Results 1 to 6 of 6
- The subtweet : a novel / by Shraya, Vivek,1981-author.;
"Everyone talks about falling in love, but falling in friendship can be just as captivating. When Neela Devaki's song is covered by internet-famous artist Rukmini, the two musicians meet and a transformative friendship begins. But as Rukmini's star rises and Neela's stagnates, jealousy and self-doubt creep in. With a single tweet, their friendship implodes, one career is destroyed, and the two women find themselves at the center of an internet firestorm. Celebrated multidisciplinary artist Vivek Shraya's second novel is a stirring examination of making art in the modern era, a love letter to brown women, an authentic glimpse into the music industry, and a nuanced exploration of the promise and peril of being seen"--- Subjects: Psychological fiction.; Female friendship; Women composers; Musicians; Internet personalities; Microblogs; Jealousy;
- Available copies: 2 / Total copies: 2
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- People change / by Shraya, Vivek,1981-author.;
"Returning to the powerful single-essay format of I'm Afraid of Men, Vivek Shraya summons her signature wisdom to reflect on a topic she's uniquely qualified to explore: reinvention. Growing up surrounded by Hindu lore, Vivek Shraya first learned to model change after gods who assumed various forms and humans who believed in being born again and again. As a child she worshiped Sathya Sai Baba, an Indian guru who claimed to be the reincarnation of a beloved spiritual master. As a teen she adored Madonna, an idol and a shapeshifter in her own right. But after enacting her own transformations--motivated by both survival and creative expression--she came to see change itself as sacred. People Change is a thought-provoking meditation on reinvention from an artist who has actively refused a single, static shape in both her career and in her personal life. With great intelligence and candour, she mines her own experience to get to the heart of what motivates us to change and what limitations and cultural myths trap us in place. What emerges is a lesson in embracing our multiplicity, honouring the many different versions of ourselves, and celebrating the beauty of transformation, both inside and out"--- Subjects: Essays.; Self-help publications.; Change.;
- Available copies: 1 / Total copies: 1
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- I'm afraid of men / by Shraya, Vivek,1981-author.;
"A powerful meditation on the damaging effects of masculinity from a trans girl--a writer with celebrated indie roots and a knack for dismantling assumptions and challenging the status quo. Toxic masculinity takes many insidious forms, from misogyny and sexual harassment to homophobia, transphobia, and bullying. Vivek Shraya has firsthand experience with nearly all of them. As a boy, Vivek exhibited "feminine" qualities. The men in her life immediately and violently disapproved. They taught her to fear the word girl by turning it into a weapon used to hurt her. They taught her to hate her femininity, to destroy the best parts of herself. In order to survive, Vivek had to learn to convincingly perform masculinity. As a girl, she's still afraid. Having spent years undoing the damage and salvaging her lost girlhood, she is haunted by the violence of men, seldom dressing the way she wants in public. As a result she is often still perceived as male, stirring feelings of guilt and self-doubt: Am I not feminine enough? Is this my fault for striving to be the perfect man and excelling at it? I'm afraid of men is a culmination of the years Vivek spent observing men and creating her own version of manhood. Through deeply personal reflection, she offers a rare and multifaceted perspective on gender and a hopeful reimagining of masculinity at a time when it's needed more than ever"--- Subjects: Autobiographies.; Biographies.; Shraya, Vivek, 1981-; Transgender people; Gender expression; Gender identity; Sex differences.; Masculinity.;
- Available copies: 1 / Total copies: 1
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- We oughta know : how Céline, Shania, Alanis, and Sarah ruled the '90s and changed music / by Warner, Andrea,author.; Shraya, Vivek,1981-writer of foreword.;
Includes bibliographical references."A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated '90s music and changed the industry forever. Fully revised and updated, with a foreword by Vivek Shraya In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became legit global superstars and revolutionized '90s music. In an era when male-fronted musical acts were given magazine covers, Grammys and Junos, and serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes even as their recordings were demolishing sales records. The world is now reconsidering the treatment and reputations of key women in '90s entertainment, and We Oughta Know is a crucial part of that conversation. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Warner offers us a new perspective on the music and legacies of the four Canadian women who dominated the '90s airwaves and influenced an entire generation of current-day popstars with their voices, fashion, and advocacy."--- Subjects: Dion, Céline.; McLachlan, Sarah.; Morissette, Alanis.; Twain, Shania.; Music, Influence of.; Popular music; Women singers;
- Available copies: 0 / Total copies: 1
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- We Oughta Know How Céline, Shania, Alanis, and Sarah Ruled the ’90s and Changed Music [electronic resource] : by Warner, Andrea.aut; Shraya, Vivek.; cloudLibrary;
A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever Fully revised and updated, with a foreword by Vivek Shraya “A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.General adult.- Subjects: Electronic books.; History & Criticism; Pop Vocal; Women's Studies; Popular Culture;
- © 2024., ECW Press,
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- Full-metal indigiqueer : poems / by Whitehead, Joshua,1989-author.;
"This poetry collection focuses on a hybridized Indigiqueer Trickster character named Zoa who brings together the organic (the protozoan) and the technologic (the binaric) in order to re-beautify and re-member queer Indigeneity. This Trickster is a Two-Spirit / Indigiqueer invention that resurges in the apocalypse to haunt, atrophy, and to reclaim. Following oral tradition (à la Iktomi, Nanaboozho, Wovoka), Zoa infects, invades, and becomes a virus to canonical and popular works in order to re-centre Two-Spirit livelihoods. They fiercely take on the likes of Edmund Spenser, Shakespeare, Charles Dickens, and John Milton while also not forgetting contemporary pop culture figures such as Lana Del Rey, Grindr, and Peter Pan. Zoa world-builds a fourth-dimension, lives in the cyber space, and survives in NDN-time -- they have learned to sing the skin back onto their bodies and remain #woke at the end of the world. "Do not read me as a vanished ndn," they ask, 'read me as a ghastly one.' Full-Metal Indigiqueer is influenced by the works of Jordan Abel, Tanya Tagaq, Daniel Heath Justice, Claudia Rankine, Vivek Shraya, Qwo-Li Driskill, Leanne Simpson, Kent Monkman, and Donna Haraway. It is a project of resurgence for Two-Spirit / Indigiqueer folk who have been ghosted in policy, page, tradition, and hi/story -- the very lives of Two-Spirit / Indigiqueer youth are rarely mentioned (and even dispossessed in our very mandates for reconciliation), our lives are precarious but they too are precious. We find ourselves made spectral in settler and neocolonial Indigenous nationalisms -- if reconciliation is a means of 'burying the hatchet,' Zoa seeks to unearth the bones buried with those hatched scalps and perform a séance to ghost dance Indigiqueerness into existence. Zoa world-destroys in order to world-build a new space -- they care little for reconciliation but rather aim to reterroritorialize space in literature, pop culture, and oral storytelling. This project follows in the tradition of the aforementioned authors who, Whitehead believes, utilize deconstruction as a means of decolonization. This is a sex-positive project that tirelessly works to create coalition between those who have, as Haraway once noted, 'been injured, profoundly'"--- Subjects: Canadian poetry;
- Available copies: 1 / Total copies: 1
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Results 1 to 6 of 6