Search results for [Ethnic relations] at Tsuga Consortium

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Lights in the distance : exile and refuge at the borders of Europe / by Trilling, Daniel,author.;

Includes bibliographical references (pages 265-279).

Subjects: Refugees; Border security;

Available copies: 1 / Total copies: 1

unAPI

The knowing / by Talaga, Tanya,author.;

Includes bibliographical references and index."From Tanya Talaga, the critically acclaimed and award-winning author of Seven Fallen Feathers, comes a riveting exploration of her family's story and a retelling of the history of the country we now call Canada. For generations, Indigenous People have known that their family members disappeared, many of them after being sent to residential schools, "Indian hospitals" and asylums through a coordinated system designed to destroy who the First Nations, Métis and Inuit people are. This is one of Canada's greatest open secrets, an unhealed wound that until recently lay hidden by shame and abandonment. The Knowing is the unfolding of Canadian history unlike anything we have ever read before. Award-winning and bestselling Anishinaabe author Tanya Talaga retells the history of this country as only she can -- through an Indigenous lens, beginning with the life of her great-great grandmother Annie Carpenter and her family as they experienced decades of government- and Church-sanctioned enfranchisement and genocide. Deeply personal and meticulously researched, The Knowing is a seminal unravelling of the centuries-long oppression of Indigenous People that continues to reverberate in these communities today."--

Subjects: Biographies.; Personal narratives.; Talaga, Tanya; Generational trauma.; Indigenous peoples; Indigenous peoples;

Available copies: 4 / Total copies: 5

unAPI

The inconvenient Indian : a curious account of native people in North America / by King, Thomas,1943-author.;

Subjects: Indigenous peoples; Indigenous peoples; Indigenous peoples, Treatment of;

Available copies: 1 / Total copies: 2

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Wînipêk : visions of Canada from an Indigenous centre / by Sinclair, Niigaanwewidam James,author.; Sinclair, Niigaanwewidam James.Columns.Selections.;

Includes bibliographical references."The story of a people told through the story of a city. Niigaan Sinclair is often accused of being angry in his columns. But how can he not be? In a collection of writing that spans the discovery of hundreds of unmarked graves at residential school sites, the murder of young Indigenous girls, and the indifference towards the basic human rights of his family members, this book is inspired by his award-winning columns 'from the centre.' Niigaan examines the state of urban Indigenous life and legacy. At a crucial moment in Canada's reckoning with its crimes against the Indigenous peoples of the land, one of our most essential writers begins at the centre, capturing a web spanning centuries of community, art, and resistance. Based on years' worth of columns in the Winnipeg Free Press, CBC, and elsewhere, Niigaan Sinclair delivers a defining essay collection on the resilience of Indigenous peoples. Here, we meet the creators, leaders, and everyday people preserving the beauty of their heritage one day at a time. But we also meet the ugliest side of settler colonialism, and the communities who suffer most from its atrocities. Sinclair uses the story of Winnipeg to illuminate the reality of Indigenous life all over what is called Canada. This is a book that demands change and celebrates those fighting for it, that reminds us of what must be reconciled and holds accountable those who must do the work. It's a book that reminds us of the power that comes from loving a place, even as that place is violently taken away from you, and the magic of fighting your way back to it."--

Subjects: Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Settler colonialism; Settler colonialism;

Available copies: 1 / Total copies: 1

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Indigenous peoples and the Second World War : the politics, experiences and legacies of war in the US, Canada, Australia and New Zealand / by Sheffield, R. Scott,author.; Riseman, Noah J.,author.;

Includes bibliographical references and index."During the Second World War, Indigenous people in the United States, Australia, New Zealand and Canada mobilised en masse to support the war effort, despite withstanding centuries of colonialism. Their roles ranged from ordinary soldiers fighting on distant shores, to soldiers capturing Japanese prisoners on their own territory, to women working in munitions plants on the home front. R. Scott Sheffield and Noah Riseman examine Indigenous experiences of the Second World War across these four settler societies. Informed by theories of settler colonialism, martial race theory and military sociology, they show how Indigenous people and their communities both shaped and were shaped by the Second World War. Particular attention is paid to the policies in place before, during and after the war, highlighting the ways that Indigenous people negotiated their own roles within the war effort at home and abroad"--

Subjects: Indigenous peoples; Indigenous peoples; World War, 1939-1945; World War, 1939-1945; World War, 1939-1945;

Available copies: 0 / Total copies: 1

unAPI

Origin [videorecording] / by Averick, Spencer,editor.; Bernthal, Jon,actor.; Bowers, Chris,composer.; DuVernay, Ava,screenwriter,film director.; Ellis, Aunjanue,actor.; Farmiga, Vera,actor.; Lloyd, Matthew J.,director of photography.; Mayhew, Ina,production designer.; McDonald, Audra,actor.; Nash, Niecy,actor.; based on (expression):Wilkerson, Isabel.Caste (Young adult adaptation); Decal (Firm),film distributor.; Neon (Firm),production company.;

Music by Kris Bowers ; edited by Spencer Averick A.C.E. ; production designer Ina Mayhew ; director of photography Matthew J. Lloyd, ASC.Aunjanue Ellis-Taylor, Jon Bernthal, Vera Farmiga, Audra McDonald, and Niecy Nash-Betts."While investigating the global phenomenon of caste and its dark influence on society, a journalist experiences soaring love and unfathomable loss as she uncovers the beauty of human resilience. Inspired by the New York Times best seller "Caste" and starting Aunjanue Ellis-Taylor, Ava DuVernay's Origin explores the mystery of history, the wonders of romance and a fight for the future of us all."Canadian Home Video Rating: PG.MPAA rating: PG-13 ; thematic material involving racism, violence, some disturbing images, language and smoking.Described video for the blind and visually impaired.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1, Dolby Digital 2.0.

