Results 31 to 40 of 42 | « previous | next »
- Miss World 1970 : how I entered a pageant and wound up making history / by Hosten-Craig, Jennifer,author.; Mbatha-Raw, Gugu,1983-writer of foreword.;
"1970 was the last year of the Beatles and the first year of the supersonic Concorde--a time of new possibilities and social upheaval, and Jennifer Hosten, a young airline hostess from the Caribbean island of Grenada, was as surprised as anyone to find herself in the midst of it. After winning a Miss Grenada contest, she travelled to London for the 1970 Miss World pageant and arrived at Royal Albert Hall determined to make her mark. So, too, did members of the fledgling Women's Liberation movement who chose that globally-televised moment to protest the sexual exploitation of women. They planted bombs, stormed the hall, and chased comedian Bob Hope from the stage. By the end of the night, the world had been introduced to both radical feminism and a new ideal of feminine beauty. Ms. Hosten was the first woman of color crowned Miss World. Miss World 1970 is the story of the craziest and most meaningful pageant ever, an inspiring account of Ms. Hosten's barrier-breaking win and her subsequent globe-trotting career as a development worker and diplomat. With historic photographs, movie stills, and a foreword by acclaimed actress Gugu Mbatha-Raw."--
- Subjects: Autobiographies.; Biographies.; Hosten-Craig, Jennifer.; Miss World Pageant.; Beauty contestants; Beauty contests; Diplomats;
- Available copies: 1 / Total copies: 1
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- Led Zeppelin : the biography / by Spitz, Bob,author.;
Includes bibliographical references and index."From the author of the definitive New York Times bestselling history of the Beatles comes the authoritative account of the group Jack Black and many others call the greatest rock band of all time, arguably the most successful, and certainly one of the most notorious. Rock stars. Whatever those words mean to you, chances are, they owe a debt to Led Zeppelin. No one before or since has lived the dream quite like Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. In Led Zeppelin, Bob Spitz takes their full measure, for good and sometimes for ill, separating the myth from the reality with the connoisseurship and storytelling flair that are his trademarks. From the opening notes of their first album, the band announced itself as something different, a collision of grand artistic ambition and brute primal force, of delicate English folk music and hard-driving African-American blues. That record sold over 10 million copies, and it was the merest beginning; Led Zeppelin's albums have sold over 300 million certified copies worldwide, and the dust has never settled. Taken together, Led Zeppelin's discography has spent an almost incomprehensible ten-plus years on the album charts. The band is notoriously guarded, and previous books shine more heat than light. But Bob Spitz's authority is undeniable and irresistible. His feel for the atmosphere, the context--the music, the business, the recording studios, the touring life, the radio stations, the fans, the whole ecosystem of popular music--is unparalleled. His account of the melding of Page and Jones, the virtuosic London sophisticates, with Plant and Bonham, the wild men from the Midlands, into a band out of the ashes of the Yardbirds, in a scene dominated by the Beatles and the Stones but changing fast, is in itself a revelation. Spitz takes the music seriously, and brings the band's artistic journey to full and vivid life. The music is only part of the legend, however: Led Zeppelin is also the story of how the 60's became the 70's, of how playing in clubs became playing in stadiums and flying your own jet, of how innocence became decadence. Led Zeppelin may not have invented the groupie, and they weren't the first rock band to let loose on the road, but they took it to an entirely new level, as with everything else. Not all the legends are true, but in Bob Spitz's careful accounting, what is true is astonishing, and sometimes disturbing. Led Zeppelin gave no quarter, and neither has Bob Spitz. Led Zeppelin is the full and honest reckoning the band has long awaited, and richly deserves"--
- Subjects: Biographies.; Led Zeppelin (Musical group); Rock musicians;
- Available copies: 1 / Total copies: 1
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- One foot on the platform : a rock 'n' roll journey : writings on music / by Goddard, Peter,author.; Wainwright, J. A.,1946-editor.;
