.Jessica Chastain, Anne Hathaway, Josh Charles, Anders Danielson Lie, Eamon Patrick O'Connell, Baylen D. Bielitz, Caroline Lagerfelt.Set in the early 1960s, best friends and neighbors Alice and Celine both live an idyllic traditional lifestyle, but life's perfect harmony is suddenly shattered after a tragic accident. Guilt, suspicion and paranoia unravel their sisterly bond and a psychological battle begins.14A.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.
Subjects: Video recordings for the hearing impaired.; Thrillers (Motion pictures); Feature films.; Female friendship; Grief; Best friends; Life change events; Mothers and sons; Neighbors; Nineteen sixties; Sons;
For private home use only.
Available copies: 0 / Total copies: 1
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This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
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Mellencamp / by Rees, Paul(Music journalist),author.;
Includes bibliographical references and index."John Mellencamp is not your typical rock star. Not only has he absorbed into his own work the influence of Faulkner, Williams, Steinbeck and other such literary giants, but he himself could have stepped straight from the pages of any of their great American novels. A complex, colorful and larger than life character, Mellencamp, like Bob Dylan and Johnny Cash before him, walks to the beat of his own drum. Or, as he told author and veteran music journalist, Paul Rees: "I just refuse to take shit off anyone." Little Bastard will definitively chart the life of one of the most fascinating characters in all of American music. It will bring into full relief the complex, iconoclastic character of the man Billy Joel, when inducting Mellencamp into the Rock and Roll Hall of Fame in 2008, urged to "Stay ornery, stay mean. We need you to be pissed off," Joel continued. "People need to hear a voice like yours to echo the discontent in the heartland. Someone's got to tell 'em, 'Don't take any shit,' and John, you do that very well." Along with Mellencamp's full blessing, Rees will include new interviews from his friends, family and colleagues, including Bob Seger, Stephen King, Willie Nelson, Larry McMurtry, Emmylou Harris, Elvis Costello, Sheryl Crow and Chuck D, among others. Rees will also include interviews from artists he has had a pronounced influence on such as John Mayer, Keith Urban, and Jason Isbell. Telling Mellencamp's story is telling the story of the American heartland, along with such pivotal moments in social history as the dawning of the Civil Rights movement, the hippy era, the anti-Vietnam War protests, Watergate, and the terms of such divisive US Presidents as Richard Nixon, Reagan, George W. Bush and now Donald Trump. In terms of music, Mellencamp's account runs parallel to the advent of rock-and-roll, the Summer of Love, the singer-songwriter superstars and the nihilistic punks of the nineteen-seventies, the founding of MTV and the have-it-all eighties, the creation of Farm Aid, and the radical re-shaping of the music industry that has gone on through this century"--
Subjects: Biographies.; Mellencamp, John, 1951-; Rock musicians; Singers;
Available copies: 1 / Total copies: 1
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