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We keep the dead close : a murder at Harvard and a half century of silence / by Cooper, Becky,author.;
Includes bibliographical references."1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. WE KEEP THE DEAD CLOSE is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history"--
Subjects: Biographies.; True crime stories.; Britton, Jane Sanders, 1945-1969.; Harvard University; Murder; Cold cases (Criminal investigation); Murder victims; Women graduate students; Women in higher education; Sex discrimination in higher education;
Available copies: 1 / Total copies: 1
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The stolen queen : a novel / by Davis, Fiona,1966-author.;
Includes bibliographical references."Egypt, 1936. When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt's Valley of the Kings, she leaps at the opportunity. But after an unbearable tragedy strikes, Charlotte knows her future will never be the same. New York City, 1978: Eighteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for iconic former Vogue fashion editor Diana Vreeland, who's in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the "party of the year." Though Annie soon realizes she'll have her work cut out for her, scrambling to meet Diana's capricious demands and exacting standards. Meanwhile, Charlotte, now leading a quiet life as the associate curator of the Met's celebrated Department of Egyptian Art, wants little to do with the upcoming gala. She's consumed with her research on Hathorkare -- a rare female pharaoh dismissed by most other Egyptologists as unimportant. That is, until the night of the gala. When one of the Egyptian art collection's most valuable artifacts goes missing ... and there are signs Hathorkare's legendary curse might be reawakening. As Annie and Charlotte team up to search for the missing antiquity, a desperate hunch leads the unlikely duo to one place Charlotte swore she'd never return: Egypt. But if they're to have any hope of finding the artifact, Charlotte will need to confront the demons of her past -- which may mean leading them both directly into danger"--
Subjects: Historical fiction.; Novels.; Costume Institute (New York, N.Y.); Archaeology and history; Art, Egyptian; Curatorship; Pharaohs; Theft of relics; Women Egyptologists;
Available copies: 2 / Total copies: 2
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The stolen queen [text (large print)] : a novel / by Davis, Fiona,1966-author.;
Includes bibliographical references."Egypt, 1936. When anthropology student Charlotte Cross is offered a coveted spot on an archaeological dig in Egypt's Valley of the Kings, she leaps at the opportunity. But after an unbearable tragedy strikes, Charlotte knows her future will never be the same. New York City, 1978: Eighteen-year-old Annie Jenkins is thrilled when she lands an opportunity to work for iconic former Vogue fashion editor Diana Vreeland, who's in the midst of organizing the famous Met Gala, hosted at the museum and known across the city as the "party of the year." Though Annie soon realizes she'll have her work cut out for her, scrambling to meet Diana's capricious demands and exacting standards. Meanwhile, Charlotte, now leading a quiet life as the associate curator of the Met's celebrated Department of Egyptian Art, wants little to do with the upcoming gala. She's consumed with her research on Hathorkare -- a rare female pharaoh dismissed by most other Egyptologists as unimportant. That is, until the night of the gala. When one of the Egyptian art collection's most valuable artifacts goes missing ... and there are signs Hathorkare's legendary curse might be reawakening. As Annie and Charlotte team up to search for the missing antiquity, a desperate hunch leads the unlikely duo to one place Charlotte swore she'd never return: Egypt. But if they're to have any hope of finding the artifact, Charlotte will need to confront the demons of her past -- which may mean leading them both directly into danger"--
Subjects: Historical fiction.; Large print books.; Novels.; Costume Institute (New York, N.Y.); Archaeology and history; Art, Egyptian; Curatorship; Pharaohs; Theft of relics; Women Egyptologists;
Available copies: 1 / Total copies: 1
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Pathogenesis : a history of the world in eight plagues / by Kennedy, Jonathan,author.;
