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The new India : the unmaking of the world's largest democracy / by Bhatia, Rahul,author.;
Includes bibliographical references and index.The New India is the unforgettable account of the struggle between modern forces and ancient ideas to shape the young country's destiny. It reveals a picture of a nation on the precipice of dramatic change. Based on six years of detailed research and on-the-ground reporting, the book builds -- authoritatively, vividly, indelibly -- to become the story of post-colonial India. Using hundreds of interviews, and letters, diary entries, Partition-era police reports, and an astonishing range of sources, Bhatia shows how history plays a recurring role in the present: in politics, in the minds of citizens, in notions of justice and corruption. Bhatia examines the connections between the Delhi riots of 2020 and the emergence of nineteenth-century revolutionary secret societies, the rise of Hindu nationalism, whose early advocates drew lessons from Hitler and Mussolini, the political use of misinformation and religious targeting, and the Hindu fundamentalist ideology that sparked the creation of the world's largest biometric project. As Bhatia shows, the evolution of this citizen database, in the hands of the BJP, now threatens to deny vast numbers of India's 200 million Muslims their Indian citizenship. Electorates in democracies used to choose their government. Now, in India, the government is choosing its electorate. India has rarely been seen as in The New India, a monumental work of narrative reportage that illuminates the ways in which a supremacist ideology remade the country over decades, resulting in the prodigious rise of Narendra Modi, and forcing many to ask what they truly understood about their neighbours and themselves.
Subjects: Modī, Narendra, 1950-; Democracy; Hindutva; Ideology; Muslims; Secret societies;
Available copies: 0 / Total copies: 1
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Tupaia’s Endeavour. by Rolls, Lala,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2020.A first contact story, told from a Pacific point of view. When James Cook, captain of the British ship Endeavour, took his first steps on the un-colonised shores of Aotearoa/New Zealand in 1769, he set in train a violent collision with the existing Māori occupants. The first meeting between Māori and Europeans would have ended disastrously for Cook and his crew, if not for Tupaia, a Polynesian who had joined the Endeavour expedition in Tahiti. Who was Tupaia - this high-priest, star-navigator, and extraordinary artist? He is left out of European history books, yet today his imprint lives on in modern Aotearoa/New Zealand. New Zealand-born artist Michel Tuffery (who is of Samoan/Rarotongan/Tahitian heritage) and Māori actor Kirk Torrance, with scholars and Māori tangata whenua (people of the land) alongside them, retrace the footsteps of Tupaia in true Polynesian style. Under the gaze of their ancestors, with song, haka and humour, they make startling new discoveries that rewrite history, cementing Tupaia’s role as a central figure in Pacific history.TUPAIA'S ENDEAVOUR was shot in Tahiti, Aotearoa New Zealand and the UK over eight years with each shoot unveiling new revelations and with Michel, Kirk and the whole film crew embodying the story physically, spiritually and emotionally. Backed with the Endeavour journals and the historical rigour of renowned anthropologist, historian and writer, Dame Anne Salmond, and in collaboration with Prof. Paul Tapsell (of the iwi Ngāti Whakaue and Ngāti Raukawa), it is a project that gathered research from the ground up, allowing Indigenous knowledge to lead in the creation of a compelling work, both as a film and as an educational resource.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Anthropology.; Documentary films.; History.; Aboriginal Australians.;
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A good war : mobilizing Canada for the climate emergency / by Klein, Seth,1968-author.;
Includes bibliographical references and index."A bold blueprint to retool our economy and transform our politics for a zero-carbon future. The IPCC's 2018 report told us in no uncertain terms that the world has just ten years to at least halve our greenhouse gas emissions if we are to have a hope of holding global warming to a 1.5°C increase. Canada is not on a path to meet its greenhouse gas reduction targets, and radical change to the way we live and work must happen at high speed, but how are we ever to do this? Well, we've actually done it before. During the Second World War, Canadians and their government completely remade the economy -- retooling factories, transforming the workforce, and creating common cause among Canadians for the war effort. In A Good War, author and activist Seth Klein looks at the Second World War strategies and shows how they can be repurposed today for a rapid transition. He demonstrates that this change can create jobs and reduce inequality while tackling our climate obligations. From enlisting broad public support to new economic models, and new job creation to investment in green infrastructure, Klein shows us a bold, practical policy plan for a zero-carbon Canada. In a coincidence almost too uncanny, COVID-19 has brought change upon our world that would have been unthinkable a few months ago, change very like what Klein presciently proposes in these pages. It turns out the world can turn on a dime if necessary. Now is the time to use the billions of dollars governments are spending to support their economies to invest in climate change and social infrastructure for a better future. And the blueprint is in your hands."--
