Search results for [Indigenous artists] at Tsuga Consortium

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Tupaia’s Endeavour. by Rolls, Lala,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Ronin Films in 2020.A first contact story, told from a Pacific point of view. When James Cook, captain of the British ship Endeavour, took his first steps on the un-colonised shores of Aotearoa/New Zealand in 1769, he set in train a violent collision with the existing Māori occupants. The first meeting between Māori and Europeans would have ended disastrously for Cook and his crew, if not for Tupaia, a Polynesian who had joined the Endeavour expedition in Tahiti. Who was Tupaia - this high-priest, star-navigator, and extraordinary artist? He is left out of European history books, yet today his imprint lives on in modern Aotearoa/New Zealand. New Zealand-born artist Michel Tuffery (who is of Samoan/Rarotongan/Tahitian heritage) and Māori actor Kirk Torrance, with scholars and Māori tangata whenua (people of the land) alongside them, retrace the footsteps of Tupaia in true Polynesian style. Under the gaze of their ancestors, with song, haka and humour, they make startling new discoveries that rewrite history, cementing Tupaia’s role as a central figure in Pacific history.TUPAIA'S ENDEAVOUR was shot in Tahiti, Aotearoa New Zealand and the UK over eight years with each shoot unveiling new revelations and with Michel, Kirk and the whole film crew embodying the story physically, spiritually and emotionally. Backed with the Endeavour journals and the historical rigour of renowned anthropologist, historian and writer, Dame Anne Salmond, and in collaboration with Prof. Paul Tapsell (of the iwi Ngāti Whakaue and Ngāti Raukawa), it is a project that gathered research from the ground up, allowing Indigenous knowledge to lead in the creation of a compelling work, both as a film and as an educational resource.Mode of access: World Wide Web.

Subjects: Documentary films.; Social sciences.; Anthropology.; Documentary films.; History.; Aboriginal Australians.;

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Kihiani : a memoir of healing / by Aglukark, Susan,1967-author.; Warner, Andrea,author.;

"Born in Fort Churchill, Manitoba, but raised in Arviat, a predominantly Inuit community on the western edges of Hudson Bay, Susan and her six siblings grew up in a humble but loving home. But while living in Rankin Inlet, when she was eight years old, Susan's life was disrupted by a life-changing event, a distinct separation that created a schism inside her for many years and from which she continues to heal. At fifteen, she started writing poems that spilled out of her, and when Susan had the choice to leave her community, she grabbed it like a lifeline. Eventually, Susan was approached by a producer at CBC who was making a compilation album of Arctic artists and years later signed with a major label for her third album, This Child. The disruption and milestones, the turmoil and joy, the devastation and healing--this is Susan Aglukark's story of discovering her Inuk self."--

Subjects: Biographies.; Autobiographies.; Personal narratives.; Aglukark, Susan, 1967-; Composers; Inuit women; Lyricists; Singers; Women singers; Indigenous musicians;

Available copies: 1 / Total copies: 1

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Finding Otipemisiwak : the people who own themselves / by Currie, Andrea(Andrea M.),author.;

Includes bibliographical references."Otipemisiwak is a Plains Cree word describing the Métis, meaning "the people who own themselves." Andrea Currie was born into a Métis family with a strong lineage of warriors, land protectors, writers, artists, and musicians -- all of which was lost to her when she was adopted as an infant into a white family with no connection to her people. It was 1960, and the Sixties Scoop was in full swing. Together with her younger adopted brother, also Métis, she struggled through her childhood, never feeling like she belonged in that world. When their adoptions fell apart during their teen years, the two siblings found themselves on different paths, yet they stayed connected. Currie takes us through her journey, from the harrowing time of bone-deep disconnection, to the years of searching and self-discovery, into the joys and sorrows of reuniting with her birth family. Finding Otipemisiwak weaves lyrical prose, poetry, and essays into an incisive commentary on the vulnerability of Indigenous children in a white supremacist child welfare system, the devastation of cultural loss, and the rocky road some people must walk to get to the truth of who they are. Her triumph over the state's attempts to erase her as an Indigenous person is tempered by the often painful complexities of re-entering her cultural community while bearing the mark of the white world in which she was raised. Finding Otipemisiwak is the story of one woman's fight -- first to survive, then to thrive as a fully present member of her Nation and of the human family."--

Subjects: Biographies.; Personal narratives.; Currie, Andrea (Andrea M.); Currie, Andrea (Andrea M.); Métis; Sixties Scoop, Canada, 1951-ca. 1980.;

Available copies: 1 / Total copies: 1

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Eerie whispers : exploring Canada's reluctant relationship with its ghostly lore / by Baker, Brian(Journalist),author.;