Includes bibliographical references and index."A sweeping look at how the major transformations in history--from the rise of Homo sapiens to the birth of capitalism--have been shaped not by humans but by germs. According to the accepted narrative of progress, humans have thrived thanks to their brains and brawn, collectively bending the arc of history. But in this revelatory book, professor Jonathan Kennedy argues that the myth of human exceptionalism overstates the role that we play in social and political change. Instead, it is the humble microbe that wins wars and topples empires. Drawing on the latest research in fields ranging from genetics and anthropology to archaeology and economics, Pathogenesis takes us through 60,000 years of history, exploring eight major outbreaks of infectious disease that have made the modern world. Bacteria and viruses were protagonists in the demise of the Neanderthals, the growth of Islam, the transition from feudalism to capitalism, the devastation wrought by European colonialism, and the evolution of the United States from an imperial backwater to a global superpower. Even Christianity rose to prominence in the wake of a series of deadly pandemics that swept through the Roman Empire in the second and third centuries: Caring for the sick turned what was a tiny sect into one of the world's major religions. By placing disease at the center of his wide-ranging history of humankind, Kennedy challenges some of the most fundamental assumptions about our collective past--and urges us to view this moment as another disease-driven inflection point that will change the course of history. Provocative and brimming with insight, Pathogenesis transforms our understanding of the human story"--
Subjects: Diseases and history.; Epidemics; Plague;
Available copies: 0 / Total copies: 1
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War at the margins : Indigenous experiences in World War II / by Poyer, Lin,1953-author.;
Includes bibliographical references (pages 259-306) and index."War at the Margins offers a broad comparative view of the impact of World War II on Indigenous societies. Using historical and ethnographic sources, Lin Poyer examines how Indigenous communities emerged from the trauma of the wartime era with social forms and cultural ideas that laid the foundations for their twenty-first century emergence as players on the world's political stage. With a focus on Indigenous voices and agency, a global overview reveals the enormous range of wartime activities and impacts on these groups, connecting this work with comparative history, Indigenous studies, and anthropology. The distinctiveness of Indigenous peoples offers a valuable perspective on World War II, as those on the margins of Allied and Axis empires and nation-states were drawn in as soldiers, scouts, guides, laborers, and victims. Questions of loyalty and citizenship shaped Indigenous combat roles-from integration in national armies to service in separate ethnic units to unofficial use of their special skills, where local knowledge tilted the balance in military outcomes. Front lines crossed Indigenous territory most consequentially in northern Europe, Southeast Asia, and the Pacific Islands, but the impacts of war go well beyond combat. Like others around the world, Indigenous civilian men and women suffered bombing and invasion, displacement, forced labor, military occupation, and economic and social disruption. Infrastructure construction and demand for key resources affected even areas far from front lines. World War II dissolved empires and laid the foundation for the postcolonial world. Indigenous people in newly independent nations struggled for autonomy, while other veterans returned to home fronts still steeped in racism. National governments saw military service as evidence that Indigenous peoples wished to assimilate, but wartime experiences confirmed many communities' commitment to their home cultures and opened new avenues for activism. By century's end, Indigenous Rights became an international political force, offering alternative visions of how the global order might make room for greater local self-determination and cultural diversity. In examining this transformative era, War at the Margins adds an important contribution to both World War II history and to the development of global Indigenous identity"--
Subjects: Indigenous peoples; World War, 1939-1945; World War, 1939-1945;
Available copies: 1 / Total copies: 1
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Death in the City. by Ghosh, Balaka,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.The sacred city of Varanasi, situated on the holy Ganges, ‘the river of life’, is the revered destination for death for Hindus since time immemorial. With legendary funeral pyres burning non-stop for over three millennia on the river bank, the city’s status is founded on the belief that dying in Varanasi breaks the repeated cycle of rebirth. Filmed across four years, 2018 - 2021, DEATH IN THE CITY is an intimate portrayal of ‘The City of Life and Death’, the myriad communities who live and work in its ancient streets; including those waiting to die or those working with the dead, along with rare access to the death-worshipping Aghori Saints. This is a film in three movements: the spiritual, the metaphysical and the experiential. The most pressured crematorium in the world, Varanasi’s relationship with death is at the same time auspicious, spiritual, and industrial.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Philosophy and religion.; Anthropology.; Asians.; Foreign study.; Documentary films.; Ethnicity.;
