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Contesting intersex : the dubious diagnosis / by Davis, Georgiann,author.;
Includes bibliographical references and index."When sociologist Georgiann Davis was a teenager, her doctors discovered that she possessed XY chromosomes, marking her as intersex. Rather than share this information with her, they withheld the diagnosis in order to 'protect' the development of her gender identity; it was years before Davis would see her own medical records as an adult and learn the truth. Davis' experience is not unusual. Many intersex people feel isolated from one another and violated by medical practices that support conventional notions of the male/female sex binary which have historically led to secrecy and shame about being intersex. Yet, the rise of intersex activism and visibility in the US has called into question the practice of classifying intersex as an abnormality, rather than as a mere biological variation. This shift in thinking has the potential to transform entrenched intersex medical treatment. In Contesting Intersex, Davis draws on interviews with intersex people, their parents, and medical experts to explore the oft-questioned views on intersex in medical and activist communities, as well as the evolution of thought in regards to intersex visibility and transparency. She finds that framing intersex as an abnormality is harmful and can alter the course of one's life. In fact, controversy over this framing continues, as intersex has been renamed a 'disorder of sex development' throughout medicine. This happened, she suggests, as a means for doctors to reassert their authority over the intersex body in the face of increasing intersex activism in the 1990s and feminist critiques of intersex medical treatment. Davis argues the renaming of 'intersex' as a 'disorder of sex development' is strong evidence that the intersex diagnosis is dubious. Within the intersex community, though, disorder of sex development terminology is hotly disputed; some prefer not to use a term which pathologizes their bodies, while others prefer to think of intersex in scientific terms. Although terminology is currently a source of tension within the movement, Davis hopes intersex activists and their allies can come together to improve the lives of intersex people, their families, and future generations. However, for this to happen, the intersex diagnosis, as well as sex, gender, and sexuality, needs to be understood as socially constructed phenomena"--
Subjects: Intersex people.; Intersexuality; Sexual disorders.;
Available copies: 1 / Total copies: 1
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The mistresses of Cliveden : three centuries of scandal, power, and intrigue in an English stately home / by Livingstone, Natalie,author.;
Includes bibliographical references and index."For fans of Downton Abbey comes an immersive historical epic about a lavish English manor and a dynasty of rich and powerful women who ruled the estate over three centuries of misbehavior, scandal, intrigue, and passion. Five miles from Windsor Castle, home of the royal family, sits the Cliveden estate. Overlooking the Thames, the mansion is flanked by two wings and surrounded by lavish gardens. Throughout its storied history, Cliveden has been a setting for misbehavior, intrigue, and passion--from its salacious, deadly beginnings in the seventeenth century to the 1960s Profumo Affair, the sex scandal that toppled the British government. Now, in this immersive chronicle, the manor's current mistress, Natalie Livingstone, opens the doors to this prominent house and lets the walls do the talking. Built during the reign of Charles II by the Duke of Buckingham, Cliveden attracted notoriety as a luxurious retreat in which the duke could conduct his scandalous affair with the ambitious courtesan Anna Maria, Countess of Shrewsbury. In 1668, Anna Maria's cuckolded husband, the Earl of Shrewsbury, challenged Buckingham to a duel. Buckingham killed Shrewsbury and claimed Anna Maria as his prize, making her the first mistress of Cliveden. Through the centuries, other enigmatic and indomitable women would assume stewardship over the estate, including Elizabeth, Countess of Orkney and illicit lover of William III, who became one of England's wealthiest women; Augusta of Saxe-Gotha, the queen that Britain was promised and then denied; Harriet, Duchess of Sutherland, confidante of Queen Victoria and a glittering society hostess turned political activist; and the American-born Nancy Astor, the first female member of Parliament, who described herself as an 'ardent feminist' and welcomed controversy. Though their privileges were extraordinary, in Livingstone's hands, their struggles and sacrifices are universal. Cliveden weathered renovation and restoration, world conflicts and cold wars, societal shifts and technological advances. Rich in historical and architectural detail, The Mistresses of Cliveden is a tale of sex and power, and of the exceptional women who evaded, exploited, and confronted the expectations of their times; Praise for The Mistresses of Cliveden: 'An utterly fascinating and completely beguiling account of three centuries of high living, high politics, and high drama at one of Britain's most famous stately homes."--Provided by publisher.
Subjects: Biographies.; Augusta, Princess of Wales, 1719-1772.; Astor, Nancy Witcher Langhorne Astor, Viscountess, 1879-1964.; Shrewsbury, Anna Maria Brudenell Talbot, Countess of, 1642-1702.; Sutherland, Harriet Elizabeth Georgiana Leveson-Gower, Duchess of, 1806-1868.; Villiers, Elizabeth, Countess of Orkney, 1657?-1733.; Cliveden (England); Cliveden (England); Nobility; Rich people; Women;
Available copies: 1 / Total copies: 1
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This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
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Voici Thérèse Casgrain / by MacLeod, Elizabeth.; Deas, Mike,1982-; Binette, Louise.;
LSC
Subjects: Casgrain, Thérèse F., 1896-1981; Casgrain, Thérèse F., 1896-1981; Hommes politiques; Féministes; Politicians; Feminists;
Available copies: 1 / Total copies: 1
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Ever, Rêve, Hélène Cixous. by Morel, Olivier,film director.; Hamrah, Azizullah,actor.; Doe-Bruce, Eve,actor.; Cixous, Hélène,actor.; Beheshti, Shaghayegh,actor.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;
Azizullah Hamrah, Eve Doe-Bruce, Hélène Cixous, Shaghayegh BeheshtiOriginally produced by MVD Entertainment Group in 2023.Algeria-born French intellectual Hélène Cixous is a feminist legend, a May 68 activist, and a major postmodern author. In his "road movie" documentary EVER, RÊVE, HELENE CIXOUS, director Olivier Morel explores a genius who demonstrates the paths to emancipation through creative writing, theater, and activism.Mode of access: World Wide Web.