Subjects: Climate change mitigation; Climate change mitigation; Climatic changes; Economic policy; Environmental economics; Environmental policy; Environmental policy; Sustainable development;
Available copies: 1 / Total copies: 1
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Checkpoint Charlie : the Cold War, the Berlin Wall, and the most dangerous place on earth / by MacGregor, Iain,author.;
Includes bibliographical references (pages 323-326) and index."Checkpoint Charlie is the story of the men and women - from both sides of the Cold War's political divide - who lived, served on, or escaped through the Berlin Wall during its life span (13th August 1961 - 9th November 1989). This physical monstrosity created by the East German communist state was to divide one of the most beautiful and by 1961, ruined cities of the world; dividing families, friends and lovers. Its creation, and its sudden collapse twenty-seven years later, were the key moments of the Cold War. Checkpoint Charlie was the one place in a paranoid continent where East faced West across one hundred yards of No Man's Land. Where soldiers served, spies watched through trained binoculars, escapees fled, politicians made speeches, people died and, mothers wept. The Wall was seen by many as permanent as the Himalayas. Across the Wall's almost three decades of existence, over two hundred people died trying to escape through it to the West, and these are just the recorded deaths. Many more who attempted and failed to break to freedom, would later die of their wounds in an East German hospital or prison. Historian Iain MacGregor travels to America, Britain, Germany and France to talk to the many people the Berlin Wall affected and who found themselves at the gates of Checkpoint Charlie - either on the Allied, or Soviet side. He interviews soldiers, politicians, journalists, spies, policemen, refugees and escapees to build a picture of what life was like in the city that was universally seen as the "hot spot" of the Cold War for four decades"--
Subjects: Berlin Wall, Berlin, Germany, 1961-1989; Checkpoint Charlie, Berlin, Germany, 1961-1989; Cold War;
Available copies: 1 / Total copies: 1
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Hum if you don't know the words / by Marais, Bianca,1976-author.;
"Perfect for readers of The secret life of bees and The help, a perceptive and searing look at Apartheid-era South Africa, told through one unique family brought together by tragedy. Life under Apartheid has created a secure future for Robin Conrad, a ten-year-old white girl living with her parents in 1970s Johannesburg. In the same nation but worlds apart, Beauty Mbali, a Xhosa woman in a rural village in the Bantu homeland of the Transkei, struggles to raise her children alone after her husband's death. Both lives have been built upon the division of race, and their meeting should never have occurred. Until the Soweto Uprising, in which a protest by black students ignites racial conflict, alters the fault lines on which their society is built, and shatters their worlds when Robin's parents are left dead and Beauty's daughter goes missing. After Robin is sent to live with her loving but irresponsible aunt, Beauty is hired to care for Robin while continuing the search for her daughter. In Beauty, Robin finds the security and family that she craves, and the two forge an inextricable bond through their deep personal losses. But Robin knows that if Beauty finds her daughter, Robin could lose her new caretaker forever, so she makes a desperate decision with devastating consequences. Her quest to make amends and find redemption is a journey of self-discovery in which she learns the harsh truths of the society that once promised her protection. Told through Beauty and Robin's alternating perspectives, the interwoven narratives create a rich and complex tapestry of the emotions and tensions at the heart of Apartheid-era South Africa. Hum if you don't know the words is a beautifully rendered look at loss, racism, and the creation of family"--
Subjects: Apartheid; Family life;
Available copies: 1 / Total copies: 1
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The blue bowl / by Leung, Flo.;
