Search results for [Group identity] at Tsuga Consortium

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War at the margins : Indigenous experiences in World War II / by Poyer, Lin,1953-author.;

Includes bibliographical references (pages 259-306) and index."War at the Margins offers a broad comparative view of the impact of World War II on Indigenous societies. Using historical and ethnographic sources, Lin Poyer examines how Indigenous communities emerged from the trauma of the wartime era with social forms and cultural ideas that laid the foundations for their twenty-first century emergence as players on the world's political stage. With a focus on Indigenous voices and agency, a global overview reveals the enormous range of wartime activities and impacts on these groups, connecting this work with comparative history, Indigenous studies, and anthropology. The distinctiveness of Indigenous peoples offers a valuable perspective on World War II, as those on the margins of Allied and Axis empires and nation-states were drawn in as soldiers, scouts, guides, laborers, and victims. Questions of loyalty and citizenship shaped Indigenous combat roles-from integration in national armies to service in separate ethnic units to unofficial use of their special skills, where local knowledge tilted the balance in military outcomes. Front lines crossed Indigenous territory most consequentially in northern Europe, Southeast Asia, and the Pacific Islands, but the impacts of war go well beyond combat. Like others around the world, Indigenous civilian men and women suffered bombing and invasion, displacement, forced labor, military occupation, and economic and social disruption. Infrastructure construction and demand for key resources affected even areas far from front lines. World War II dissolved empires and laid the foundation for the postcolonial world. Indigenous people in newly independent nations struggled for autonomy, while other veterans returned to home fronts still steeped in racism. National governments saw military service as evidence that Indigenous peoples wished to assimilate, but wartime experiences confirmed many communities' commitment to their home cultures and opened new avenues for activism. By century's end, Indigenous Rights became an international political force, offering alternative visions of how the global order might make room for greater local self-determination and cultural diversity. In examining this transformative era, War at the Margins adds an important contribution to both World War II history and to the development of global Indigenous identity"--

Subjects: Indigenous peoples; World War, 1939-1945; World War, 1939-1945;

Available copies: 1 / Total copies: 1

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Second life : having a child in the digital age / by Hess, Amanda(Journalist),author.;

Includes bibliographical references.""Before I was pregnant, I was a person." The long awaited debut memoir about the convergence of parenthood and technology from the beloved New York Times critic. In 2016, when Amanda arrived at the New York Times to become its correspondent for internet culture, a colleague asked her a question that sounded like a riddle: "On the internet, how do you know what's really real?" He had been looking for a literal answer, but Amanda recognized the question as something more profound, an irresolvable provocation that defines the experience of life in the digital age. For more than a decade, Amanda has been on the reality beat, living the contradictions of the internet even as she has tried to make sense of them. But when she discovered she was pregnant with her first child, who later received a prenatal diagnosis of Beckwith-Wiedemann Syndrome -- a genetic disorder -- she was unexpectedly rattled by a digital identity crisis all her own, vulnerable to the world of apps, gadgets, bloggers, online forums, and advertisers, all closing in, telling her what to do and how to feel. They promised that her new life -- and by extension, her child's -- would be so much better if she bought this or that, tried this or that. As the internet sought to remap her body and her mind, Amanda's guiding question became ever more urgent: what is "real life" when creating a life? Second Life is a trenchant look at parenting in early 21st-century America, when humans stopped being raised by villages or even families but rather by a constant onslaught of information. It is a funny, heartbreaking, and surreal examination of fertility apps, the history of ultrasound technologies, prenatal genetic testing, rare disease Facebook groups, baby memes, cultural representations of parenting, gender reveal videos, trendy sleep gurus, "freebirth" influencers, mommy marketers, culminating in a polemic on how to conceive of a real life in the digital age. Page by page, Amanda reveals the unspoken ways that our lives are being fractured and reconstituted by technology, all through the exacting lens of her intensely personal story"--

Subjects: Biographies.; Autobiographies.; Personal narratives.; Hess, Amanda (Journalist); Information society.; Motherhood.; Internet; Pregnant women;

Available copies: 1 / Total copies: 1

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Act & Punishment. by Mitta, Yevgeni,film director.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;

