Results 51 to 55 of 55 | « previous
- From Bear Rock Mountain : the life and times of a Dene residential school survivor / by Mountain, Antoine,1949-author.;
Includes bibliographical references."In this poetic, poignant memoir, Dene artist and social activist Antoine Mountain paints an unforgettable picture of his journey from residential school to art school-and his path to healing. In 1949, Antoine Mountain was born on the land near Radelie Koe, Fort Good Hope, Northwest Territories. At the tender age of seven, he was stolen away from his home and sent to a residential school-run by the Roman Catholic Church in collusion with the Government of Canada-three hundred kilometres away. Over the next twelve years, the three residential schools Mountain was forced to attend systematically worked to erase his language and culture, the very roots of his identity. While reconnecting to that which had been taken from him, he had a disturbing and painful revelation of the bitter depths of colonialism and its legacy of cultural genocide. Canada has its own holocaust, Mountain argues. As a celebrated artist and social activist today, Mountain shares this moving, personal story of healing and the reclamation of his Dene identity."--
- Subjects: Biographies.; Autobiographies.; Personal narratives.; Mountain, Antoine, 1949-; Indigenous peoples; First Nations; First Nations; Denesuline; Denesuline;
- Available copies: 1 / Total copies: 1
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- Chilean Films in Exile - Shorts by Juan Forch. by Forch, Juan,film director.; Herrmann, Jörg,film director.; Barke, Lothar,film director.; Börner, Michael,film director.; Hofmann, Rolf,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Originally produced by DEFA Film Library in 1975.The Chilean director and poet Juan Forch (1948-) immigrated via Mexico to East Germany after the military coup in 1973. He joined the DEFA Studio for Animation Films in Dresden and learned the craft of animation. Between 1975 and 1978, he made several animation and documentary films drawing on his Chilean background and his political experiences in exile. The photo collages Chile Lives (1976) and Nobody Can Stop the Revolution (1976), the latter in collaboration with media artist Lutz Dammbeck, proclaim the hope of a victory of the progressive forces over the Pinochet dictatorship. The collage Chile (1975) by Forch and Jörg Herrmann reveals the USA as the backer of the military coup on September 11, 1973. The trick collage Hitlerpinochet (1975) by Forch and Jörg Herrmann draws similarities between the political slogans of Adolf Hitler and Augusto Pinochet. In 1976, Forch filmed Chilean students in Dresden drawing a mural in honor of former President Salvador Allende. The cut-out animation film Neutron Peace? (1977) offers a warning against a nuclear war emanating from the USA. Forch creates a visually and colorfully powerful epic about the life of the indigenous Mapuche in the cut-out film Lautaro (1977), his most comprehensive work at the Dresden studio. Finally, the animation film Rosaura (1978) by Lothar Barke atmospherically translates a poem by Juan Forch into images.Mode of access: World Wide Web.
- Subjects: Feature films.; Experimental films.; Arts.; Short films.; Motion pictures.;
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- Red paint : the ancestral autobiography of a Coast Salish punk / by LaPointe, Sasha taqwšeblu,author.;
"Sasha taqwšeblu LaPointe, a Coast Salish indigenous woman, has always longed for a sense of home. As a child her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. As an adolescent determined to escape the poverty and abuse of her childhood in order to build a better future for herself and her people, Sasha throws herself headlong into the world, with little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother, a linguist who helped preserve her indigineous language of Lushootseed and one in a long line of powerful ancestors. Exploring what it means to be vulnerable in love and in art while offering an unblinking reckoning with personal traumas as well as the collective historical traumas of colonialism and genocide that continue to haunt native peoples, Red Paint is an intersectional autobiography of lineage, resilience and above all the ability to heal that chronicles Sasha's struggles navigating a collapsing marriage while answering the call to greater purpose. Set against a backdrop of tour vans and the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk-an ethos that challenges us to reclaim what's rightfully ours: our histories, our power, our traditions, and our truths-Red Paint is ultimately a story of the ways we learn to heal while fighting for our right to a place to call home"--
- Subjects: Biographies.; Autobiographies.; LaPointe, Sasha taqwšeblu.; Psychic trauma; Punk culture; Resilience (Personality trait); Salishan women; Coast Salish; Coast Salish; Coast Salish;
- Available copies: 1 / Total copies: 1
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- Theory of water : Nishnaabe maps to the times ahead / by Simpson, Leanne Betasamosake,1971-author.;
Includes bibliographical references."Acclaimed writer Leanne Betasamosake Simpson takes a revolutionary look at that most elemental force, water, and through Indigenous stories, tradition, and thinking, suggests a powerful path for the future. For many years, Leanne Betasamosake Simpson took solace in skiing -- in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental question: What might it mean to truly listen to water? To know water? To exist with and alongside water? So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories and her own deep thinking while artfully weaving the work of influential writers and artists alongside her personal memories and experience -- and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world. Theory of Water is a resonant and brilliant exploration of an intricate, multi-layered relationship with the most abundant element on our planet -- one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future"--
- Subjects: Water and civilization.; Water; Water; Water; Ojibwe.;
- Available copies: 1 / Total copies: 1
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- Everything the light touches : a novel / by Pariat, Janice,author.;
Everything the Light Touches is Janice Pariat's magnificent epic of travelers, of discovery, of time, of science, of human connection, and of the impermanent nature of the universe and life itself--a bold and brilliant saga that unfolds through the adventures and experiences of four intriguing characters. Shai is a young woman in modern India. Lost and drifting, she travels to her country's Northeast and rediscovers, through her encounters with indigenous communities, ways of being that realign and renew her. Evelyn is a student of science in Edwardian England. Inspired by Goethe's botanical writings, she leaves Cambridge on a quest to wander the sacred forests of the Lower Himalayas. Linnaeus, a botanist and taxonomist who famously declared "God creates; Linnaeus organizes," sets off on an expedition to an unfamiliar world, the far reaches of Lapland in 1732. Goethe is a philosopher, writer, and one of the greatest minds of his age. While traveling through Italy in the 1780s, he formulates his ideas for "The Metamorphosis of Plants," a little-known, revelatory text that challenges humankind's propensity to reduce plants--and the world--into immutable parts. Drawn richly from scientific and botanical ideas, Everything the Light Touches is a swirl of ever-expanding themes: the contrasts between modern India and its colonial past, urban and rural life, capitalism and centuries-old traditions of generosity and gratitude, script and "song and stone." Pulsating at its center is the dichotomy between different ways of seeing, those that fix and categorize and those that free and unify. Pariat questions the imposition of fixity--of our obsession to place permanence on plants, people, stories, knowledge, land--where there is only movement, fluidity, and constant transformation. "To be still," says a character in the book, "is to be without life." Everything the Light Touches brings together, with startling and playful novelty, people and places that seem, at first, removed from each other in time and place. Yet as it artfully reveals, all is resonance; all is connection.
- Subjects: Historical fiction.; Nature fiction.; Psychological fiction.; Novels.; Goethe, Johann Wolfgang von, 1749-1832; Linné, Carl von, 1707-1778; Botany; Women;
- Available copies: 1 / Total copies: 1
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Results 51 to 55 of 55 | « previous