"A young boy and his family discover a way to merge their Chinese and North American backgrounds by combining traditional foods from both cultures. Max loves his family's Cantonese meals, like steamed rice and gai lan greens with oyster sauce, homemade dumplings, and scallion bread. But sometimes he can't help thinking about French fries, tacos, and ice cream with rainbow sprinkles. For his birthday dinner, Max is really hoping for spaghetti and meatballs, but instead he and his family are headed to Maa Maa and Ye Ye's house for a celebration dinner - and Max is pretty sure that spaghetti won't be served in the familiar blue bowls that came all the way from Hong Kong with his grandparents. But Max is delighted to discover that his understanding family has discovered a way to bring two cultures together with delicious dishes that are a combination of all the foods he loves. This story shows the experience of a child living in between two cultures and how confusing that can sometimes be. It's based on Flo's own experiences growing up, longing to belong/be organically part of the North American culture, but also feeling a strong sense of home and family when immersed in her Chinese culture. She feels that the result for many second-generation Chinese Canadians/Americans is the creation of a third culture that intertwines and connects the various influences of both. Flo has chosen the iconic "exquisite blue bowl" (that she says would be familiar to many Chinese-American families) and the food that goes inside that bowl to set the stage for this duality in the story. Max is trying to come to terms with where he fits in these two cultures, and by the end the story, with the help of his family, he discovers that he has the freedom to create his own experiences, and the results are unique, interesting, and evolving - just like Max himself"--
Subjects: Picture books.; Chinese Canadians; Chinese Americans; Food habits; Cooking, Chinese; Cooking, Canadian; Cooking, American;
Available copies: 1 / Total copies: 1
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Let it destroy you : a novel / by Lye, Harriet Alida,author.;
"From the acclaimed author of The Honey Farm and Natural Killer comes a tense and enveloping novel inspired by the incredibly true story of the man who invented the atomic bomb, though all he wanted to do was save the world. It is 1945, and Hungarian Jewish physicist August Snow is on trial at the International War Crimes Court for patenting a technology that has been proven capable of destroying the entire world. He instigated humanity's ability to decide its own death and then profited from the inevitable, but the initial reason for his research was to come up with a way to cure his daughter, Leora, of cancer. August's wife June insists she had nothing to do with the bomb--after all, she was forced to give up her career as a doctor when she got pregnant, lost her place in the public sphere, and in the early days of motherhood she almost lost her mind, too. But who is implicated in events of global significance? Who is responsible for the seemingly small decisions that affect the life of a family, of a child? Going back to tell the story of how June and August fell in love and arrived at where they are now, the novel travels across Europe and America during the lead-up to the Second World War, tracing how the rise of antisemitism shaped their lives. Their personal stories parallel August's discovery of nuclear fission, his involvement with the Manhattan Project, and their beloved daughter's radiation treatment. Though the treatment saved Leora from the cancer that would have otherwise killed her, August and June separated when they disagreed about what should be done with the information he had gained from developing her cure. The aftermath of their love, like the fallout of the bomb, destroys everything in its wake. Let It Destroy You is a story of love, morality, creation, and loss, told with great reverence for the natural world while capturing the tragic brilliance of an idealistic mind."--Provided by publisher.
Subjects: Historical fiction.; Novels.; Atomic bomb; Ethics; Inventors; Man-woman relationships; Married people; Nuclear weapons; Physicists;
Available copies: 1 / Total copies: 1
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The beautiful ones / by Prince,author.; Piepenbring, Dan,editor.;
Includes bibliographical references (pages 254-276).Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of "Uptown" to the mythical landscape of Purple Rain to the psychedelia of "Paisley Park." But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince-- a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince's early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince's evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book's fourth section: his original handwritten treatment for Purple Rain-- the final stage in Prince's self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring's riveting and moving introduction about his profound collaboration with Prince in his final months-- a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he'd so carefully cultivated-- and annotations that provide context to the book's images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince's ideas and vision, his voice and image-- his undying gift to the world.