Subjects: Documentary films.; Art.; Arts.; Literature.; Documentary films.; Artists.; Playwriting.; Authors, European.; Biography.; Women artists.; Feminism.; Political activists.; Authors.; Art and architecture.;
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Summertime [French] [1 DVD - 105 min.] / by Corsini, Catherine,film director.; France, Cécile de,1975-actor.; Izïa,1990-actor.; Lvovsky, Noémie,1964-actor.; Strand Releasing Home Video (Firm),publisher.;
Cecile De France, Izia Higelin, Noemie Lvovsky.Carole and Delphine fall in love against the backdrop of early feminist activism in 1971 France. After living in the city, Delphine is called home to help with her family farm in the countryside and is forced to choose between her responsibility to them and the life of love she had in Paris with Carole.DVD; Widescreen presentation; 5.1 surround sound.1
Subjects: Feature films.; Foreign films; Lesbians; Gay couples; Responsibility;
Home Use Only.
Available copies: 1 / Total copies: 1
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Bernadette Lafont: And God Created the Free Woman. by Hoffenberg, Esther,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 2016.A sex symbol, feminist icon, devoted mother: French actress Bernadette Lafont was a multi-faceted performer, who refused to be boxed into one role. In BERNADETTE LAFONT: AND GOD CREATED THE FREE WOMAN, director Esther Hoffenberg tells Lafont’s story through carefully selected film clips spanning her career — from iconic roles in the New Wave films of Truffaut and Chabrol, to her award-winning turn in Paulette.Mode of access: World Wide Web.
Subjects: Documentary films.; Performing arts.; Arts.; Motion pictures.; Documentary films.; Women's studies.; Artists.; Motion pictures--France.; Biography.; Women artists.; Feminism.; Actors.;
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Stories of A. by Belmont, Charles,film director.; Issartel, Marielle,film director.; Icarus Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Icarus Films in 1973.Shot in Paris in 1973, this feminist film on the fight for abortion rights was banned as soon it was released. A large-scale game of hide-and-seek ensued, as activists created an underground distribution network, hiding the film from the police — and creating an effective model for cinema as an act of civil disobedience in the process. Recently restored, STORIES OF A is both a fascinating historical document, and a reminder of the critical importance of access to abortion.Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Criminal law.; Social sciences.; Balts (Indo-European people).; Foreign study.; Medicine.; History, Modern.; Human rights.; Documentary films.; Women's studies.; Current affairs.; History.; Women--Health and hygiene.; Nineteen seventies.; Political participation.; Abortion.; Police.; Feminism.; Women's rights.; Physicians.; Medical care.; France.;
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Murina. by Alamat, Antoneta,film director.; Curtis, Cliff,actor.; Curcic, Danica,actor.; Filipovic, Gracija,actor.; Lučev, Leon,actor.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Cliff Curtis, Danica Curcic, Gracija Filipovic, Leon LučevOriginally produced by Kino Lorber in 2021.On a remote island along Croatia’s Adriatic coast, 17-year-old Julija spends her days diving for eel with her domineering father Ante and watching other teens party on a nearby yacht. She longs for independence but is unsure how to achieve it, until the arrival of the rich and mysterious Javier seems to offer a way out. But does his affection portend freedom, or something more sinister?MURINA features a ferocious, star-making central performance by Gracija Filipovic and the most sumptuous images of the Mediterranean since The Big Blue. Equal parts fiery feminist outcry and stirring coming-of-age drama, the film announces director Antoneta Alamat Kusijanovic as a major new talent in world cinema.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.;
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Act & Punishment. by Mitta, Yevgeni,film director.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;
Originally produced by MVD Entertainment Group in 2015.Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich left Viona, an established activist collective, in order to form their own feminist punk rock group dubbed Pussy Riot. A public performance of an original song accusing Russian authorities of sexism quickly drew international media attention; undeterred by the arrest of several members, Pussy Riot then decided to conduct a punk rock church service in the Moscow Cathedral of Christ the Savior. Three of the girls were again arrested and threatened with seven years in prison. Initially offered liberty if they agreed to confess and repent for their "crimes," the women refused to budge and were sentenced to two years in prison. This defeat in court becomes their moral victory, as Pussy Riot is cheered on by thousands of new-found fans and worldwide supporters."… A busy and interesting documentary that will provide international audiences with a much richer appreciation of the Pussy Riot phenomenon." - Jennie Kermode, Eye for FilmMode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Arts.; Music.; Balts (Indo-European people).; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Russia (Federation).; Political participation.; Social problems.; Businesswomen.; Sex role.; Women's rights.; Women social reformers.; Political activists.; Current events.; Performing arts.;
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Results 201 to 210 of 211 | « previous |