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Once upon a time in Hollywood : a novel / by Tarantino, Quentin,author.;
Rick Dalton - Once he had his own TV series, but now Rick's a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? Cliff Booth - Rick's stunt double, and the most infamous man on any movie set because he's the only one there who might have gotten away with murder ... Sharon Tate - She left Texas to chase a movie-star dream, and found it. Sharon's salad days are now spent on Cielo Drive, high in the Hollywood Hills. Charles Manson - The ex-con's got a bunch of zonked-out hippies thinking he's their spiritual leader, but he'd trade it all to be a rock 'n" roll star. Hollywood 1969--you shoulda been there.
Subjects: Action and adventure fiction.; Film novelizations.; Historical fiction.; Tate, Sharon, 1943-1969; Fromme, Lynette Alice, 1948-; Watson, Charles, 1945-; Male friendship; Motion picture industry; Stunt performers; Television actors and actresses;
Available copies: 1 / Total copies: 1
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Cinema speculation / by Tarantino, Quentin,author.;
"The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once Upon a Time in Hollywood: a deliriously entertaining, wickedly intelligent cinema book as unique and creative as anything by Quentin Tarantino. In addition to being among the most celebrated of contemporary filmmakers, Quentin Tarantino is possibly the most joyously infectious movie lover alive. For years he has touted in interviews his eventual turn to writing books about films. Now, with Cinema Speculation, the time has come, and the results are everything his passionate fans--and all movie lovers--could have hoped for. Organized around key American films from the 1970s, all of which he first saw as a young moviegoer at the time, this book is as intellectually rigorous and insightful as it is rollicking and entertaining. At once film criticism, film theory, a feat of reporting, and wonderful personal history, it is all written in the singular voice recognizable immediately as QT's and with the rare perspective about cinema possible only from one of the greatest practitioners of the artform ever."--
Subjects: Film criticism.; Tarantino, Quentin; Tarantino, Quentin; Film criticism; Motion pictures;
Available copies: 1 / Total copies: 1
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Bad motherf**ker : the life and movies of Samuel L. Jackson, the coolest man in Hollywood / by Edwards, Gavin,1968-author.;
Includes bibliographical references and index.A fascinating exploration and celebration of the life and work of the coolest man in Hollywood, Samuel L. Jackson--from his star-making turns in the films of Spike Lee and Quentin Tarantino to his ubiquitous roles in the Star Wars and Marvel franchises, not to mention the cult favorite Snakes on a Plane. Samuel L. Jackson's embodiment of cool isn't just inspirational-it's important. Bad Motherfucker lays out how his attitude intersects with his identity as a Black man, why being cool matters in the modern world, and how Jackson can guide us through the current cultural moment in which everyone is losing their cool. Edwards details Jackson's fascinating personal history, from stuttering bookworm to gunrunning revolutionary to freebasing addict to A-list movie star. Drawing on original reporting and interviews, the book explores not only the major events of Jackson's life but also his obsessions: golf, kung fu movies, profanity. Bad Motherfucker features a delectable filmography of Jackson's movies--140 and counting!--and also includes new movie posters for many of Jackson's greatest roles, reimagined by dozens of gifted artists and designers. The book provides a must-read road map through the vast territory of his on-screen career and more: a vivid portrait of Samuel L. Jackson's essential self, as well as practical instructions, by example, for how to live and work and be.
Subjects: Biographies.; Jackson, Samuel L.; African American motion picture actors and actresses; Motion picture actors and actresses;
Available copies: 1 / Total copies: 1
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Xanax cowboy : poems / by Green, Hannah(Author of Xanax cowboy),author.;
Includes bibliographical references.Hannah Green's edgy, often darkly comedic debut, Xanax Cowboy, is a long poem that considers the romanticization of addiction and mental illness (particularly in relation to the notion of the artist) via the romanticization of the Wild West. Cowboys are supposed to be messed up, a bit raw around the edges. The speaker wants to be loved for this too, and doesn't care if she is the only one laughing. The long poem is known for its resistance to form and expectation. Xanax Cowboy is as obsessed with itself as other long poems. It is vain. It is ridiculous. It is a tangent with new shapes, line breaks, and metaphors. Highly referential, mostly in terms of pop culture and iconography -- drawing from sources such as Michael Ondaatje's The Collected Works of Billy the Kid and the films of Quentin Tarantino -- Xanax Cowboy also deploys a specifically feminist approach, giving it additional urgency and energy. Xanax Cowboy insists on its variety of form and approach. Its strangeness. Its boldness. Its smoking pistols. Prepare yourself for a whiskey-drenched Western where pills fall from the sky and the speaker swallows Hollywood's version of the cowboy, its loneliness resting in her belly.
Subjects: Poetry.; Canadian poetry; Canadian poetry; Cowboys; Mental illness;
Available copies: 1 / Total copies: 1
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A light in the dark : a history of movie directors / by Thomson, David,1941-author.;
"Directors operate behind the scenes managing actors, establishing a cohesive creative vision, at times literally guiding our eyes with the eye of the camera. But we are often so dazzled by the visions onscreen that it is easy to forget the individual who is off-screen orchestrating the entire production--to say nothing of their having marshalled a script, a studio, and other people's money. David Thomson, in his usual brilliantly insightful way, shines a light on the visionary directors who have shaped modern cinema and, through their work, studies the very nature of film direction. With his customary candor about his own delights and disappointments, Thomson analyzes both landmark works and forgotten films from classic directors such as Orson Welles, Alfred Hitchcock, Jean Renoir and Jean-Luc Godard, as well as contemporary powerhouses such as Jane Campion, Spike Lee and Quentin Tarantino. He shrewdly interrogates their professional legacies and influence in the industry, while simultaneously assessing the critical impact of an artist's personal life on his or her work. He explores the male directors' dominance of the past, and describes how diversity can change the landscape. Judicious, vivid and witty, A Light in the Dark is yet another required Thomson text for every movie lover's shelf"--
Subjects: Motion pictures; Motion picture producers and directors;
Available copies: 1 / Total copies: 1
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