Search results for [Documentary-style films] at Tsuga Consortium

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Tupaia’s Endeavour. by Rolls, Lala,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Ronin Films in 2020.A first contact story, told from a Pacific point of view. When James Cook, captain of the British ship Endeavour, took his first steps on the un-colonised shores of Aotearoa/New Zealand in 1769, he set in train a violent collision with the existing Māori occupants. The first meeting between Māori and Europeans would have ended disastrously for Cook and his crew, if not for Tupaia, a Polynesian who had joined the Endeavour expedition in Tahiti. Who was Tupaia - this high-priest, star-navigator, and extraordinary artist? He is left out of European history books, yet today his imprint lives on in modern Aotearoa/New Zealand. New Zealand-born artist Michel Tuffery (who is of Samoan/Rarotongan/Tahitian heritage) and Māori actor Kirk Torrance, with scholars and Māori tangata whenua (people of the land) alongside them, retrace the footsteps of Tupaia in true Polynesian style. Under the gaze of their ancestors, with song, haka and humour, they make startling new discoveries that rewrite history, cementing Tupaia’s role as a central figure in Pacific history.TUPAIA'S ENDEAVOUR was shot in Tahiti, Aotearoa New Zealand and the UK over eight years with each shoot unveiling new revelations and with Michel, Kirk and the whole film crew embodying the story physically, spiritually and emotionally. Backed with the Endeavour journals and the historical rigour of renowned anthropologist, historian and writer, Dame Anne Salmond, and in collaboration with Prof. Paul Tapsell (of the iwi Ngāti Whakaue and Ngāti Raukawa), it is a project that gathered research from the ground up, allowing Indigenous knowledge to lead in the creation of a compelling work, both as a film and as an educational resource.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Anthropology.; Documentary films.; History.; Aboriginal Australians.;

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Rollout. by Abel, Danny,film director.; New Day Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by New Day Films in 2022.A vérité-style journey alongside residents of a tight-knit Kenyan community, as they face mounting pressure from a government they don’t trust, to get a Covid-19 vaccine they fear may cause more harm than good.The film is a journey alongside residents of Kibera, Nairobi - including Laureen, a mother and immunization nurse. Through ROLLOUT, we seek to show a vivid picture of the powerful and complex narratives and lived experiences driving the “shadow pandemic of vaccine hesitancy" which delayed vaccine uptake across communities worldwide, and ultimately stymied humanity’s chance to achieve global herd immunity. As the rollout efforts expand countywide, Laureen and her fellow healthcare workers visit with vibrant community members - from a church pastor to a radio DJ - who share their perspectives on the vaccination efforts. Through their stories, we feel their visceral mistrust, seemingly sparked by the government’s deeply unpopular and aggressive early pandemic response, and further fueled by a relentless flood of misinformation and conspiracy theories. We explore the deeper historical context that further exacerbates this mistrust, namely the fraught relationship between community members and global health actors, and a global vaccination agenda designed by global elites that disregard the needs of Kibera's residents.Mode of access: World Wide Web.

Subjects: Documentary films.; Health.; African studies.; Foreign study.; Medicine.; Documentary films.; Current affairs.; Communicable diseases.; Africa.; Medical care.;

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Michel Gondry. by Nemeta, François,film director.; Beck,actor.; Gainsbourg, Charlotte,actor.; Black, Jack,actor.; White, Jack,actor.; Gondry, Michel,actor.; Jonze, Spike,actor.; Cargo Film & Releasing (Firm),dst; Kanopy (Firm),dst;

Beck, Charlotte Gainsbourg, Jack Black, Jack White, Michel Gondry, Spike JonzeOriginally produced by Cargo Film & Releasing in 2023.If Georges Méliès had a modern-day heir, it would be Michel Gondry. A brilliant, eccentric jack-of-all-trades, Gondry’s unique DIY talent drew the creative elite of global pop music—Björk, The Rolling Stones, Daft Punk, The White Stripes, Beck, Paul McCartney — who trusted his madcap visions to redefine the music video forever. He then blazed his own trail in Hollywood, all while maintaining his signature offbeat style and artistic integrity, earning him an Oscar for Eternal Sunshine of the Spotless Mind. This film is a rare and personal window into the mind and career of a singular artist who celebrates wonder and imagination on his own terms. At its core, Gondry’s DIY artistry offers a deeply humanist ambition and stands as a political act.Mode of access: World Wide Web.