"In the summer of 2020, acclaimed music critic and journalist Peter Goddard began work on a new book that would take readers on a journey back through his fifty-plus years spent writing professionally about rock music and the musical styles circling it -- everything from blues and jazz to country and classical. His plan was to revisit his old haunts and their habitués, scenes and figures he first wrote about starting in the mid-1960s when he became Canada's first on-staff popular music critic, to show how ongoing revisions continually reframe first impressions. Tragically, Goddard died in 2022 before work on the manuscript was complete. But many of the core essays -- on Bob Dylan, John Lennon and Yoko Ono, the Who, k.d. lang, David Bowie, Liza Minelli, the Band, Neil Diamond, and others -- are here. Accompanying these new essays is a collection of some of the best writing of Goddard's career -- ranging from interviews with B.B. King, Joni Mitchell, Paul Simon, Bruce Springsteen, and Janis Joplin to reviews of classic albums by the Beatles, the Rolling Stones, and Neil Young to close readings of Leonard Cohen, Anne Murray, Led Zeppelin, and Gordon Lightfoot. Taken as a whole, One Foot on the Platform represents more than fifty years of thought and writing by one of Canada's foremost cultural critics."--
- Subjects: Biographies.; Personal narratives.; Rock musicians; Popular music; Rock music;
- Available copies: 0 / Total copies: 1
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- Madonna : a rebel life / by Gabriel, Mary,author.;
Includes bibliographic key to online citations and index."With her arrival on the pop music scene in the early 1980s, Madonna generated nothing short of an explosion-as great as that of Elvis or the Beatles or Michael Jackson-taking the nation by storm with her liberated politics and breathtaking talent. Within two years of her 1983 debut album, a shopping mall in California was nicknamed "The Madonna Mall" because it was overrun with "Material Girls." Later that year, the flagship Macy's store in Manhattan held a Madonna lookalike contest featuring Andy Warhol as a judge, and opened a department called "Madonna-land." Everywhere, both women and men gravitated to the singer and actor as an emblem of a new age, one in which the women's liberation could shed the buttoned-down demeanor and reserved seriousness of the '60s and '70s and continue to make tremendous strides for a new generation. Topping charts again and again with provocative, visionary music and videos, Madonna brought queer and sexually-curious identities into the mainstream, fiercely defending a person's right to love whomever, and the space to be who they wanted. Even after almost 45 years in the spotlight, no stranger to controversy, Madonna stands as one of the staunchest supporters of women's rights and continues to represent a lionized emblem of women's liberation throughout the world"--
- Subjects: Biographies.; Madonna, 1958-; Singers; Women singers;
- Available copies: 1 / Total copies: 1
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- My effin' life / by Lee, Geddy,author.; Richler, Daniel,author.;
"The long-awaited memoir, generously illustrated with never-before-seen photos, from the iconic Rock and Roll Hall of Famer, Rush bassist, and bestselling author of Geddy Lee's Big Beautiful Book of Bass. Geddy Lee is one of rock and roll's most respected bassists. For nearly five decades, his playing and work as co-writer, vocalist and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. Here for the first time is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, after his grandfather murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences as teenagers during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart--deeply mourning Peart's recent passing--and reveals his obsessions in music and beyond. This rich brew of honesty, humor, and loss makes for a uniquely poignant memoir"--
- Subjects: Biographies.; Autobiographies.; Lee, Geddy.; Rush (Musical group); Bass guitarists; Rock musicians;
- Available copies: 1 / Total copies: 1
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- My effin' life [sound recording] / by Lee, Geddy,author,narrator.; Lifeson, Alex,narrator.; Burnstein, Cliff,narrator.; Richler, Daniel,author.; Blackstone Audio, Inc.,publisher.; Harper Audio (Firm),publisher.;
Read by Geddy Lee, Alex Lifeson, Cliff Burnstein."The long-awaited memoir, generously illustrated with never-before-seen photos, from the iconic Rock and Roll Hall of Famer, Rush bassist, and bestselling author of Geddy Lee's Big Beautiful Book of Bass. Geddy Lee is one of rock and roll's most respected bassists. For nearly five decades, his playing and work as co-writer, vocalist and keyboardist has been an essential part of the success story of Canadian progressive rock trio Rush. Here for the first time is his account of life inside and outside the band. Long before Rush accumulated more consecutive gold and platinum records than any rock band after the Beatles and the Rolling Stones, before the seven Grammy nominations or the countless electrifying live performances across the globe, Geddy Lee was Gershon Eliezer Weinrib, after his grandfather murdered in the Holocaust. As he recounts the transformation, Lee looks back on his family, in particular his loving parents and their horrific experiences as teenagers during World War II. He talks candidly about his childhood and the pursuit of music that led him to drop out of high school. He tracks the history of Rush which, after early struggles, exploded into one of the most beloved bands of all time. He shares intimate stories of his lifelong friendships with bandmates Alex Lifeson and Neil Peart--deeply mourning Peart's recent passing--and reveals his obsessions in music and beyond. This rich brew of honesty, humor, and loss makes for a uniquely poignant memoir"--
