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Muskoka / by Samuel, Julian,author.;
"A man down on his luck meets the woman of his dreams in an adult education course. But this is no ordinary male fantasy: the man is a Pakistani-Canadian artist with a treatable recurrent cancer; the young lady is an Indigenous princess just returned from art school in Europe to her father's glass summer palace in Muskoka. This Romance Comedy, set in mid-Toronto and on Lake Rosseau, plays with the intersection of Indigenous, settler, and immigrant success stories against the background of mortality and the stars"--
Subjects: Humorous fiction.; Psychological fiction.; Novels.; Cancer; Indigenous women; Man-woman relationships;
Available copies: 1 / Total copies: 1
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Uninvited : Canadian women artists in the modern movement / by Milroy, Sarah,editor.; McMichael Canadian Art Collection,host institution.;
Includes bibliographical references.A monument to the talent of Canadian women artists in the interwar period, 'Uninvited: Canadian Women Artists in the Modern Moment' provides a full and diverse cross-country survey of the art made by women during this pivotal time, incorporating the work of both settler and Indigenous visual artists in a stirring affirmation of the female creative voice. Sarah Milroy is Chief Curator of McMichael Canadian Art Collection in Vaughan, ON.
Subjects: Women artists; Art, Modern; Art, Canadian;
Available copies: 1 / Total copies: 1
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Sonny Assu : a selective history / by Assu, Sonny,author.; Hopkins, Candice,1977-author.;
"Stunning retrospective highlighting the playfulness, power, and subversive spirit of Northwest Coast Indigenous artist Sonny Assu. Through large-scale installation, sculpture, photography, printmaking, and painting, Sonny Assu merges the aesthetics of Indigenous iconography with a pop-art sensibility. This stunning retrospective spans over a decade of Assu's career, highlighting more than 120 full-colour works, including several never-before-exhibited pieces. Through analytical essays and personal narratives, Richard Van Camp, Marianne Nicolson, Candice Hopkins, and Ellyn Walker provide brilliant commentary on Assu's practice, its meaning in the context of contemporary art, and its wider significance in the struggle for Indigenous cultural and political autonomy. Exploring themes of Indigenous rights, consumerism, branding, humour, and the ways in which history informs contemporary ideas and identities, Sonny Assu: a selective history is the first major full-scale book to pay tribute to this important, prolific, and vibrant figure in the Canadian contemporary art world"--
Subjects: Assu, Sonny; Indian artists; Indian art; Art, Canadian.;
Available copies: 1 / Total copies: 1
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If I go missing / by Jonnie, Brianna.; Shingoose, Nahanni.;
A graphic novel about the subject of missing and murdered Indigenous people. Combining fiction and non-fiction, this young adult graphic novel looks into one of the unique dangers of being an Indigenous teen in Canada today. The text of the book is derived from excerpts of a letter written to the Winnipeg Chief of Police by fourteen-year-old Brianna Jonnie--a letter that went viral and in which, Jonnie calls out the authorities for neglecting to immediately investigate and involve the public in the search for missing Indigenous people, and urges them to "not treat me as the Indigenous person I am proud to be" if she were to be reported missing.LSC
Subjects: Native women; Native women; Indigenous women; Indigenous women;
Available copies: 0 / Total copies: 1
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A like vision : the Group of Seven & Tom Thomson / by Dejardin, Ian,editor.; Milroy, Sarah,editor,writer of introduction.; McMichael Canadian Art Collection,host institution.;
"A like vision is a lavish celebration of the legacy of Tom Thomson and the Group of Seven, Canada's canonical landscape painters. The Group's depiction of the rugged beauty of the Canadian landscape - from the coastal mountains of British Columbia to the north shore of Lake Superior, the villages of rural Quebec, and the rocky, windswept coves of Newfoundland - charged Canadians to experience their country in a bold new light and changed the face of Canadian art forever. Through their vigorous and expressive painterly style and vibrant colours, the Group of Seven significantly contributed to Canada's sense of autonomy and identity as a modern state in the aftermath of the First World War. Featuring three hundred full-colour images, A Like Vision includes a lead essay by Ian A.C. Dejardin, Executive Director of the McMichael Canadian Art Collection, and contributions by a host of artists, curators, and writers. Among them are Indigenous art historian and curator Gerald McMaster, filmmaker Jennifer Baichwal, novelists David Macfarlane and Jane Urquhart, painters John Hartman and Robert Houle, and Inuk writer Tarrilik Duffy. One hundred years on from the Group's first exhibition in 1920, A Like Vision is both a chance to review the Group's legacy and a tribute to these giants of Canadian art and culture."--Provided by publisher.
