Search results for [Royal Anthropological Institute (Firm),dst] at Tsuga Consortium

Results 1 to 8 of 8

Hold Me Tight, Let Me Go. by Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 2007.Mulberry Bush School is an Oxford education facility for emotionally disturbed children, who have been excluded from mainstream schools. Longinotto captures the inner life of Mulberry Bush, focusing especially on the stories of three boys, Michael, Ben and Alex, all struggling at different stages of development, but all of them linked by the experience, of having to endure great sadness. Avoiding sensationalism, the violence a boy is capable of is never construed as his true nature, but as something to be overcome – with the help of their extremely patient tutors.Mode of access: World Wide Web.

Subjects: Documentary films.; Health.; Education.; Mental health.; Documentary films.; Children.; England.; Mental illness.;

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Theatre Girls. by Pollack, Claire,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 1979.The “Theatre Girls Club” is a hostel for homeless, destitute and alcoholic women in Soho, London. It is run by six paid workers and it is the only hostel in London which takes any women at any time. The filmmakers lived in the hostel for more than two months, establishing an extraordinary level of trust with their “cast” —from the home’s feisty cook to an elderly resident who was a terminal alcoholic. In what will later be recognized as a signature style, Longinotto films without judgement and finds the humor and humanity in situations and characters that might otherwise be seen as tragic.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Sociology.; Gender identity.; Documentary films.; Women's studies.; London (England).; Homeless persons.; Housing.; Alcoholism.; Substance abuse.;

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Salma. by Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 2013.When Salma, a young Muslim girl in a south Indian village, was 13 years old, her family locked her up for 25 years, forbidding her to study and forcing her into marriage. During that time, words were Salma’s salvation. She began covertly composing poems on scraps of paper and, through an intricate system, was able to sneak them out of the house, eventually getting them into the hands of a publisher. Against the odds, Salma became the most famous Tamil poet: the first step to discovering her own freedom and challenging the traditions and code of conduct in her village.Mode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; Asians.; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Women authors.; India.; Political participation.; Biography.; Businesswomen.; Muslims.; Political activists.; Authors.;

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Rough Aunties. by Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 2008.Jackie, Mildred, Eureka and Thuli are the women behind Bobbi Bear, a nonprofit organization based in Durban, South Africa, that counsels sexually abused children and works to bring their abusers to justice. Born out of recognition of cultural stigmas that discourage reporting abuse and inadequate methods of communicating with young victims, Bobbi Bear developed a method of letting children use teddy bears to explain their abuse. Since 1992, the multiracial staff has become the fearless and powerful voice for those victims who would otherwise continue to live in fear, powerless against their oppressors and ignored by the legal system.Mode of access: World Wide Web.

Subjects: Documentary films.; Health.; Social sciences.; African studies.; Foreign study.; Child welfare.; Human rights.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Children.; Humanitarianism.; South Africa.; Africa.; Social justice.; Child abuse.;

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Sisters in Law. by Ayisi, Florence,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 2005.Six year old Manka has run away from home, fleeing her abusive aunt. Sonita has daringly accused her neighbor of rape. Amina has decided to end her brutal marriage by taking her husband to court. Set in Kumba, a small town in Southwest Cameroon, SISTERS IN LAW follows the work of the female State Counsel and Court President as they try to help women to change their lives. Incredibly moving and at times disturbing, Kim Longinotto’s latest film spectacularly encompasses courage, hope, and the possibility of change. Longinotto is known for her insightful, compassionate studies of women’s lives, and the pull between tradition and change.Mode of access: World Wide Web.

Subjects: Documentary films.; Criminal law.; Social sciences.; African studies.; Foreign study.; Human rights.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Women--Africa.; Africa.; Abuse.; Rape.; Lawyers.;

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Pride of Place. by Gazidis, Dorthea,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 1976.A rarely seen classic, PRIDE OF PLACE was made as a first project while Longinotto was a student at England’s National School of Television and Film. As a teenager, the filmmaker had been condemned to a girls’ boarding school in an old, isolated castle in Buckinghamshire. Wisely, she ran away at the age of 17, and years later took the opportunity for sweet revenge. In this dark and expressive film, Longinotto exposes the repressive school from the students’ perspective—as a kind of miniature state with bizarre rules, indigestible food and absurd punishments. One year after the release of the film, the boarding school was closed down. With PRIDE OF PLACE, Longinotto sets the tone for a long career of films in which individuals revolt against oppressive authorities and stifling traditions.Mode of access: World Wide Web.

Subjects: Documentary films.; Education.; Balts (Indo-European people).; Foreign study.; Documentary films.; Current affairs.; Children.; England.; British Isles.;

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Dream Girls. by Williams, Jano,film director.; Longinotto, Kim,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 1994.This award-winning film opens a door into the amazing world of the Takarazuka Revue, the all-female theatre troupe in Japan. Thousands of young women aspire to perform in the Revue’s glitzy musical spectaculars and the millions of women who attend the shows idolise the romantic heroes like heartthrob pop starts. DREAM GIRLS offers a compelling insight into gender and sexual identity and the contradictions experienced by Japanese women today.Mode of access: World Wide Web.

Subjects: Documentary films.; Literature.; Arts.; Performing arts.; Social sciences.; Asians.; Foreign study.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Artists.; Current affairs.; Playwriting.; Japan.; Theater.; Sex role.; Art and architecture.;

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Runaway. by Longinotto, Kim,film director.; Mir-Hosseini, Ziba,film director.; Royal Anthropological Institute (Firm),dst; Kanopy (Firm),dst;

Originally produced by Royal Anthropological Institute in 2001.This film is set in a refuge for girls in Tehran and follows the stories of five girls who arrive there. These girls, in leaving a situation that has become intolerable, show incredible courage and resourcefulness. The film explores their experience of male authority, their longing for respect and freedom, and their hopes for a brighter future. The centre is run by the dynamic and charismatic Mrs Shirazi, who protects the girls from their families and helps them to renegotiate their relationships. The film shows how Iranian women are learning to challenge the old rules, and how rapidly their country is changing.Mode of access: World Wide Web.

Subjects: Documentary films.; Health.; Social sciences.; Child welfare.; Sociology.; Foreign study.; Documentary films.; Middle East.; Current affairs.; Families.; Teenagers.; Child abuse.; Refugees.; Abuse.; Iran.;

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Results 1 to 8 of 8