Search results for [Hip-hop] at Tsuga Consortium

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Over the influence : a memoir / by JoJo,1990-author.;

"Joanna Levesque, better known as "JoJo", knew she was her family's ticket to financial freedom. Born in Foxborough, MA, to parents who self-identified as addicts, her smooth voice captured the attention of a record label exec when she was just twelve years old. That exec put the machine in motion, and JoJo would go on to be the face for the ever-more-popular hip hop and R&B sounds of the early aughts. She'd be the kind of star young girls could relate to as they dressed up for dances and football games. In 2004, you couldn't leave the house without hearing her hit single "Leave (Get Out)". Nearly two decades later, she remains the youngest-ever solo artist to have a debut #1 single in the U.S. But what happened to JoJo? That's the first question Google suggests when you search for her name. In this debut memoir, JoJo mines diary entries, photos, song lyrics, and conversations with loved ones to share what really happened. From growing up in a broken home to being raised by a broken music industry, to tales from her darkest ten years, when a marathon lawsuit with her music label prompted a period of proper rebellion, complete with drugs, drinking, sex, and complicated relationships, JoJo holds nothing back in these pages. She also interrogates how race intersected with her career, her relationships, and the public's perception of her, reflecting on how operating with a victim mentality left her feeling stuck in her ability to move forward in life and as an artist. By sharing her story in the tradition of other child stars like Drew Barrymore and Jennette McCurdy, JoJo hopes to help readers who see themselves in her journey see the light sooner -- and avoid making the same mistakes she did. As intimate as it is inspiring, and as refreshing as it is revelatory, this breathtakingly candid memoir is JoJo's chance to finally tell her story in her own words for the first time"--

Subjects: Biographies.; Autobiographies.; Personal narratives.; JoJo, 1990-; Actresses; Singers;

Available copies: 1 / Total copies: 1

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The gangs of Zion : a Black cop's crusade in Mormon country / by Stallworth, Ron,author.; Quintero, Sofia,author.;

"New York Times bestselling author of Black Klansman, Ron Stallworth, returns with another firsthand account of trailblazing police work in the most unlikely place for a Black cop in the '90s. Determined to pursue his passion for undercover work wherever it leads, Ron Stallworth finally lands in Salt Lake City, Utah. Once again, he's an outsider -- not only as a Black man on a mostly white police force but also as an unapologetic nonbeliever in a state dominated by the Church of Jesus Christ of Latter-Day Saints. But soon after his first drug bust in the Beehive, Stallworth makes a startling discovery -- Bloods and Crips are infiltrating Mormon Country, threatening to turn the deeply conservative community into a hotbed of crime. Kids are bombing homes while carrying pocket versions of the Book of Mormon, yet his fellow cops are in denial that gangs are wreaking havoc in their Christian town. Now Stallworth has a new mission. Whether facing off with skinheads at a downtown bar or schooling white Crips blasting "F*ck tha Police," he is intent on stemming the tide of gangs into the state. But those he expected to be his allies either have their heads in the sand or their own agendas -- from the racist Mormon legislator to the community activist exploiting a fatal gang incident to spread paranoia over an imaginary race war. As he butts heads with these so-called leaders, Stallworth also realizes that gangsta rap has the key to the g-code. He becomes obsessed with -- even defensive of -- the music he once loathed and puts himself on the front lines of America's culture war. Now he's spitting uncensored lyrics before Congress and taking the stand in the 1993 murder case that puts hip-hop on trial. But the more Stallworth speaks truth to power, the more determined the gatekeepers in Utah are to silence him, and not even twenty-three years of police work could prepare him for how low they would stoop"--

Subjects: Biographies.; Personal narratives.; True crime stories.; Stallworth, Ron.; African American police; Gangs; Police; Racism;

Available copies: 1 / Total copies: 1

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Baddest man : the making of Mike Tyson / by Kriegel, Mark,author.;

Includes bibliographical references and index."From the acclaimed New York Times bestselling author whose coverage of Mike Tyson and his inner circle dates back to the 1980s, a magnificent noir epic about fame, race, greed, criminality, trauma, and the creation of the most feared and mesmerizing fighter in boxing history. On an evening that defined the Greed is Good 1980s, Donald Trump hosted a raft of celebrities and high rollers in a carnival town on the Jersey Shore to bask in the glow created by a 21-year-old heavyweight champion. Mike Tyson knocked out Michael Spinks that night, and in 91 frenzied seconds earned more than the annual payrolls of the Los Angeles Lakers and Boston Celtics combined. It had been just eight years since Tyson, a feral child from a dystopian Brooklyn neighborhood was delivered to boxing's forgotten wizard, Cus D'Amato, living a self-imposed exile in upstate New York. Together, Cus and the Kid were an irresistible story of mutual redemption-darlings to the novelists, screenwriters and newspapermen long charmed by D'Amato, and perfect for the nascent industry of cable television. Long before anyone heard of Tony Soprano, Mike Tyson was HBO's leading man. It was the greatest sales job in the sport's history, and the most lucrative. But the business of Tyson concealed truths that were darker and more nuanced than the script would allow. The intervening decades have seen Tyson villainized, lionized, and fetishized-but never, until now, fully humanized. Mark Kriegel, an acclaimed biographer regarded as "the finest boxing writer in America," was a young cityside reporter at the New York Daily News when first swept up in the Tyson media hurricane, but here measures his subject not by whom he knocked out, but by what he survived. Though Tyson was billed as a modern-day Jack Dempsey, the truth was closer to Sonny Liston. Tyson was Black, feared, and born to die young. What made Liston a pariah, though, would make Tyson-in a way his own handlers could never understand-a touchstone for a generation raised on a soundtrack of hip hop and gunfire. What Peter Guralnick did for Elvis in Train to Memphis and James Kaplan for Sinatra in Frank, Kriegel does for Tyson. It's not just the mesmerizing ascent that he captures, but Tyson's place in the American psyche"--

Subjects: Biographies.; Personal narratives.; Tyson, Mike, 1966-; African American boxers; Boxing;

Available copies: 0 / Total copies: 1

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This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;

"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--

Subjects: Essays.; Misogyny.; Music.; Women musicians.;

Available copies: 1 / Total copies: 1

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Lollapalooza : the uncensored story of alternative rock's wildest festival / by Bienstock, Richard,author.; Beaujour, Tom,author.; Thayil, Kim,writer of foreword.;

Includes bibliographical references.The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza -- told by the musicians, roadies, and industry insiders who lived it. In Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, Lollapalooza chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise -- as well as the reverberations that led to a massive shift in the music industry and the culture at large. Lollapalooza features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today -- cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. A nostalgic look back at 1990s music and culture, Lollapalooza traces the festival's groundbreaking origins, following the tour as it progresses through the decade, and documenting the action onstage, backstage, and behind-the-scenes in detailed and uncensored and sometimes shocking first-person accounts. This is the story of Lollapalooza and the 1990s alternative rock revolution.

Subjects: Lollapalooza (Festival); Alternative rock musicians; Road crews (Concert tours); Rock music festivals; Rock musicians; Sound recording executives and producers; Alternative rock music; Rock music;

Available copies: 1 / Total copies: 1

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