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Bodies of art, bodies of labour / by Beaton, Kate,1983-author.; Centre for Literatures in Canada,publisher.; University of Alberta Press,publisher.;
Includes bibliographical references."Bodies of Art, Bodies of Labour by Kate Beaton, award-winning author of Ducks: Two Years in the Oil Sands and Hark! A Vagrant, explores connections between class, literature, and art from Cape Breton Island. In this thought-provoking book, Beaton addresses the often overlooked impact of class on the Canadian arts scene. The book highlights the reality that people from poor or working-class backgrounds face significant barriers to becoming artists, limiting their ability to share their stories and contribute to the collective culture. This lack of representation in art, music, and literature can empower or stereotype, edify or diminish, or worse, erase entire communities. Beaton emphasizes that if working-class and poor people do not write themselves into stories, others will, often with damaging results. Drawing on examples from work published about Cape Breton, Beaton sheds light on the portrayal of working-class lives. She juxtaposes this with her personal experiences, her family's stories, and the inspiring work of other Cape Bretoners. Despite economic hardships, her community has long valued and created art: art for no money, for each other, for themselves, for memory, for joy. Bodies of Art, Bodies of Labour thoughtfully examines personal and working class legacies, celebrating the authenticity and power of truly seeing ourselves and each other in the art that we create"--
Subjects: Art and society; Arts, Canadian; Poor; Working class in art.; Working class;
Available copies: 0 / Total copies: 1
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The Group of Seven and Tom Thomson / by Silcox, David P.,1937-; Thomson, Tom,1877-1917.; Group of Seven (Group of artists);
Includes bibliographical references (p. 401-410) and index.LSC
Subjects: Thomson, Tom, 1877-1917.; Group of Seven (Group of artists); Painting, Canadian; Landscape painting, Canadian;
© 2011, c2003., Firefly Books,
Available copies: 2 / Total copies: 2
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Canvas of war : painting the Canadian experience, 1914 to 1945 / by Oliver, Dean Frederick,1965-; Brandon, Laura,1951-;
Includes bibliographical references and indexes.
Subjects: World War, 1914-1918; World War, 1939-1945; Painting, Canadian; Painting, Modern;
© 2000., Douglas & McIntyre,
Available copies: 1 / Total copies: 1
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Defiant spirits : the modernist revolution of the Group of Seven / by King, Ross,1962-; McMichael Canadian Art Collection.;
Includes bibliographical references and index.
Subjects: Group of Seven (Group of artists); Painters; Painting, Canadian;
© 2010., Douglas & McIntyre,
Available copies: 1 / Total copies: 1
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Wabanaki modern : the artistic legacy of the 1960s "Micmac Indian Craftsmen" = Wabanaki Kiskukewey : Natawitekemkewe'k naqtmi'tipp 1960s "Mi'kmawe'k L'nu'k Natawiteka'tij" = Wabanaki moderne : héritage artistique des Micmac Indian Craftsmen des années 1960 / by Hassencahl-Perley, Emma,author.; Hassencahl-Perley, Emma,author.; Leroux, John,1970-author.; Beaverbrook Art Gallery,publisher,host institution.; Container of (work):Micmac Indian Craftsmen.Works.Selections.;
Includes bibliographical references."The "Micmac Indian Craftsmen" of Elsipogtog (then known as Big Cove) rose to national prominence in the early 1960s. At their peak, they were featured in print media from coast to coast, their work was included in books and exhibitions--including at Expo 67--and their designs were featured on prints, silkscreened notecards, jewelry, tapestries, and even English porcelain. Primarily self-taught, deeply rooted in their community, and fluent Mi'kmaw speakers, they were among the first modern Indigenous artists in Atlantic Canada. Inspired by traditional Wabanaki stories, they produced an eclectic range of handmade objects that were sophisticated, profound, and eloquent. By 1966, the withdrawal of government support compromised the Craftsmen's resources, production soon ceased, and their work faded from memory. Now, for the first time, the story of this ground-breaking co-operative and their art is told in full. Accompanying a major exhibition at the Beaverbrook Art Gallery opening in 2022, Wabanaki Modern features essays on the history of this vibrant art workshop, archival photographs of the artisans, and stunning full-colour images of their art."--
Subjects: Exhibition catalogs.; Beaverbrook Art Gallery; Micmac Indian Craftsmen; Art, Canadian; Indigenous art; Indigenous art; Indigenous peoples; Indigenous peoples; Micmac art; First Nations art; First Nations; First Nations; Mi'kmaq;
Available copies: 1 / Total copies: 1
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Worlds on paper : drawings from Kinngait / by Henderson, Emily Laurent,author,curator.; McMichael Canadian Art Collection,host institution.;
'Dreaming Forward' features over 150 never-before-seen original drawings by internationally renowned Inuit artists from Kinngait (Cape Dorset). Emily Laurent Henderson is a Kalaaleq (South Greenlandic) person and is the Associate Curator, Indigenous Arts and Culture at the McMichael Canadian Art Collection in Kleinburg, ON.