Subjects: Biographies.; Prince.; African American musicians; Rock musicians;
Available copies: 1 / Total copies: 1
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The memoirs of Miss Chief Eagle Testickle. a true and exact accounting of the history of Turtle Island / by Monkman, Kent,author,artist.; Gordon, Gisèle,author,artist.;
Includes bibliographical references."From global art superstar Kent Monkman and his longtime collaborator Gisèle Gordon, a transformational work of imagined history that will remake readers' understanding of the land called North America. For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character--an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and in countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew. The Memoirs of Miss Chief Eagle Testickle: A True and Exact Accounting of the History of Turtle Island is a genre-demolishing work of genius, the imagined history of a legendary figure through which a profound truth emerges--a deeply Cree and gloriously queer understanding of our shared world, its past, and its possibilities. Volume one, which covers the time period from the creation of the universe to the confederation of Canada, follows Miss Chief as she moves through time, from a complex lived experience of Cree cosmology to the arrival of the first settlers, many of whom will be familiar to students of history. An open-hearted being, she tries to live among those settlers, and guide them to a deeper understanding of the interconnectedness of all beings and the world itself. As their numbers grow, though, so does conflict, and Miss Chief begins to understand that the challenges posed by the hordes of newly arrived Europeans will mean ever greater danger for her, her people, and, by extension, all of the world she cherishes. Blending history, fiction, and memoir in bold new ways, The Memoirs of Miss Chief Eagle Testickle are unlike anything published before. And in their power to reshape our shared understanding, they promise to change the way we see everything that lies ahead."--
Subjects: Biographies.; Creative nonfiction.; Personal narratives.; Monkman, Kent.; Indigenous peoples in art.; Indigenous peoples; Indigenous peoples; Indigenous peoples; First Nations artists; First Nations in art.; First Nations; First Nations; First Nations;
Available copies: 1 / Total copies: 1
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Mellencamp / by Rees, Paul(Music journalist),author.;
Includes bibliographical references and index."John Mellencamp is not your typical rock star. Not only has he absorbed into his own work the influence of Faulkner, Williams, Steinbeck and other such literary giants, but he himself could have stepped straight from the pages of any of their great American novels. A complex, colorful and larger than life character, Mellencamp, like Bob Dylan and Johnny Cash before him, walks to the beat of his own drum. Or, as he told author and veteran music journalist, Paul Rees: "I just refuse to take shit off anyone." Little Bastard will definitively chart the life of one of the most fascinating characters in all of American music. It will bring into full relief the complex, iconoclastic character of the man Billy Joel, when inducting Mellencamp into the Rock and Roll Hall of Fame in 2008, urged to "Stay ornery, stay mean. We need you to be pissed off," Joel continued. "People need to hear a voice like yours to echo the discontent in the heartland. Someone's got to tell 'em, 'Don't take any shit,' and John, you do that very well." Along with Mellencamp's full blessing, Rees will include new interviews from his friends, family and colleagues, including Bob Seger, Stephen King, Willie Nelson, Larry McMurtry, Emmylou Harris, Elvis Costello, Sheryl Crow and Chuck D, among others. Rees will also include interviews from artists he has had a pronounced influence on such as John Mayer, Keith Urban, and Jason Isbell. Telling Mellencamp's story is telling the story of the American heartland, along with such pivotal moments in social history as the dawning of the Civil Rights movement, the hippy era, the anti-Vietnam War protests, Watergate, and the terms of such divisive US Presidents as Richard Nixon, Reagan, George W. Bush and now Donald Trump. In terms of music, Mellencamp's account runs parallel to the advent of rock-and-roll, the Summer of Love, the singer-songwriter superstars and the nihilistic punks of the nineteen-seventies, the founding of MTV and the have-it-all eighties, the creation of Farm Aid, and the radical re-shaping of the music industry that has gone on through this century"--
Subjects: Biographies.; Mellencamp, John, 1951-; Rock musicians; Singers;
Available copies: 1 / Total copies: 1
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