Subjects: Exhibition catalogs.; Thomson, Tom, 1877-1917; Group of Seven (Group of artists); McMichael Canadian Art Collection; Landscape painting, Canadian; Landscapes in art; Painting;
Available copies: 1 / Total copies: 1
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Life undercover : coming of age in the CIA / by Fox, Amaryllis,author.;
Amaryllis Fox was in her last year as an undergraduate at Oxford studying theology and international law when her writing mentor Daniel Pearl was captured and beheaded. Galvanized by this brutality, Fox applied to a master's program in conflict and terrorism at Georgetown's School of Foreign Service, where she created an algorithm that predicted, with uncanny certainty, the likelihood of a terrorist cell arising in any village around the world. At twenty-one, she was recruited by the CIA. Her first assignment was reading and analyzing hundreds of classified cables a day from foreign governments and synthesizing them into daily briefs for the president. Her next assignment was at the Iraq desk in the Counterterrorism center. At twenty-two, she was fast-tracked into advanced operations training, sent from Langley to "the Farm," where she lived for six months in a simulated world learning how to use a Glock, how to get out of flexicuffs while locked in the trunk of a car, how to withstand torture, and the best ways to commit suicide in case of captivity. At the end of this training she was deployed as a spy under non-official cover-- the most difficult and coveted job in the field as an art dealer specializing in tribal and indigenous art and sent to infiltrate terrorist networks in remote areas of the Middle East and Asia.
Subjects: Autobiographies.; Biographies.; Fox, Amaryllis.; United States. Central Intelligence Agency; Intelligence officers; Terrorism; Women intelligence officers;
Available copies: 2 / Total copies: 2
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Surviving Canada : indigenous peoples celebrate 150 years of betrayal / by Ladner, Kiera L.,1971-editor.; Tait, Myra,editor.;
"Surviving Canada: Indigenous Peoples Celebrate 150 Years of Betrayal is a collection of elegant, thoughtful, and powerful reflections about Indigenous Peoples' complicated, and often frustrating, relationship with Canada, and how--even 150 years after Confederation--the fight for recognition of their treaty and Aboriginal rights continues. Through essays, art, and literature, Surviving Canada examines the struggle for Indigenous Peoples to celebrate their cultures and exercise their right to control their own economic development, lands, water, and lives. The Indian Act, Idle No More, and the legacy of residential schools are just a few of the topics covered by a wide range of elders, scholars, artists, and activists. Contributors include Mary Eberts, Buffy Sainte-Marie, and Leroy Little Bear."--
Subjects: Native peoples; Native peoples; Native peoples;
Available copies: 2 / Total copies: 2
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The outside circle [graphic novel] / by LaBoucane-Benson, Patti,1969-author.; Mellings, Kelly,1977-illustrator.;
Subjects: Graphic novels.; Ex-gang members; Healing circles; Reconciliation; Indigenous peoples;
Available copies: 0 / Total copies: 1
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Otter doesn't know / by Fritz, Andrea.;
Includes bibliographical references.Indigenous artist and storyteller Andrea Fritz tells a tale of a salmon and a sea otter who learn it's ok to say "I don't know" and to ask for help. Thuqi' the sockeye salmon knows it's time to spawn, but she is lost in the Salish Sea and doesn't know the way to Sta'lo', the river. When she asks Tumus the sea otter for help, he doesn't exactly know either, and he dismisses her questions. But when Tumus becomes lost in some weeds, Thuqi' shows him that it's okay not to know something-you can still find a way to help a friend in need. In this original story set in Coast Salish Traditional Territory, author and artist Andrea Fritz uses Indigenous storytelling techniques and art to share the culture and language of the Hul'q'umi'num'-speaking Peoples.
Subjects: Picture books.; Animal fiction.; Sea otter; Sockeye salmon; Helping behavior; Friendship; Halkomelem language;
Available copies: 1 / Total copies: 1
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Wînipêk : visions of Canada from an Indigenous centre / by Sinclair, Niigaanwewidam James,author.; Sinclair, Niigaanwewidam James.Columns.Selections.;
Includes bibliographical references."The story of a people told through the story of a city. Niigaan Sinclair is often accused of being angry in his columns. But how can he not be? In a collection of writing that spans the discovery of hundreds of unmarked graves at residential school sites, the murder of young Indigenous girls, and the indifference towards the basic human rights of his family members, this book is inspired by his award-winning columns 'from the centre.' Niigaan examines the state of urban Indigenous life and legacy. At a crucial moment in Canada's reckoning with its crimes against the Indigenous peoples of the land, one of our most essential writers begins at the centre, capturing a web spanning centuries of community, art, and resistance. Based on years' worth of columns in the Winnipeg Free Press, CBC, and elsewhere, Niigaan Sinclair delivers a defining essay collection on the resilience of Indigenous peoples. Here, we meet the creators, leaders, and everyday people preserving the beauty of their heritage one day at a time. But we also meet the ugliest side of settler colonialism, and the communities who suffer most from its atrocities. Sinclair uses the story of Winnipeg to illuminate the reality of Indigenous life all over what is called Canada. This is a book that demands change and celebrates those fighting for it, that reminds us of what must be reconciled and holds accountable those who must do the work. It's a book that reminds us of the power that comes from loving a place, even as that place is violently taken away from you, and the magic of fighting your way back to it."--
Subjects: Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Indigenous peoples; Settler colonialism; Settler colonialism;
Available copies: 1 / Total copies: 1
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