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Don't think, dear : on loving & leaving ballet / by Robb, Alice,author.;
Includes bibliographical references and index."An incisive exploration of ballet's role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet. Ballet is an art full of hyper-feminine trappings, but beneath the ornate costumes and exaggerated stage makeup, traits like thinness, stoicism, and submission are valued above all else. Journalist Alice Robb spent years immersed in that universe as a child, but as an adult, she couldn't shake the feeling that the same laws that governed the dance world still applied in the regular one. Certain bodies hold more value than others, and men oftentimes hold the most power of all. Pain is best left concealed, along with sexuality, in all of its messiness. Obedience and conformity are rewarded, while standing out comes at a cost. Profound, nuanced, and obsessively researched, Don't Think, Dear, is Robb's excavation of her adolescent years as a dancer, and an exploration of how those days informed her life for years to come. As she grapples with the pressure she faced as a student at the storied School of American Ballet, she explores the fates of her former classmates as well. From sweet and shy Emily--whose body was deemed "thin enough" only when she was too ill to eat--to the precocious and talented Meiying--who despite her success, had to contend with the fact that she was the only Vietnamese-American in the school. Altogether, their stories are ones of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballerinas past and present, from the groundbreaking Misty Copeland, to the controversial George Balanchine. Ballet does not exist in a vacuum, it is a laboratory of womanhood, a test-tube world in which traditional femininity is exaggerated. By exploring the psyche of a dancer, Don't Think, Dear grapples with the contradictions and challenges of being a woman today. It's also a story about chasing your dreams, however complicated, and learning when to let them go"--
Subjects: Biographies.; Personal narratives.; Robb, Alice.; School of American Ballet; Ballerinas; Ballerinas; Ballet;
Available copies: 1 / Total copies: 1
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E-e-estoriï ekskavatora Eky / by Amelina, Viktorii͡a.; Shatokhin, Oleksandr.;
Subjects: Picture books.; Excavating machinery; Helping behavior; Ukrainian language materials.;
Available copies: 1 / Total copies: 1
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Max et Sam creusent, creusent, creusent... / by Barnett, Mac.; Klassen, Jon.; Viala, Kévin.;
LSC
Subjects: Récits humoristiques.; Humorous fiction.; Excavation; Trous; Excavation; Holes;
Available copies: 1 / Total copies: 1
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Farewell Disco. by Losansky, Rolf,film director.; Matschulat, Annelise,actor.; Kubisch, Holger,actor.; Schulze, Horst,actor.; Schwarz, Jaecki,actor.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Annelise Matschulat, Holger Kubisch, Horst Schulze, Jaecki SchwarzOriginally produced by DEFA Film Library in 1990.15-year-old Henning is deeply shaken by the death of Silke, his first love. He decides to visit his grandfather one more time in his village that soon must give way to brown coal mining. Henning is speechless when he sees excavators eating through the landscape, destroying all life. In the almost deserted area, he encounters various people: A scavenger; a villager, who saves animals; and a woman in a closed disco. Being in this seemingly haunted environment, questions arise for the boy about the responsibility of saving the earth. In the end, he plants little trees in an almost dead landscape.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.;
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Lyd. by Younis, Rami,film director.; Ema Friedland, Sarah,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 2024.LYD (the Arabic name of Lod, a city now in Israel) is about a 5,000-year-old bustling Palestinian town that was taken over when Israel was established in 1948. An exploration of what it once was, and what it is now, in the context of the continuing conflicts and the war in Gaza, LYD’s excavation of one community’s complex history offers us not only lessons, but possible futures.As the film unfolds, a chorus of characters creates a tapestry of the Palestinian experience of this city and the trauma left by the massacre and expulsion, while vivid animations envision an alternate reality where the same characters live free from the trauma of the past and the violence of the present. Using never-before-seen archival footage of the Israeli soldiers who carried out the massacre and expulsion, the personified city explains that these events were so devastating that they fractured reality, and now there are two Lyds — one occupied and one free. As the film cuts between fantastical and documentary realities, it ultimately leaves the viewer questioning what future should prevail.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Human rights.; Foreign study.; Documentary films.; Middle East.; Current affairs.; History.; War.; Israel.; Palestine.; Psychic trauma.;
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