Subjects: Documentary films.; Arts.; Motion pictures.; Documentary films.; Artists.; Motion pictures--Production and direction.; Motion picture producers and directors.; Creative ability.;

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Hallelujah. by Geller, Daniel,film director.; Goldfine, Dayna,film director.; Dylan, Bob,actor.; Carlile, Brandi,actor.; Buckley, Jeff,actor.; Cale, John,actor.; Cohen, Leonard,actor.; Wainwright, Rufus,actor.; Mongrel Media (Firm),dst; Kanopy (Firm),dst;

Bob Dylan, Brandi Carlile, Jeff Buckley, John Cale, Leonard Cohen, Rufus WainwrightOriginally produced by Mongrel Media in 2021.This documentary explores Leonard Cohen’s life through the lens of his song “Hallelujah,” tracing its transformation from a rejected track to an international anthem. Directed by Daniel Geller and Dayna Goldfine, the film captures Cohen’s journey from poet to singer-songwriter, intertwining his spiritual struggles, creative perseverance, and evolving musical style. Rare archival footage, personal journals, and interviews with friends and collaborators—including John Cale and Brandi Carlile—illustrate how Cohen refined "Hallelujah" over years, creating a work that would later be covered by Jeff Buckley, propelling it to cultural prominence. Using Cohen's own words and insights from major artists, the film reveals "Hallelujah" as both deeply personal and universal, underscoring its role as an enduring symbol of faith, love, and resilience.Mode of access: World Wide Web.

Subjects: Documentary films.; Arts.; Music.; Documentary films.; Artists.; Biography.; Musicians.; Folk music.; Performing arts.;

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Happy Clothes. by Selditch, Michael,film director.; Hathaway, Anne,actor.; Cattrall, Kim,actor.; Collins, Lily,actor.; Field, Patricia,actor.; Jessica, Sarah,actor.; V71 US Inc. (Firm),dst; Kanopy (Firm),dst;

Anne Hathaway, Kim Cattrall, Lily Collins, Patricia Field, Sarah Jessica ParkerOriginally produced by V71 US Inc. in 2024.This dynamic documentary delves into the world of Patricia Field, the Emmy-winning costume designer who transformed on-screen style in Sex and the City, Emily in Paris, and The Devil Wears Prada. Featuring interviews with Sarah Jessica Parker, Kim Cattrall, and Lily Collins, the film explores how Field's bold, expressive designs became a defining force in pop culture. Director Michael Selditch captures Field’s collaborations with icons like Ugly Betty's Michael Urie and fashion luminaries such as Daphne Rubin-Vega, revealing her influence on costume design and fashion culture. With rare glimpses of her creative process and her groundbreaking New York boutique, the film is a vivid celebration of Field's enduring legacy and influence in fashion and entertainment.Mode of access: World Wide Web.

Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Social sciences.; Fashion.; Homosexuality.; Documentary films.; Mass media and culture.; LGBTQ.; Artists.; Biography.; Fashion designers.; Popular culture.; Art and architecture.;

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Muslim in America. by Khan, Deeyah,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;

Originally produced by Women Make Movies in 2020.Since 2015, anti-Muslim hate groups, conspiracy theories and hate crimes have risen in the United States. In this Peabody Award-winning exposé, Deeyah Khan explores the connections between this increase in hate-driven incidents and state-endorsed racism and investigates what it's like to be Muslim in a country where many people feel they don’t belong. Filmed before and during the coronavirus pandemic and while events following the death of George Floyd unfolded around her in America, Khan meets ordinary Muslims whose lives have been shattered by violence and intolerance, activists trying to combat a rising tide of hatred, armed militia who believe Islam is infiltrating the U.S., and lawmakers who have themselves been the target of vitriolic rhetoric, such as Minnesota congresswoman Ilhan Omar.Deploying her uniquely intimate filming style, Deeyah seeks to get to the heart of the Muslim experience - providing a vivid insight into the experiences of alienation, of rejection, and the daily struggles of keeping faith in both Islam and the American Dream.Mode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; Enthnology.; History, Modern.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; United States--Politics and government.; History.; Politicians.; Political participation.; Racism.; Social problems.; Discrimination.; Muslims.; Hate crimes.;

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The twilight world / by Herzog, Werner,1942-author.; Hofmann, Michael,1957 August 25-translator.; translation of:Herzog, Werner,1942-Dämmern der Welt.English.;