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The Red Suitcase. by Devkota, Fidel,film director.; Deuja, Anju,actor.; Karki, Bipin,actor.; Khatiwada, Prabin,actor.; Malla, Saugat,actor.; Shrestha, Shristi,actor.; Lama, Sonam,actor.; Dekanalog (Firm),dst; Kanopy (Firm),dst;
Anju Deuja, Bipin Karki, Prabin Khatiwada, Saugat Malla, Shristi Shrestha, Sonam LamaOriginally produced by Dekanalog in 2023.An atmospheric road movie through the breathtaking landscape of Nepal. Mysterious events take place along the endless country backroads from Kathmandu to a remote mountain village, as a delivery driver and a solitary walking figure with a small red suitcase make their way to the same destination. A fable reflecting the political and economic uncertainty of present day Nepal.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Horror films.; Political films.; Visual anthropology.; Ghosts.; Motion pictures--Asia.;
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Nu Shu. by Yang, Yue-Qing,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 1999.In feudal China, women, usually with bound feet, were denied educational opportunities and condemned to social isolation. But in Jian-yong county in Hunan province, peasant women miraculously developed a separate written language, called Nu Shu, meaning "female writing." Believing women to be inferior, men disregarded this new script, and it remained unknown for centuries. It wasn't until the 1960s that Nu Shu caught the attention of Chinese authorities, who suspected that this peculiar writing was a secret code for international espionage. Today, interest in this secret script continues to grow, as evidenced by the wide critical acclaim of Lisa See's novel, "Snow Flower and the Secret Fan", about Nu Shu.NU SHU: A HIDDEN LANGUAGE OF WOMEN IN CHINA is a thoroughly engrossing documentary that revolves around the filmmaker's discovery of eighty-six-year-old Huan-yi Yang, the only living resident of the Nu Shu area still able to read and write Nu Shu. Exploring Nu Shu customs and their role in women's lives, the film uncovers a women's subculture born of resistance to male dominance, finds a parallel struggle in the resistance of Yao minorities to Confucian Han Chinese culture, and traces Nu Shu's origins to some distinctly Yao customs that fostered women's creativity.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Anthropology.; Asians.; Foreign study.; Second language acquisition.; Sociology.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; History.; China.; Language and languages.;
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The Klezmer Project. by Koch, Leandro,film director.; Schachmann, Paloma,film director.; Greenwich Entertainment (Firm),dst; Kanopy (Firm),dst;
Originally produced by Greenwich Entertainment in 2023.A Jewish wedding cameraman falls in love with a klezmer clarinetist and pretends to be making a documentary in order to spend time with her. His fake project leads to a real journey through Eastern Europe in search of lost klezmer melodies and the remnants of Yiddish culture. A documentary-fiction hybrid. Winner of the Best First Feature Award at the Berlin Film Festival.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Anthropology.; Music.; Balts (Indo-European people).; Foreign study.; History, Modern.; Judaism.; Documentary films.; Ethnicity.; Artists.; Current affairs.; History.; Europe, Eastern.; Ethnomusicology.; Folk music.; Jews--History.; Performing arts.;
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Museo [videorecording] / by Beale, Simon Russell,actor.; García Bernal, Gael,1978-actor.; Gilmartin, Lynn,actor.; Ortizgris, Leonardo,actor.; Owen, Lisa,actor.; Ruizpalacios, Alonso,film director.; Kino Lorber, Inc.,publisher.;
Gael Garcia Bernal, Simon Russell Beale, Lynn Gilmartin, Lisa Owen, Leonardo Ortizgris.Well into their 30s, Juan Nunez and Benjamin Wilson still can't seem to finish veterinary school or leave their parents' homes. Instead, they wallow in comfortable limbo a suburb of Mexico City. On a fateful Christmas Eve, however, they decide it's finally time to distinguish themselves by executing the most infamous cultural artifacts heist in all of Mexican history, looting the country's iconic National Anthropology Museum in an act worthy of the Ocean's Eleven crew.14A.DVD ; widescreen presentation ; Dolby Digital 5.1, 2.0.
Subjects: Motion pictures, Mexican.; Foreign films.; Fiction films.; Feature films.; Video recordings for the hearing impaired.; Museo Nacional de Antropología (Mexico); Theft from museums; Veterinary students;
For private home use only.
Available copies: 1 / Total copies: 1
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Results 61 to 70 of 72 | « previous |