Subjects: Kinngait Studios (Cape Dorset, Nunavut); McMichael Canadian Art Collection.; Inuit art; Inuit artists; Inuit; Inuit;
Available copies: 1 / Total copies: 1
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The greatest victory : Canada's one hundred days, 1918 / by Granatstein, J. L.,1939-author.;
Includes bibliographical references and index.
Subjects: Currie, Arthur, Sir, 1875-1933.; Canada. Canadian Army; Canada. Canadian Army. Canadian Corps; Military art and science; World War, 1914-1918; World War, 1914-1918; World War, 1914-1918;
Available copies: 1 / Total copies: 1
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A like vision : the Group of Seven & Tom Thomson / by Dejardin, Ian,editor.; Milroy, Sarah,editor,writer of introduction.; McMichael Canadian Art Collection,host institution.;
"A like vision is a lavish celebration of the legacy of Tom Thomson and the Group of Seven, Canada's canonical landscape painters. The Group's depiction of the rugged beauty of the Canadian landscape - from the coastal mountains of British Columbia to the north shore of Lake Superior, the villages of rural Quebec, and the rocky, windswept coves of Newfoundland - charged Canadians to experience their country in a bold new light and changed the face of Canadian art forever. Through their vigorous and expressive painterly style and vibrant colours, the Group of Seven significantly contributed to Canada's sense of autonomy and identity as a modern state in the aftermath of the First World War. Featuring three hundred full-colour images, A Like Vision includes a lead essay by Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, and contributions by a host of artists, curators, and writers. Among them are Indigenous art historian and curator Gerald McMaster, filmmaker Jennifer Baichwal, novelists David Macfarlane and Jane Urquhart, painters John Hartman and Robert Houle, and Inuk writer Tarrilik Duffy. One hundred years on from the Group's first exhibition in 1920, A Like Vision is both a chance to review the Group's legacy and a tribute to these giants of Canadian art and culture."--Provided by publisher.
Subjects: Exhibition catalogs.; Thomson, Tom, 1877-1917; Group of Seven (Group of artists); McMichael Canadian Art Collection; Landscape painting, Canadian; Landscapes in art; Painting;
Available copies: 1 / Total copies: 1
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A concise history of Canadian painting / by Reid, Dennis.;
Art historian and curator Dennis Reid presents the history of Canadian art from the seventeenth century to the new millennium.LSC
Subjects: Painting, Canadian;
© c2012., Oxford University Press,
Available copies: 1 / Total copies: 1
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Annie Pootoogook : cutting ice = Ini Putugu : tukisitittisimavuq takusinnggittunik / by Campbell, Nancy,1965-author.; Campbell, Nancy,1965-Annie Pootoogook.; Campbell, Nancy,1965-Annie Pootoogook.Inuktitut.; McMichael Canadian Art Collection,issuing body.;
Includes bibliographical references and index."The life and death of Annie Pootoogook (1969-2016) became a national story when her body was recovered from the Rideau River in Ottawa in September 2016. The complexities of her short 47 years speak to both possibility and heartbreak, issues of truth and reconciliation, the richness of community, and the depths of tragedy. Her arresting pencil crayon drawings recording the details of her life have had a significant impact on both the contemporary art of her Inuit community and Canada at large. Her drawings and her legacy, depict a community in transition; one that respects its past and is negotiating its future."--Co-published by: McMichael Canadian Art Collection.
Subjects: Biographies.; Pootoogook, Annie, 1969-2016.; Inuit artists;
Available copies: 1 / Total copies: 1
unAPI

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