Originally produced by MVD Entertainment Group in 2015.Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich left Viona, an established activist collective, in order to form their own feminist punk rock group dubbed Pussy Riot. A public performance of an original song accusing Russian authorities of sexism quickly drew international media attention; undeterred by the arrest of several members, Pussy Riot then decided to conduct a punk rock church service in the Moscow Cathedral of Christ the Savior. Three of the girls were again arrested and threatened with seven years in prison. Initially offered liberty if they agreed to confess and repent for their "crimes," the women refused to budge and were sentenced to two years in prison. This defeat in court becomes their moral victory, as Pussy Riot is cheered on by thousands of new-found fans and worldwide supporters."… A busy and interesting documentary that will provide international audiences with a much richer appreciation of the Pussy Riot phenomenon." - Jennie Kermode, Eye for FilmMode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; Arts.; Music.; Balts (Indo-European people).; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Russia (Federation).; Political participation.; Social problems.; Businesswomen.; Sex role.; Women's rights.; Women social reformers.; Political activists.; Current events.; Performing arts.;

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Act & Punishment. by Mitta, Yevgeni,film director.; MVD Entertainment Group (Firm),dst; Kanopy (Firm),dst;

Originally produced by MVD Entertainment Group in 2015.Russian activists Nadezhda Tolokonnikova and Ekaterina Samutsevich left Viona, an established activist collective, in order to form their own feminist punk rock group dubbed Pussy Riot. A public performance of an original song accusing Russian authorities of sexism quickly drew international media attention; undeterred by the arrest of several members, Pussy Riot then decided to conduct a punk rock church service in the Moscow Cathedral of Christ the Savior. Three of the girls were again arrested and threatened with seven years in prison. Initially offered liberty if they agreed to confess and repent for their "crimes," the women refused to budge and were sentenced to two years in prison. This defeat in court becomes their moral victory, as Pussy Riot is cheered on by thousands of new-found fans and worldwide supporters."… A busy and interesting documentary that will provide international audiences with a much richer appreciation of the Pussy Riot phenomenon." - Jennie Kermode, Eye for FilmMode of access: World Wide Web.

Subjects: Documentary films.; Political science.; Social sciences.; Arts.; Music.; Balts (Indo-European people).; Foreign study.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Current affairs.; Russia (Federation).; Political participation.; Social problems.; Businesswomen.; Sex role.; Women's rights.; Women social reformers.; Political activists.; Current events.; Performing arts.;

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Sediments. by Silvestre, Adrián,film director.; Pragda (Firm),dst; Kanopy (Firm),dst;

Originally produced by Pragda in 2021.Six trans women travel to a small town in León where they will explore unusual landscapes, as well as the ins and outs of their own personalities. Looking for answers about what connects them as a group, they will learn to deal with their differences.Sediments is an engaging and fun story about empathy, individuality, and the need to belong. It is the present radiography of a collective, which looks into the past and projects itself into the future, celebrating the extraordinary possibility of being unique and unrepeatable.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Sociology.; Gender identity.; Homosexuality.; Documentary films.; Women's studies.; LGBTQ.; Current affairs.;

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Alis. by Weiskopf, Clare,film director.; Van Hemelryck, Nicolas,film director.; Latido Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Latido Films in 2022.In a Colombian shelter for teenage girls, directors Nicolas van Hemelryck and Clare Weiskopf ask a group of girls to close their eyes and imagine the life story of a fictional classmate named Alis. Like them, Alis‘s story begins on the merciless streets of Bogotá, where she struggles to survive. Alis becomes their blank canvas, a projection of their past selves and experiences. With a sensitive lens, the directors show how the girls’ initial fiction begins to weave into reality.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Psychology.; Latin America.; Foreign study.; Gender identity.; Mental health.; Health.; Documentary films.; Women's studies.; Violence.; Teenagers.; Adolescence.; Colombia.;

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Under the Sky of Damascus. by Wajeeh, Ali,film director.; Khaled, Heba,film director.; Derki, Talal,film director.; Journeyman Pictures (Firm),dst; Kanopy (Firm),dst;

Originally produced by Journeyman Pictures in 2023.A tight-knit group of young Syrian women embark upon on a radical project: producing a play that lays bare the culture of misogyny and sexual abuse that has blighted the lives of females in their country for generations. Farah, Eliana, Inana, Souhir and Grace want to blow the whistle on women's oppression, though they know their production will make it even harder for them to get work.Mode of access: World Wide Web.

Subjects: Documentary films.; Literature.; Arts.; Criminal law.; Social sciences.; Foreign study.; Gender identity.; Documentary films.; Middle East.; Women's studies.; Artists.; Current affairs.; Theater.;

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Results 91 to 97 of 97 | « previous