Search results for [Indigenous artists] at Tsuga Consortium

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Meet Buffy Sainte-Marie / by MacLeod, Elizabeth.; Deas, Mike,1982-;

"Meet Buffy Sainte-Marie, music legend, activist and teacher! Buffy Sainte-Marie is not exactly sure where or when she was born, but it was likely the Piapot Reserve in the Qu'Appelle Valley, Saskatchewan. As a baby she was adopted out to a white family in the United States. But nothing would stop Buffy from connecting to her roots and sharing the power and the beauty of her heritage with the world. Buffy's songs have inspired three generations of fans, garnering international acclaim and many awards. But her talents don't stop there! She's an accomplished visual artist and has broken important ground on television, including a regular stint on Sesame Street. A peace activist from the start, Buffy became an advocate for education, creating programs for Indigenous students in 1969, then in 1996 taking full advantage of computer technology to connect classrooms worldwide to share Indigenous learning. Still an activist today, she is a prominent supporter of Idle No More. After an incredible career lasting more than 60 years, Buffy's music and message is as uplifting and important today as it ever was."--

Subjects: Biographies.; Sainte-Marie, Buffy; Musicians; Singers; Composers; Cree Indians;

Available copies: 1 / Total copies: 1

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Smile so big / by Tenasco, Sunshine Quem.; Chief Lady Bird,1993-;

When Challa comes home in tears after being teased about her smile, her mom gives her a special gift. It's a magic mirror -- shiny, beaded and beautiful -- passed on from her mom, and from her djo djo before her. Challa's mom tells her that when anyone looks into the mirror, they will see their true self. There's just one rule: Everyone has to say what they see in the reflection. At first the mirror seems to work for everyone but her. Challa keeps looking and looking. The more beauty she sees in herself, the happier she feels, and the longer she looks into the mirror, the more beauty she sees, until finally Challa sees so much beauty, she can't contain her smile! This special story, from award-winning activist Sunshine Quem Tenasco and artist Chief Lady Bird, introduces readers to concepts of self-acceptance, self-empowerment, and recognition of the unique beauty that comes from within.

Subjects: Picture books.; Mirrors; Smiling; Indigenous peoples;

Available copies: 1 / Total copies: 1

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From Bear Rock Mountain : the life and times of a Dene residential school survivor / by Mountain, Antoine,1949-author.;

Includes bibliographical references."In this poetic, poignant memoir, Dene artist and social activist Antoine Mountain paints an unforgettable picture of his journey from residential school to art school-and his path to healing. In 1949, Antoine Mountain was born on the land near Radelie Koe, Fort Good Hope, Northwest Territories. At the tender age of seven, he was stolen away from his home and sent to a residential school-run by the Roman Catholic Church in collusion with the Government of Canada-three hundred kilometres away. Over the next twelve years, the three residential schools Mountain was forced to attend systematically worked to erase his language and culture, the very roots of his identity. While reconnecting to that which had been taken from him, he had a disturbing and painful revelation of the bitter depths of colonialism and its legacy of cultural genocide. Canada has its own holocaust, Mountain argues. As a celebrated artist and social activist today, Mountain shares this moving, personal story of healing and the reclamation of his Dene identity."--

Subjects: Biographies.; Autobiographies.; Personal narratives.; Mountain, Antoine, 1949-; Indigenous peoples; First Nations; First Nations; Denesuline; Denesuline;

Available copies: 1 / Total copies: 1

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Funeral songs for dying girls / by Dimaline, Cherie,1975-author.;

"Winifred has lived in the apartment above the cemetery office with her father, who works in the crematorium all her life, close to her mother's grave. With her sixteenth birthday only days away, Winifred has settled into a lazy summer schedule, lugging her obese Chihuahua around the grounds in a squeaky red wagon to visit the neglected gravesides and nursing a serious crush on her best friend, Jack. Her habit of wandering the graveyard at all hours has started a rumor that Winterson Cemetery might be haunted. It's welcome news since the crematorium is on the verge of closure and her father's job being outsourced. Now that the ghost tours have started, Winifred just might be able to save her father's job and the only home she's ever known, not to mention being able to stay close to where her mother is buried. All she has to do is get help from her con-artist cousin to keep up the rouse and somehow manage to stop her father from believing his wife has returned from the grave. But when Phil, an actual ghost of a teen girl who lived and died in the ravine next to the cemetery, starts showing up, Winifred begins to question everything she believes about life, love and death. Especially love."--012+.Grades 7-9.

Subjects: Young adult fiction.; Bildungsromans.; Ghosts stories.; Novels.; Cemeteries; Cousins; Fathers and daughters; Ghosts; Grief; Hoaxes; Indigenous youth; Interpersonal relations; Love; Swindlers and swindling; Teenage girls; Cemeteries; Cousins; Fathers and daughters; Ghosts; Grief; Hoaxes; Indigenous youth; Interpersonal relations; Love; Swindlers and swindling; Teenage girls;

