Search results for [Christianity and culture.] at Tsuga Consortium

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Decolonizing research : Indigenous storywork as methodology / by Archibald, Jo-Ann,editor.; De Santolo, Jason,editor.; Lee-Morgan, Jenny,1968-editor.; Smith, Linda Tuhiwai,1950-writer of foreword.;

Includes bibliographical references and index."From Oceania to North America, Indigenous peoples have created storytelling traditions of incredible depth and diversity. The term 'Indigenous storywork' has come to encompass the sheer breadth of ways in which Indigenous storytelling serves as a historical record, as a form of teaching and learning, and as an expression of Indigenous culture and identity. But such traditions have too often been relegated to the realm of myth and legend, recorded as fragmented distortions, or erased altogether. Decolonizing Research brings together Indigenous researchers and activists from Canada, Australia and New Zealand to assert the unique value of Indigenous storywork as a focus of research, and to develop methodologies that rectify the colonial attitudes inherent in much past and current scholarship. By bringing together their own Indigenous perspectives, and by treating Indigenous storywork on its own terms, the contributors illuminate valuable new avenues for research, and show how such reworked scholarship can contribute to the movement for Indigenous rights and self-determination."--

Subjects: Ethnology; Indigenous peoples; Postcolonialism;

Available copies: 1 / Total copies: 1

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We don't know ourselves : a personal history of modern Ireland / by O'Toole, Fintan,1958-author.;

Includes bibliographical references and index."A celebrated Irish writer's magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government?in despair, because all the young people were leaving?opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don't Know Ourselves, O'Toole, one of the Anglophone world's most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society-perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O'Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland's main export was beef and it was still not unknown for herds of cattle to clatter down Dublin's streets. Yet the Westerns were a sign of what was to come. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O'Toole's telling, America became a lodestar, from John F. Kennedy's 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O'Toole in coruscating prose captures the peculiar Irish habit of "deliberate unknowing," which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don't Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us"--

Subjects: Biographies.; Personal narratives.; O'Toole, Fintan, 1958-;

Available copies: 1 / Total copies: 1

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Empress of the Nile : the daredevil archaeologist who saved Egypt's ancient temples from destruction / by Olson, Lynne,author.;

Includes bibliographical references and index."In the 1960s, the world's attention was focused on a nail-biting race against time--an international campaign to save over a dozen ancient Egyptian temples, built during the height of the pharaohs' rule, from drowning in the floodwaters of the gigantic new Aswan High Dam. But the massive press coverage of this unprecedented rescue effort completely overlooked the feisty French archaeologist who made it all happen. Without the intervention of Christiane Desroches-Noblecourt, the temples--including the Met Museum's Temple of Dendur--would now be at the bottom of a gigantic reservoir. It was a project of unimaginable size and complexity that required the fragile sandstone temples to be dismantled, stone by stone, and rebuilt on higher ground. A willful, real-life version of Indiana Jones, Desroches-Noblecourt refused to be cowed by anyone or anything. As a brave member of the French Resistance in WWII she had survived imprisonment by the Nazis; in her fight to save the temples she had to face down two of the most daunting leaders of the postwar world, Egyptian President Abdel Nasser and French President Charles de Gaulle. As she told one reporter, "You don't get anywhere without a fight, you know." Yet Desroches-Noblecourt was not the only woman who played a crucial role in the endeavor. The other one was Jacqueline Kennedy, America's new First Lady, who persuaded her husband to call on Congress to help fund the rescue effort. After a century and a half of Western plunder of Egypt's ancient monuments, Desroches-Noblecourt had done the opposite. She had helped preserve a crucial part of its cultural heritage and, just as important, made sure it remained in its homeland"--

Subjects: Biographies.; Personal narratives.; Desroches-Noblecourt, Christiane, 1913-2011.; Archaeologists; Egyptologists;

Available copies: 1 / Total copies: 1

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The fate of the furious [videorecording] / by Diesel, Vin,actor,film producer.; Gray, F. Gary,film director.; Morgan, Chris(Screenwriter),screenwriter.; Moritz, Neal H,film producer.; Fottrell, Michael(Morgan Michael),film producer.; Johnson, Dwayne,1972-actor.; Rodriguez, Michelle,actor.; Statham, Jason,1967-actor.; Theron, Charlize,actor.; Universal Pictures Home Entertainment (Firm),publisher.; Original Film (Firm),production company.; One Race Films (Firm),production company.;

Music, Brian Tyler ; editors, Christian Wagner, Paul Rubell ; director of photography, Stephen F. Windon.Vin Diesel, Jason Statham, Dwayne 'The Rock' Johnson, Michelle Rodriguez, Tyrese Gibson, Ludacris, Charlize Theron, Kurt Russell, Luke Evans, Scott Eastwood.When a mysterious woman seduces Dom into the world of terrorism and a betrayal of those closest to him, the crew face trials that will test them as never before.Canadian Home Video Rating: PG.DVD ; widescreen presentation ; Dolby Digital 5.1, 2.0.