Subjects: Video recordings for people with visual disabilities.; Video recordings for the hearing impaired.; Fiction films.; Feature films.; Biographical films.; Wilkerson, Isabel; African American women authors; Caste; Classism; Ethnicity; Man-woman relationships; Power (Social sciences); Social classes; Social stratification;

For private home use only.

Available copies: 1 / Total copies: 1

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Di-bayn-di-zi-win : to own ourselves : embodying Ojibway-Anishinabe ways / by Fontaine, Jerry,1955-author.; McCaskill, Don N.,author.;

Includes bibliographical references and index."An indigenized, de-colonized world view for Indigenous leaders and academics seeking a path to reconciliation. Indigenization within the academy and the idea of truth and reconciliation within Canada have been seen as the remedy to correct the relationship between Indigenous Peoples and Canadian society. While honourable, these actions are difficult to achieve given the Western nature of institutions in Canada and the collective memory of its citizens, and the burden of proof has always been the responsibility of Anishinabeg. Authors makwa ogimaa (Jerry Fontaine) and ka-pi-ta-aht (Don McCaskill) tell their di-bah-ji-mo-wi-nan (personal stories) to understand the cultural, political, social, and academic events in the past fifty years of Ojibway-Anishinabe resistance in Canada. They suggest that Ojibway-Anishinabe i-zhi-gay-win zhigo kayn-dah-so-win (Anishinabe ways of doing and knowing) can provide an alternative way of living sustainably in the world. This distinctive world view as well as values, language, and ceremonial practices can provide an alternative to Western political and academic institutions and peel away the layers of colonialism, violence, and injustice, speaking truth and leading to true reconciliation."

Subjects: Decolonization; Reconciliation; First Nations; First Nations; First Nations;

Available copies: 1 / Total copies: 1

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The Oro African church : a history of the African Methodist Episcopal Church, Edgar, Ontario, Canada / by Crawford, Tim,1935-; Oro-Medonte (Ont.).History Committee.;

Includes bibliographical references (p. [90]).

Subjects: Oro African Methodist Episcopal Church (Edgar, Ont.); Blacks;

© c1999., Township of Oro-Medonte,

Available copies: 2 / Total copies: 2

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Cultural appropriation / by Hudak, Heather C.,1975-;

Includes bibliographical references, Internet addresses and index.Explores how non-Indigenous people have taken aspects of Indigenous culture -- clothing, music, art, food, symbols, and more -- and used them differently than their original purpose. Often these uses are seen as offensive or disrespectful to Indigenous people.LSC

Subjects: Cultural appropriation; Native peoples; Native peoples;

Available copies: 1 / Total copies: 1

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The message / by Coates, Ta-Nehisi,author.;

"Coates originally set off to write a book about writing, in the tradition of Orwell's classic Politics and the English Language, but found himself grappling with deeper questions about how our stories - our reporting and imaginative narratives and mythmaking - expose and distort our realities. The first of the book's three intertwining essays is set in Dakar, Senegal. Despite being raised as a strict Afrocentrist - and named for Nubian pharaoh - Coates had never set foot on the African continent until now. He roams the "steampunk" city of "old traditions and new machinery," meeting with strangers and dining with local writers who quiz him in French about African American politics. But everywhere he goes he feels as if he's in two places at once: a modern city in Senegal and a mythic kingdom in his mind, the pan-African homeland he was raised to believe was the origin and destiny for all black people. Finally he travels to the slave castles off the coast and touches the ocean that carried his ancestors away in chains - and has his own reckoning with the legacy of the Afrocentric dream. Back in the USA he takes readers along with him to Columbia, South Carolina, where he explores a different mythology, this one enforced on its subjects by the state. He enters the world of the teacher whose job is threatened for teaching one of Coates's own books and discovers a community of mostly white supporters who were transformed and even radicalized by the stories they discovered in the "racial reckoning" of 2020. But he also explores the backlash to this reckoning and the deeper myths and stories of the community - a capital of the confederacy with statues of segregationists looming over the its public squares. In Palestine, the longest of the essays, he discovers the devastating gap between the narratives we've accepted and the clashing reality of life on the ground. He meets with activists and dissidents, Israelis and Palestinians - the old, who remember their dispossessions on two continents, and the young who have only known struggle and disillusionment. He travels into Jerusalem, the heart of Zionist mythology, and to the occupied territories, where he sees the reality the myth is meant to hide. It is this hidden story that draws him in and profoundly changes him - and makes the war that would soon come all the more devastating"--

Subjects: Biographies.; Autobiographies.; Personal narratives.; Coates, Ta-Nehisi; African American journalists; Journalists;

Available copies: 1 / Total copies: 1

unAPI

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