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Covert affairs. [videorecording] / by Perabo, Piper.; Gorham, Christopher,1974-; Ramamurthy, Sendhil,1974-; Universal Cable Productions.; Universal Studios Home Entertainment (Firm); USA Network.;
Piper Perabo, Christopher Gorham, Sendhil Ramamurthy.Meet Annie Walker: smart, stunning, and the CIA's newest field operative in one of their most secretive branches. Suddenly summoned by headquarters for active duty one month before training is over, she's quickly thrown into a shadowy world full of cons, killers, and international crime rings. What she doesn't know is there's something - or someone - from her past that her bosses want badly enough to put her in harm's way.Canadian Home Video Rating: 14A.DVD, region 1, NTSC; Dolby Digital 5.1, Dolby Digital 2.0 ; widescreen presentation.
Subjects: Action and adventure television programs.; United States. Central Intelligence Agency; Undercover operations;
For private home use only.
Available copies: 1 / Total copies: 1
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Covert affairs. [videorecording] / by Gorham, Christopher,1974-actor.; Matchett, Kari,actor.; Perabo, Piper,actor.; Ramamurthy, Sendhil,1974-actor.; Universal Cable Productions,production company.; Universal Studios Home Entertainment (Firm),distributor.;
Piper Perabo, Peter Gallagher, Sendhil Ramamurthy, Kari Matchett.Originally broadcast by USA June 7-Dec. 6, 2011.Annie Walker is a young CIA operative whose exceptional linguistic skills and spot on instincts make her invaluable to the Agency. In season two, Annie's personal and professional lives crash into one another, and the balance of her relationships are forever changed.Canadian Home Video Rating: 14A.DVD ; NTSC, region 1 ; Dolby digital 5.1 DVS, 2.0 ; widescreen presentation (1.78:1).
Subjects: Action and adventure television programs.; Video recordings for people with visual disabilities.; United States. Central Intelligence Agency; Undercover operations; Work-life balance;
For private home use only.
Available copies: 1 / Total copies: 1
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Baddest man : the making of Mike Tyson / by Kriegel, Mark,author.;
Includes bibliographical references and index."From the acclaimed New York Times bestselling author whose coverage of Mike Tyson and his inner circle dates back to the 1980s, a magnificent noir epic about fame, race, greed, criminality, trauma, and the creation of the most feared and mesmerizing fighter in boxing history. On an evening that defined the Greed is Good 1980s, Donald Trump hosted a raft of celebrities and high rollers in a carnival town on the Jersey Shore to bask in the glow created by a 21-year-old heavyweight champion. Mike Tyson knocked out Michael Spinks that night, and in 91 frenzied seconds earned more than the annual payrolls of the Los Angeles Lakers and Boston Celtics combined. It had been just eight years since Tyson, a feral child from a dystopian Brooklyn neighborhood was delivered to boxing's forgotten wizard, Cus D'Amato, living a self-imposed exile in upstate New York. Together, Cus and the Kid were an irresistible story of mutual redemption-darlings to the novelists, screenwriters and newspapermen long charmed by D'Amato, and perfect for the nascent industry of cable television. Long before anyone heard of Tony Soprano, Mike Tyson was HBO's leading man. It was the greatest sales job in the sport's history, and the most lucrative. But the business of Tyson concealed truths that were darker and more nuanced than the script would allow. The intervening decades have seen Tyson villainized, lionized, and fetishized-but never, until now, fully humanized. Mark Kriegel, an acclaimed biographer regarded as "the finest boxing writer in America," was a young cityside reporter at the New York Daily News when first swept up in the Tyson media hurricane, but here measures his subject not by whom he knocked out, but by what he survived. Though Tyson was billed as a modern-day Jack Dempsey, the truth was closer to Sonny Liston. Tyson was Black, feared, and born to die young. What made Liston a pariah, though, would make Tyson-in a way his own handlers could never understand-a touchstone for a generation raised on a soundtrack of hip hop and gunfire. What Peter Guralnick did for Elvis in Train to Memphis and James Kaplan for Sinatra in Frank, Kriegel does for Tyson. It's not just the mesmerizing ascent that he captures, but Tyson's place in the American psyche"--
Subjects: Biographies.; Personal narratives.; Tyson, Mike, 1966-; African American boxers; Boxing;
Available copies: 0 / Total copies: 1
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It's (almost) always sunny in Philadelphia : how three friends spent $200 to create the longest-running live-action sitcom in history and help build a network / by Potts, Kimberly,author.;