Subjects: Action and adventure films.; Crime films.; Feature films.; Video recordings for people with visual disabilities.; Betrayal; Crime; Hot rods; Terrorism;

For private home use only.

Available copies: 1 / Total copies: 1

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The gangs of Zion : a Black cop's crusade in Mormon country / by Stallworth, Ron,author.; Quintero, Sofia,author.;

"New York Times bestselling author of Black Klansman, Ron Stallworth, returns with another firsthand account of trailblazing police work in the most unlikely place for a Black cop in the '90s. Determined to pursue his passion for undercover work wherever it leads, Ron Stallworth finally lands in Salt Lake City, Utah. Once again, he's an outsider -- not only as a Black man on a mostly white police force but also as an unapologetic nonbeliever in a state dominated by the Church of Jesus Christ of Latter-Day Saints. But soon after his first drug bust in the Beehive, Stallworth makes a startling discovery -- Bloods and Crips are infiltrating Mormon Country, threatening to turn the deeply conservative community into a hotbed of crime. Kids are bombing homes while carrying pocket versions of the Book of Mormon, yet his fellow cops are in denial that gangs are wreaking havoc in their Christian town. Now Stallworth has a new mission. Whether facing off with skinheads at a downtown bar or schooling white Crips blasting "F*ck tha Police," he is intent on stemming the tide of gangs into the state. But those he expected to be his allies either have their heads in the sand or their own agendas -- from the racist Mormon legislator to the community activist exploiting a fatal gang incident to spread paranoia over an imaginary race war. As he butts heads with these so-called leaders, Stallworth also realizes that gangsta rap has the key to the g-code. He becomes obsessed with -- even defensive of -- the music he once loathed and puts himself on the front lines of America's culture war. Now he's spitting uncensored lyrics before Congress and taking the stand in the 1993 murder case that puts hip-hop on trial. But the more Stallworth speaks truth to power, the more determined the gatekeepers in Utah are to silence him, and not even twenty-three years of police work could prepare him for how low they would stoop"--

Subjects: Biographies.; Personal narratives.; True crime stories.; Stallworth, Ron.; African American police; Gangs; Police; Racism;

Available copies: 1 / Total copies: 1

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Benny's Bathtub. by Quist, Flemming,film director.; Hastrup, Jannik,film director.; Jakobsen, Bo,actor.; Klein, Jesper,actor.; Abildstrøm, Jytte,actor.; Hauch-Fausbøll, Jytte,actor.; Brandenburg, Otto,actor.; Belli, Peter,actor.; Krogh, Rolf,actor.; Deaf Crocodile Films (Firm),dst; Kanopy (Firm),dst;

Bo Jakobsen, Jesper Klein, Jytte Abildstrøm, Jytte Hauch-Fausbøll, Otto Brandenburg, Peter Belli, Rolf KroghOriginally produced by Deaf Crocodile Films in 1971.How can you not love a psychedelic animated kids’ film in which a young boy, bored with the dreary and gray Adult World, follows an enchanted tadpole into his bathtub – where he discovers a surreal and musical undersea world?? Populated by singing (and barely dressed) Mermaids, a funky hepcat Octopus and whiskey-drinking Skeleton Pirates, the underwater kingdom is the grooviest scene this side of YELLOW SUBMARINE, with helpings of Dr. Seuss, Sid & Marty Krofft and Harry Nilsson’s THE POINT thrown in. (Danish kids’ entertainment in the early 1970s was truly outtasite!) In addition to the candy-colored, kaleidoscopic visuals, the film is famed for its incredibly addictive soundtrack featuring Jazz heavyweights of Copenhagen circa 1970, with vocals sung by the cream of Danish late 60s Pop and Rock on tracks like “Octopussong/ Blækspruttesangen" and "seahorsesong/ Søhestesangen". Considered a national treasure in Denmark where it was selected for the country’s Cultural Canon alongside works by Carl Th. Dreyer, Isak Dinesen and Hans Christian Andersen, BENNY’S BATHTUB has been beautifully restored from the original camera negative and sound elements by Fiasco Film for its first-ever U.S. release by Deaf Crocodile.Mode of access: World Wide Web.

Subjects: Feature films.; Foreign films.; Motion pictures.; Science fiction.; Motion Pictures.; Short films.; Action and adventure films.; Fantasy fiction.;

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