"Werner Herzog, one of the most revered filmmakers of all time, in his first book in many years, tells the story of Hiroo Onoda, a Japanese soldier who continued to defend a small island in the Philippines for twenty-nine years after the end of World War Two. In 1997, Werner Herzog was in Tokyo to direct an opera. His hosts there asked, whom would you like to meet? He replied instantly: Hiroo Onoda. Onoda was a former solider famous for having quixotically defended an island in the Philippines for decades after World War II, unaware the war was over. At their meeting, Herzog and Onoda spoke for hours, and together began to unravel Onoda's incredible story. At the end of 1944, on Lubang Island in the Philippines, with Japanese troops about to withdraw, Lieutenant Hiroo Onoda was given orders by his superior officer: Hold the island until the Imperial army's return. Defend the territory with guerilla tactics at all costs. There is only one rule: you are forbidden to die by your own hand. In the event of capture, give the enemy all the misleading information you can. Onoda dutifully retreated into the jungle, and so began his long campaign. Soon weeks turned into months, months into years, and years into decades. And all the while Onoda continued to follow his orders, surviving by any means necessary, at first with other soldiers, and then, finally, all alone in the jungle, like a phantom, becoming one with the natural world. Until eventually time itself seemed to melt away. In The Twilight World, Herzog immortalizes Onoda's years of absurd yet epic struggle, recounting his lonely mission in an inimitable, hypnotic style--part documentary, part poem, and part dream--that will be instantly recognizable to fans of his films. The result is something like a modern-day Robinson Crusoe: nothing less than a glowing, dancing meditation on the purpose and meaning we give our lives"--

Subjects: Biographical fiction.; Historical fiction.; War fiction.; Novels.; Onoda, Hiroo; Japan. Rikugun; Guerrilla warfare; Soldiers; World War, 1939-1945; World War, 1939-1945;

Available copies: 1 / Total copies: 1

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Drain the oceans. [videorecording] / by Buena Vista Home Entertainment (Firm),film distributor.; National Geographic Partners (U.S.),production company.; National Geographic Television,production company.;

Combining undersea exploration with innovative visualizations, DRAIN THE OCEANS reveals hidden evidence of amazing undersea mysteries. Not artists impressions but what is actually there down to the very last rivet. And, for it's fourth season, it embraces a gripping new style, telling stories purely through the words of explorers and archaeologists, putting viewers right by their side.E.Closed-captioned for the hearing impaired.DVD ; wide screen presentation ; Dolby Digital 5.1.

Subjects: Documentary television programs.; Historical television programs.; Nonfiction television programs.; Video recordings for the hearing impaired.; Ocean bottom; Oceanography.; Shipwrecks.; Submarine topography.; Treasure troves.; Underwater archaeology.; Underwater exploration.;

For private home use only.

Available copies: 1 / Total copies: 1

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I Lost My Mom. by Desjardins, Denys,film director.; Les Films du 3 Mars (Firm),dst; Kanopy (Firm),dst;

Originally produced by Les Films du 3 Mars in 2022.In the style of a film diary, this documentary immerses us in the personal experience of the filmmaker and his sister as they try to ensure their mother can end her days with dignity in the CHSLD system. Amid this complex challenge, Denys Desjardins films his mother with incredible tenderness. He communicates her vulnerability and warm personality from a place of love and respect. This feature-length film is a continuation of the documentary work on the housing of seniors that the filmmaker began in his previous film Le Château (The Castle), in the web series L’industrie de la Vieille{dollar}{dollar}e and in the web fiction experience 2031.Quebec.Mode of access: World Wide Web.

Subjects: Documentary films.; Health.; Social sciences.; Sociology.; Documentary films.;

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The act of killing [videorecording] / by Anif, Haji.; Arifin, Syamsul.; Asmara, Sakhyan.; Oppenheimer, Joshua.; Sørensen, Signe Byrge.; Cinedigm (Firm); Drafthouse Films.; Final Cut For Real (Firm);

With Haji Anif, Syamsul Arifin, Sakhyan Asmara.The filmmakers examine a country where death squad leaders are celebrated as heroes, challenging them to reenact their real-life mass-killings in the style of the American movies they love. The hallucinatory result is a cinematic fever dream, a journey into the imaginations of mass murderers and the banal regime of corruption and impunity they inhabit.E.DVD ; Dolby digital 5.1.

Subjects: Pemuda Pancasila (Organization); Death squads; Documentary films.; Mass murderers; Political persecution;

© c2014., Cinedigm Entertainment,

Available copies: 1 / Total copies: 1

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