- Subjects: Biographies.; Audiobooks.; Autobiographies.; Lee, Geddy.; Rush (Musical group); Bass guitarists; Rock musicians; Rock groups;
- Available copies: 1 / Total copies: 1
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- The other fab four : the remarkable true story of The Liverbirds, Britain's first female rock band / by McGlory, Mary,author.; Saunders, Sylvia,author.;
Includes bibliographical references."When John Lennon told the four members of The Liverbirds-Britain's first female rock band-that girls couldn't play guitar, they proved him wrong. This is their story. The idea for Britain's first female rock band, The Liverbirds, started one evening in 1962, when Mary McGlory, then age 16, saw The Beatles play live at The Cavern Club in Liverpool, the nightclub famously known as the "cradle of British pop music." Then and there, she decided she was going to be just like them-and be the first girl to do it. Joining ranks in 1963 with three other working-class girls from Liverpool-drummer Sylvia Saunders and guitarists Valerie Gell and Pamela Birch, also self-taught musicians determined to "break the male monopoly of the beat world"-The Liverbirds went on to tour alongside the Rolling Stones, the Kinks, and Chuck Berry, and were on track to hit international stardom-until life intervened, and the group was forced to disband just five years after forming in 1968. Now, Mary and Sylvia, the band's two surviving members, are ready to tell their stories. From that fateful night in 1962, when Mary, who once aspired to become a nun, decided to provide for her family by becoming a rich-and-famous rocker, to the circumstances that led to the band splitting up-Sylvia's dangerously complicated pregnancy, and the tragic accident that paralyzed Valerie's beau-The Liverbirds tackles family, friendship, addiction, aging, and the forces-even destiny-that initially brought the four women together"--
- Subjects: Biographies.; Personal narratives.; Liverbirds (Musical group); Rock groups; Rock musicians; Women rock musicians;
- Available copies: 1 / Total copies: 1
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- Off the record / by Mansbridge, Peter,author.;
Peter Mansbridge invites us to walk the beat with him in this entertaining and revealing look into his life and career, from his early broadcasting days in the remote northern Manitoba community of Churchill to the fast-paced news desk of CBCs flagship show, The National, where he reported on stories from around the world. Today, Peter Mansbridge is often recognized for his distinctive deep voice, which calmly delivered the news for over fifty years. But ironically, he never considered becoming a broadcaster. In some ways, though, Peter was prepared for a life as a newscaster from an early age. Every night around the dinner table, his family would debate the news of the day, from Cold War scandals and Vietnam to Elvis Presley and the Beatles. So in 1968, when by chance a CBC radio manager in Churchill, Manitoba, offered him a spot hosting the local late night music program, Peter embraced the opportunity. Without a teacher, he tuned into broadcasts from across Canada, the US, and the UK to learn the basic skills of a journalist and he eventually parlayed his position into his first news job. Less than twenty years later, he became the chief correspondent and anchor of The National. With humour and heart, Peter shares never-before-told stories from his distinguished career, including reporting on the fall of the Berlin Wall and the horror of 9/11, walking the beaches of Normandy with Tom Brokaw, and talking with Canadian prime ministers from John Diefenbaker to Justin Trudeau. But its far from all serious. Peter also writes about finding the cure for baldness in China and landing the role of Peter Moosebridge in Disneys Zootopia. From the first (and only) time he was late to broadcast to his poignant interview with the late Gord Downie, these are the moments that have stuck with him. After years of interviewing others, Peter turns the lens on himself and takes us behind the scenes of his life on the frontlines of journalism as he reflects on the toll of being in the spotlight, the importance of diversity
- Subjects: Biographies.; Autobiographies.; Mansbridge, Peter.; Canadian Broadcasting Corporation; Television news anchors; Television news anchors;