Available copies: 1 / Total copies: 1

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Tupaia’s Endeavour. by Rolls, Lala,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Ronin Films in 2020.A first contact story, told from a Pacific point of view. When James Cook, captain of the British ship Endeavour, took his first steps on the un-colonised shores of Aotearoa/New Zealand in 1769, he set in train a violent collision with the existing Māori occupants. The first meeting between Māori and Europeans would have ended disastrously for Cook and his crew, if not for Tupaia, a Polynesian who had joined the Endeavour expedition in Tahiti. Who was Tupaia - this high-priest, star-navigator, and extraordinary artist? He is left out of European history books, yet today his imprint lives on in modern Aotearoa/New Zealand. New Zealand-born artist Michel Tuffery (who is of Samoan/Rarotongan/Tahitian heritage) and Māori actor Kirk Torrance, with scholars and Māori tangata whenua (people of the land) alongside them, retrace the footsteps of Tupaia in true Polynesian style. Under the gaze of their ancestors, with song, haka and humour, they make startling new discoveries that rewrite history, cementing Tupaia’s role as a central figure in Pacific history.TUPAIA'S ENDEAVOUR was shot in Tahiti, Aotearoa New Zealand and the UK over eight years with each shoot unveiling new revelations and with Michel, Kirk and the whole film crew embodying the story physically, spiritually and emotionally. Backed with the Endeavour journals and the historical rigour of renowned anthropologist, historian and writer, Dame Anne Salmond, and in collaboration with Prof. Paul Tapsell (of the iwi Ngāti Whakaue and Ngāti Raukawa), it is a project that gathered research from the ground up, allowing Indigenous knowledge to lead in the creation of a compelling work, both as a film and as an educational resource.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Anthropology.; Documentary films.; History.; Aboriginal Australians.;

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Finding Otipemisiwak : the people who own themselves / by Currie, Andrea(Andrea M.),author.;

Includes bibliographical references."Otipemisiwak is a Plains Cree word describing the Métis, meaning "the people who own themselves." Andrea Currie was born into a Métis family with a strong lineage of warriors, land protectors, writers, artists, and musicians -- all of which was lost to her when she was adopted as an infant into a white family with no connection to her people. It was 1960, and the Sixties Scoop was in full swing. Together with her younger adopted brother, also Métis, she struggled through her childhood, never feeling like she belonged in that world. When their adoptions fell apart during their teen years, the two siblings found themselves on different paths, yet they stayed connected. Currie takes us through her journey, from the harrowing time of bone-deep disconnection, to the years of searching and self-discovery, into the joys and sorrows of reuniting with her birth family. Finding Otipemisiwak weaves lyrical prose, poetry, and essays into an incisive commentary on the vulnerability of Indigenous children in a white supremacist child welfare system, the devastation of cultural loss, and the rocky road some people must walk to get to the truth of who they are. Her triumph over the state's attempts to erase her as an Indigenous person is tempered by the often painful complexities of re-entering her cultural community while bearing the mark of the white world in which she was raised. Finding Otipemisiwak is the story of one woman's fight -- first to survive, then to thrive as a fully present member of her Nation and of the human family."--

Subjects: Biographies.; Personal narratives.; Currie, Andrea (Andrea M.); Currie, Andrea (Andrea M.); Métis; Sixties Scoop, Canada, 1951-ca. 1980.;

Available copies: 1 / Total copies: 1

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Chilean Films in Exile - Shorts by Juan Forch. by Forch, Juan,film director.; Herrmann, Jörg,film director.; Barke, Lothar,film director.; Börner, Michael,film director.; Hofmann, Rolf,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;

Originally produced by DEFA Film Library in 1975.The Chilean director and poet Juan Forch (1948-) immigrated via Mexico to East Germany after the military coup in 1973. He joined the DEFA Studio for Animation Films in Dresden and learned the craft of animation. Between 1975 and 1978, he made several animation and documentary films drawing on his Chilean background and his political experiences in exile. The photo collages Chile Lives (1976) and Nobody Can Stop the Revolution (1976), the latter in collaboration with media artist Lutz Dammbeck, proclaim the hope of a victory of the progressive forces over the Pinochet dictatorship. The collage Chile (1975) by Forch and Jörg Herrmann reveals the USA as the backer of the military coup on September 11, 1973. The trick collage Hitlerpinochet (1975) by Forch and Jörg Herrmann draws similarities between the political slogans of Adolf Hitler and Augusto Pinochet. In 1976, Forch filmed Chilean students in Dresden drawing a mural in honor of former President Salvador Allende. The cut-out animation film Neutron Peace? (1977) offers a warning against a nuclear war emanating from the USA. Forch creates a visually and colorfully powerful epic about the life of the indigenous Mapuche in the cut-out film Lautaro (1977), his most comprehensive work at the Dresden studio. Finally, the animation film Rosaura (1978) by Lothar Barke atmospherically translates a poem by Juan Forch into images.Mode of access: World Wide Web.

Subjects: Feature films.; Experimental films.; Arts.; Short films.; Motion pictures.;

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Paying the land [graphic novel] / by Sacco, Joe,author,artist.;

"The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to "remove the Indian from the child"; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture-recounted in stunning visual detail by one of the greatest cartoonists alive"--

Subjects: Graphic novels.; Nonfiction comics.; Social issue comics.; Denesuline; First Nations, Treatment of;

Available copies: 1 / Total copies: 1

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Theory of water : Nishnaabe maps to the times ahead / by Simpson, Leanne Betasamosake,1971-author.;

Includes bibliographical references."Acclaimed writer Leanne Betasamosake Simpson takes a revolutionary look at that most elemental force, water, and through Indigenous stories, tradition, and thinking, suggests a powerful path for the future. For many years, Leanne Betasamosake Simpson took solace in skiing -- in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental question: What might it mean to truly listen to water? To know water? To exist with and alongside water? So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories and her own deep thinking while artfully weaving the work of influential writers and artists alongside her personal memories and experience -- and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world. Theory of Water is a resonant and brilliant exploration of an intricate, multi-layered relationship with the most abundant element on our planet -- one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future"--

Subjects: Water and civilization.; Water; Water; Water; Ojibwe.;

Available copies: 1 / Total copies: 1

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