Results 31 to 34 of 34 | « previous
- Morning after the revolution : dispatches from the wrong side of history / by Bowles, Nellie,author.;
"As a card-carrying lesbian, Hillary voter, and New York Times reporter, Nellie Bowles fit right in with her San Francisco neighbors and friends -- until she started questioning whether the progressive movement she knew and loved actually helped people. Gently informed that asking these questions meant she was "on the wrong side of history," Bowles did what any reporter worth her salt would do: she started investigating for herself. The answers she found were stranger -- and funnier -- than she'd expected. In Morning After the Revolution, Bowles gives readers a front-row seat to the absurd drama of a political movement gone mad. With irreverent accounts of attending Robin DiAngelo's multi-day course on "The Toxic Trends of Whiteness," meeting the social justice activists who run "Abolitionist Entertainment, LLC," and coming to figurative blows with the New York Times' "disinformation czar," she deftly exposes the more comic excesses of wealthy progressives. Deliciously funny and painfully insightful, Morning After the Revolution is Slouching Towards Bethlehem for the 21st century -- a moment of collective psychosis preserved in amber. This is an unmissable debut by one of America's sharpest journalists"--- Subjects: Biographies.; Personal narratives.; Liberalism; Political culture; Progressivism (United States politics);
- Available copies: 1 / Total copies: 1
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- Wînipêk : visions of Canada from an Indigenous centre / by Sinclair, Niigaanwewidam James,author.; Sinclair, Niigaanwewidam James.Columns.Selections.;
Includes bibliographical references."The story of a people told through the story of a city. Niigaan Sinclair is often accused of being angry in his columns. But how can he not be? In a collection of writing that spans the discovery of hundreds of unmarked graves at residential school sites, the murder of young Indigenous girls, and the indifference towards the basic human rights of his family members, this book is inspired by his award-winning columns 'from the centre.' Niigaan examines the state of urban Indigenous life and legacy. At a crucial moment in Canada's reckoning with its crimes against the Indigenous peoples of the land, one of our most essential writers begins at the centre, capturing a web spanning centuries of community, art, and resistance. Based on years' worth of columns in the Winnipeg Free Press, CBC, and elsewhere, Niigaan Sinclair delivers a defining essay collection on the resilience of Indigenous peoples. Here, we meet the creators, leaders, and everyday people preserving the beauty of their heritage one day at a time. But we also meet the ugliest side of settler colonialism, and the communities who suffer most from its atrocities. Sinclair uses the story of Winnipeg to illuminate the reality of Indigenous life all over what is called Canada. This is a book that demands change and celebrates those fighting for it, that reminds us of what must be reconciled and holds accountable those who must do the work. It's a book that reminds us of the power that comes from loving a place, even as that place is violently taken away from you, and the magic of fighting your way back to it."--- Subjects: Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Settler colonialism; Settler colonialism;
- Available copies: 1 / Total copies: 1
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unAPI
- Red paint : the ancestral autobiography of a Coast Salish punk / by LaPointe, Sasha taqwšeblu,author.;
"Sasha taqwšeblu LaPointe, a Coast Salish indigenous woman, has always longed for a sense of home. As a child her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. As an adolescent determined to escape the poverty and abuse of her childhood in order to build a better future for herself and her people, Sasha throws herself headlong into the world, with little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother, a linguist who helped preserve her indigineous language of Lushootseed and one in a long line of powerful ancestors. Exploring what it means to be vulnerable in love and in art while offering an unblinking reckoning with personal traumas as well as the collective historical traumas of colonialism and genocide that continue to haunt native peoples, Red Paint is an intersectional autobiography of lineage, resilience and above all the ability to heal that chronicles Sasha's struggles navigating a collapsing marriage while answering the call to greater purpose. Set against a backdrop of tour vans and the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk-an ethos that challenges us to reclaim what's rightfully ours: our histories, our power, our traditions, and our truths-Red Paint is ultimately a story of the ways we learn to heal while fighting for our right to a place to call home"--- Subjects: Biographies.; Autobiographies.; LaPointe, Sasha taqwšeblu.; Psychic trauma; Punk culture; Resilience (Personality trait); Salishan women; Coast Salish; Coast Salish; Coast Salish;
- Available copies: 1 / Total copies: 1
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unAPI
- The knowledge : how to rebuild our world from scratch / by Dartnell, Lewis.;
Includes bibliographical references and index."How would you go about rebuilding a technological society from scratch? If our technological society collapsed tomorrow, perhaps from a viral pandemic or catastrophic asteroid impact, what would be the one book you would want to press into the hands of the postapocalyptic survivors? What crucial knowledge would they need to survive in the immediate aftermath and to rebuild civilization as quickly as possible-a guide for rebooting the world? Human knowledge is collective, distributed across the population. It has built on itself for centuries, becoming vast and increasingly specialized. Most of us are ignorant about the fundamental principles of the civilization that supports us, happily utilizing the latest-or even the most basic-technology without having the slightest idea of why it works or how it came to be. If you had to go back to absolute basics, like some sort of postcataclysmic Robinson Crusoe, would you know how to re-create an internal combustion engine, put together a microscope, get metals out of rock, accurately tell time, weave fibers into clothing, or even how to produce food for yourself? Regarded as one of the brightest young scientists of his generation, Lewis Dartnell proposes that the key to preserving civilization in an apocalyptic scenario is to provide a quickstart guide, adapted to cataclysmic circumstances. The Knowledge describes many of the modern technologies we employ, but first it explains the fundamentals upon which they are built. Every piece of technology rests on an enormous support network of other technologies, all interlinked and mutually dependent. You can't hope to build a radio, for example, without understanding how to acquire the raw materials it requires, as well as generate the electricity needed to run it. But Dartnell doesn't just provide specific information for starting over; he also reveals the greatest invention of them all-the phenomenal knowledge-generating machine that is the scientific method itself. This would allow survivors to learn technological advances not explicitly explored in The Knowledge as well as things we have yet to discover. The Knowledge is a brilliantly original guide to the fundamentals of science and how it built our modern world as well as a thought experiment about the very idea of scientific knowledge itself"--Provided by publisher.- Subjects: Discoveries in science; Knowledge, Theory of; Survival; Technology;
- Available copies: 1 / Total copies: 1
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Results 31 to 34 of 34 | « previous