Includes bibliographical references and index."Charlie, Dennis, Mac, Sweet Dee, and Frank are deplorable characters. They will never mature, become more self-aware, or less self-involved. That is what the creators of It's Always Sunny in Philadelphia are committed to -- and that's why the show's millions of devoted fans have stuck with the cult comedy hit for over sixteen seasons and counting. Created in 2005 by stars Rob McElhenney, Glenn Howerton, and Charlie Day, unemployed actors with a pair of Law & Order guest appearances as the highlights of their collective resume, the frustrated trio drafted a homemade TV pilot. A few months and $200 later (the cost of videotapes, pizza for their friends who volunteered as extras, and a broomstick to tape their boom mic to), It's Always Sunny in Philadelphia was ready for its network debut. All major parties either passed or were interested but wanted creative control. And then came FX looking to shake up cable TV. Willing to allow McElhenney, Howerton, and Day complete freedom to deconstruct the traditional sitcom, new president John Landgraf agreed to take a chance. No one had any idea how big of a success it would be. With FX's one creative note -- the hiring of Danny DeVito -- adding the final piece of the puzzle, It's Always Sunny in Philadelphia has enjoyed a steady climb to high ratings, critical acclaim, and a place in the cultural zeitgeist. Now, how the show and its creators have accomplished this is revealed with this in-depth, behind-the-scenes celebration. As thoughtful, provocative, and engaging as the show itself, this book also explores how the show has pushed the envelope and used absurdist comedy to explore major societal issues, including the #MeToo movement, LGBTQ+ rights, racism, and more. It also asks, what does the future hold for The Gang? It certainly won't include the characters' personal growth, but the show itself continues to move forward, adding to its dynamic history with each season."--
Subjects: It's always sunny in Philadelphia (Television program); Situation comedies (Television programs); Television comedies;
Available copies: 0 / Total copies: 1
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Disney High : the untold story of the rise and fall of Disney Channel's tween empire / by Spencer, Ashley(Journalist),author.;
Includes bibliographical references and index."The first unauthorized look at the inner workings - and ultimate breakdown - of the Disney Channel machine. For many kids growing up in the 2000s, there was no cultural touchstone more powerful than Disney Channel, the most-watched cable channel in primetime at its peak. Today, it might best be known for introducing the world to talents like Hilary Duff, Raven-Symoné, Zac Efron, Miley Cyrus, Selena Gomez, the Jonas Brothers, Demi Lovato, and Zendaya. It wasn't always destined for greatness: when The Disney Channel launched in 1983, it was a forgotten stepchild within the Walt Disney Company, forever in the shadow of Disney's more profitable movies and theme parks. But after letting the stars of their Mickey Mouse Club revival - among them Britney Spears, Justin Timberlake, Christina Aguilera, and Ryan Gosling - slip through their fingers, Disney Channel reinvented itself as a powerhouse tween network. In the new millennium, it churned out billions of dollars in original content and triple-threat stars whose careers were almost entirely controlled by the corporation. Suddenly, everyone wanted a piece of the pie - and there were constant clashes between the studio, network, labels, and creatives as Disney Channel became a pressure cooker of perfection for its stars. From private feuds and on-set disasters, to fanfare that swept the nation and the realities of child stardom, culture journalist Ashley Spencer offers the inside story of the heyday of TV's House of Mouse, featuring hundreds of exclusive new interviews with former Disney executives, creatives, and celebrities to explore the highs, lows, and everything in between"--
Subjects: Disney Channel (Firm); Mass media and teenagers; Teenage actors; Youth on television.; Teen television programs;
Available copies: 1 / Total copies: 1
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I only read murder / by Ferguson, Ianauthor.; Ferguson, Will,author.;
"A once-beloved television sleuth finds herself far from Hollywood and witness to a murder during a small-town theatre production -- and is convinced it's up to her to solve the case. Introducing a new comedic crime series from the bestselling Ferguson brothers, for fans of Richard Osman's The Thursday Murder Club, Alexander McCall Smith's 44 Scotland Street series and Schitt's Creek. Miranda Abbott, once known for the crime-solving, karate-chopping church pastor she played on network television, has hit hard times. Turned down for a role on a cable reality show, Miranda is facing ruin when a mysterious postcard arrives, summoning her to Happy Rock, a small town in the Pacific Northwest. But when she gets there, nothing is what she expected. In dire straits, she signs up for an amateur production at the Happy Rock Little Theatre, competing against the local real estate agent for the lead role. On opening night, one of the actors is murdered, live, in front of the audience. But out of 100 witnesses, no one actually saw what happened. Now everyone is under a cloud of suspicion, including the sardonic town doctor, the local high-school drama teacher, an oil-stained car mechanic, an elderly gentleman who may or may not have been in the CIA -- and Miranda herself. Clearly, the only way to solve this mystery is for Miranda to summon her skills as television's Pastor Fran and draw on the help of her new sidekick, Susan, a shy bookstore clerk who seems to know everyone's secrets. Because the show must go on!"--
Subjects: Detective and mystery fiction.; Novels.; Actresses; Community theater; Murder;
Available copies: 2 / Total copies: 2
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