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- A fever in the heartland : the Ku Klux Klan's plot to take over America, and the woman who stopped them / by Egan, Timothy,author.;
Includes bibliographical references and index."A historical thriller by the Pulitzer and National Book Award-winning author that tells the riveting story of the Klan's rise to power in the 1920s, the cunning con man who drove that rise, and the woman who stopped them. The Roaring Twenties -the Jazz Age -has been characterized as a time of Gatsby frivolity. But it was also the height of the uniquely American hate group, the Ku Klux Klan. Their domain was not the old Confederacy, but the Heartland and the West. They hated Blacks, Jews, Catholics and immigrants in equal measure, and took radical steps to keep these people from the American promise. And the man who set in motion their takeover of great swaths of America was a charismatic charlatan named D.C. Stephenson. Stephenson was a magnetic presence whose life story changed with every telling. Within two years of his arrival in Indiana, he'd become the Grand Dragon of the state and and the architect of the strategy that brought the group out of the shadows-their message endorsed from the pulpits of local churches, spread at family picnics and town celebrations. Judges, prosecutors, ministers, governors and senators across the country all proudly proclaimed their membership. But at the peak of his influence, it was a seemingly powerless woman-Madge Oberholtzer-who would reveal his secret cruelties, and whose deathbed testimony finally brought the Klan to their knees"--- Subjects: Oberholtzer, Madge, 1896-1925.; Stephenson, David Curtis, 1891-1966.; Ku Klux Klan (1915- ); Ku Klux Klan (1915- ); White supremacy movements;
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- Canada's other red scare : Indigenous protest and colonial encounters during the global sixties / by Rutherford, Scott,1979-author.;
Includes bibliographical references and index."Indigenous activism put small-town northern Ontario on the map in the 1960s and early 1970s. Kenora, Ontario, was home to a four-hundred-person march, popularly called "Canada's First Civil Rights March," and a two-month-long armed occupation of a small lakefront park within a nine year span. Canada's Other Red Scare shows how important it is to link the local and the global to broaden narratives of resistance in the 1960s; it is a history not of isolated events closed off from the present but of decolonization as a continuing process. Scott Rutherford explores with rigour and sensitivity the Indigenous political protest and social struggle that took place in Northwestern Ontario and Treaty 3 territory from 1965 to 1974. Drawing on archival documents, media coverage, published interviews, memoirs and social movement literature, as well as his own lived experience as a settler growing up in Kenora, he reconstructs a period of turbulent protest and the responses it provoked, from support to disbelief to outright hostility. Indigenous organizers advocated for a wide range of issues, from better employment opportunities to the recognition of nationhood by using such tactics as marches, cultural production, community organizing, journalism, and armed occupation. They drew inspiration from global currents - from black American freedom movements to Third World decolonization - to challenge the inequalities and racial logics that shaped settler-colonialism and daily life in Kenora. Accessible and wide-reaching, Canada's Other Red Scare makes the case that Indigenous political protest during this period should be thought of as both local and transnational, an urgent exercise in confronting the experience of settler-colonialism in places and moments of protest, when its logic and acts of dispossession are held up like a mirror."--- Subjects: Civil rights demonstrations; Indigenous peoples; Protest movements;
- Available copies: 1 / Total copies: 1
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- Baddest man : the making of Mike Tyson / by Kriegel, Mark,author.;
Includes bibliographical references and index."From the acclaimed New York Times bestselling author whose coverage of Mike Tyson and his inner circle dates back to the 1980s, a magnificent noir epic about fame, race, greed, criminality, trauma, and the creation of the most feared and mesmerizing fighter in boxing history. On an evening that defined the Greed is Good 1980s, Donald Trump hosted a raft of celebrities and high rollers in a carnival town on the Jersey Shore to bask in the glow created by a 21-year-old heavyweight champion. Mike Tyson knocked out Michael Spinks that night, and in 91 frenzied seconds earned more than the annual payrolls of the Los Angeles Lakers and Boston Celtics combined. It had been just eight years since Tyson, a feral child from a dystopian Brooklyn neighborhood was delivered to boxing's forgotten wizard, Cus D'Amato, living a self-imposed exile in upstate New York. Together, Cus and the Kid were an irresistible story of mutual redemption-darlings to the novelists, screenwriters and newspapermen long charmed by D'Amato, and perfect for the nascent industry of cable television. Long before anyone heard of Tony Soprano, Mike Tyson was HBO's leading man. It was the greatest sales job in the sport's history, and the most lucrative. But the business of Tyson concealed truths that were darker and more nuanced than the script would allow. The intervening decades have seen Tyson villainized, lionized, and fetishized-but never, until now, fully humanized. Mark Kriegel, an acclaimed biographer regarded as "the finest boxing writer in America," was a young cityside reporter at the New York Daily News when first swept up in the Tyson media hurricane, but here measures his subject not by whom he knocked out, but by what he survived. Though Tyson was billed as a modern-day Jack Dempsey, the truth was closer to Sonny Liston. Tyson was Black, feared, and born to die young. What made Liston a pariah, though, would make Tyson-in a way his own handlers could never understand-a touchstone for a generation raised on a soundtrack of hip hop and gunfire. What Peter Guralnick did for Elvis in Train to Memphis and James Kaplan for Sinatra in Frank, Kriegel does for Tyson. It's not just the mesmerizing ascent that he captures, but Tyson's place in the American psyche"--- Subjects: Biographies.; Personal narratives.; Tyson, Mike, 1966-; African American boxers; Boxing;
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Results 101 to 103 of 103 | « previous