- Available copies: 1 / Total copies: 1
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- Testimony / by Robertson, Robbie,author.;
"On the fortieth anniversary of The Band's legendary The Last Waltz concert, Robbie Robertson finally tells his own spellbinding story of the band that changed music history, his extraordinary personal journey, and his creative friendships with some of the greatest artists of the last half-century. Robbie Robertson's singular contributions to popular music have made him one of the most beloved songwriters and guitarists of his time. With songs like "The Weight", "The Night They Drove Old Dixie Down", and "Up on Cripple Creek", he and his partners in The Band fashioned music that has endured for decades, influencing countless musicians. In this captivating memoir, written over five years of reflection, Robbie Robertson employs his unique storyteller's voice to weave together the journey that led him to some of the most pivotal events in music history. He recounts the adventures of his half-Jewish, half-Mohawk upbringing on the Six Nations Indian Reserve and on the gritty streets of Toronto; his odyssey at sixteen to the Mississippi Delta, the fountainhead of American music; the wild, early years on the road with rockabilly legend Ronnie Hawkins and The Hawks; his unexpected ties to the Cosa Nostra underworld; the gripping trial-by-fire "going electric" with Bob Dylan on his 1966 world tour, and their ensuing celebrated collaborations; the formation of The Band and the forging of their unique sound, culminating with history's most famous farewell concert, brought to life for all time in Martin Scorsese's great movie The Last Waltz. This is the story of a time and place - the moment when rock 'n' roll became life, when legends like Buddy Holly and Bo Diddley crisscrossed the circuit of clubs and roadhouses from Texas to Toronto, when The Beatles, Hendrix, The Stones, and Warhol moved through the same streets and hotel rooms. It's the story of exciting change as the world tumbled through the '60s and early '70s, and a generation came of age, built on music, love, and freedom. Above all, it's the moving story of the profound friendship among five young men who together created a new kind of popular music. Testimony is Robbie Robertson's story, lyrical and true, as only he could tell it."--
- Subjects: Biographies.; Robertson, Robbie.; Band (Musical group); Rock musicians;
- Available copies: 0 / Total copies: 1
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- Do you feel like I do? : a memoir / by Frampton, Peter,author.; Light, Alan,author.;
"A revelatory memoir by rock icon and legendary guitarist Peter Frampton"--"Do You Feel Like I Do? is the incredible story of Peter Frampton's positively resilient life and career told in his own words for the first time. His monu-mental album Frampton Comes Alive! spawned three top-twenty singles and sold eight million copies the year it was released (more than seventeen million to date), and it was inducted into the Grammy Hall of Fame in January 2020. Frampton was on a path to stardom from an early age, first as the lead singer and guitarist of the Herd and then as cofounder -- along with Steve Marriott -- of one of the first supergroups, Humble Pie. Frampton was part of a tight-knit collective of British '60s musicians with close ties to the Rolling Stones, the Beatles, and the Who. This led to Frampton playing on George Harrison's solo debut, All Things Must Pass, as well as to Ringo Starr and Billy Preston appearing on Frampton's own solo debut. By age twenty-two, Frampton was touring incessantly and finding new sounds with the talk box, which would become his signature guitar effect. Frampton remembers his enduring friendship with David Bowie. Growing up as schoolmates, crossing paths throughout their careers, and playing together on the Glass Spider Tour, the two developed an unshakable bond. Frampton also shares fascinating stories of his collaborative work with Harry Nilsson, Stevie Wonder, B. B. King, and members of Pearl Jam. He reveals both the blessing and curse of Frampton Comes Alive!, opening up about becoming the cover boy he never wanted to be, his overcoming sub-stance abuse, and how he has continued to play and pour his heart into his music despite an inflammatory muscle disease and his retirement from the road. Peppered throughout his narrative is the story of his favorite guitar, the Phenix, which he thought he'd lost in a fiery plane crash in 1980. But in 2011, it mysteriously showed up again -- saved from the wreckage. Frampton tells of that unlikely reunion here in full for the first time, and why the miraculous reappearance is emblematic of his life and career as a quintessential artist"--Jacket flap.
- Subjects: Biographies.; Autobiographies.; Frampton, Peter.; Rock musicians; Guitarists;
- Available copies: 1 / Total copies: 1
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