Includes bibliographical references and index."Why are Canadians afraid of ghosts? Canada's paranormal roots run deep. We share ghost stories around flickering campfires and confess encounters with the unexplained to family and friends -- but our polite, risk-averse nation mostly buries these experiences, seldom promoting them in the places we live or in our arts and entertainment. We are afraid of stigma, uneasy with the unknown, and our cultural discomfort with death only deepens the feeling of unease. We push our ghostly heritage into the shadows, allowing ourselves the thrill of flirting with ghosts, ghouls, and goblins only at Halloween. Delving into tales of Canada's haunted history and the accounts of spirits and mysterious beings found in the diverse folklore of its immigrant communities and the traditional stories of Indigenous Peoples, Eerie Whispers asks why Canadians, unlike Americans and the British, are reluctant to celebrate this part of our culture. Brian Baker encourages us to embrace the uncanny and find the bold artistic energy necessary to amplify the country's supernatural voice"--

Subjects: Folklore; Ghosts; Haunted places;

Available copies: 0 / Total copies: 1

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Chilean Films in Exile - Shorts by Juan Forch. by Forch, Juan,film director.; Herrmann, Jörg,film director.; Barke, Lothar,film director.; Börner, Michael,film director.; Hofmann, Rolf,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;

Originally produced by DEFA Film Library in 1975.The Chilean director and poet Juan Forch (1948-) immigrated via Mexico to East Germany after the military coup in 1973. He joined the DEFA Studio for Animation Films in Dresden and learned the craft of animation. Between 1975 and 1978, he made several animation and documentary films drawing on his Chilean background and his political experiences in exile. The photo collages Chile Lives (1976) and Nobody Can Stop the Revolution (1976), the latter in collaboration with media artist Lutz Dammbeck, proclaim the hope of a victory of the progressive forces over the Pinochet dictatorship. The collage Chile (1975) by Forch and Jörg Herrmann reveals the USA as the backer of the military coup on September 11, 1973. The trick collage Hitlerpinochet (1975) by Forch and Jörg Herrmann draws similarities between the political slogans of Adolf Hitler and Augusto Pinochet. In 1976, Forch filmed Chilean students in Dresden drawing a mural in honor of former President Salvador Allende. The cut-out animation film Neutron Peace? (1977) offers a warning against a nuclear war emanating from the USA. Forch creates a visually and colorfully powerful epic about the life of the indigenous Mapuche in the cut-out film Lautaro (1977), his most comprehensive work at the Dresden studio. Finally, the animation film Rosaura (1978) by Lothar Barke atmospherically translates a poem by Juan Forch into images.Mode of access: World Wide Web.

Subjects: Feature films.; Experimental films.; Arts.; Short films.; Motion pictures.;

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Paying the land [graphic novel] / by Sacco, Joe,author,artist.;

"The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to "remove the Indian from the child"; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture-recounted in stunning visual detail by one of the greatest cartoonists alive"--

Subjects: Graphic novels.; Nonfiction comics.; Social issue comics.; Denesuline; First Nations, Treatment of;

Available copies: 1 / Total copies: 1

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The animal people choose a leader / by Wagamese, Richard.; George, Bridget1994-;

Includes bibliographical references.""Accompanied by award-winning illustrator Bridget George's luminous artwork, this tradition-steeped story from renowned author Richard Wagamese meditates on the unifying powers of wisdom, kindness and respect with all the visionary clarity of our most essential legends. The unmistakable voice of revered Ojibway author Richard Wagamese returns with this moving tale, beautifully illustrated by original work from Anishinaabe artist Bridget George. The story unfolds in a "Long Ago Time" when animals of all kinds share a common language and gather to solemnly consider which of them should be their leader. After hearing boasts about the qualities of the candidates--Horse's fleetness, Buffalo's stamina, Cougar's patience, Wolverine's stealth--the conference decides to settle the matter with a race between the challengers around a foreboding mountaintop lake. And there will be one more contestant of the most unlikely sort: a small, charmingly humble rabbit named Waabooz, whose chances are considered slim by all. In the action that follows, described with the piercing clarity and richness of any great legend, Wagamese and George gracefully convey the limits of physical force and the quietly irresistible energies of humility, empathy and a loving attachment to the land. Unforgettable for its lyrical power and poignant message, The Animal People Choose a Leader is yet another example of the late author's unique gifts as a storyteller, and a welcome reminder of his honoured place in Canadian writing."--

Subjects: Picture books.; Animals; Indigenous peoples;

Available copies: 1 / Total copies: 1

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Theory of water : Nishnaabe maps to the times ahead / by Simpson, Leanne Betasamosake,1971-author.;

Includes bibliographical references."Acclaimed writer Leanne Betasamosake Simpson takes a revolutionary look at that most elemental force, water, and through Indigenous stories, tradition, and thinking, suggests a powerful path for the future. For many years, Leanne Betasamosake Simpson took solace in skiing -- in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental question: What might it mean to truly listen to water? To know water? To exist with and alongside water? So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories and her own deep thinking while artfully weaving the work of influential writers and artists alongside her personal memories and experience -- and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world. Theory of Water is a resonant and brilliant exploration of an intricate, multi-layered relationship with the most abundant element on our planet -- one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future"--

Subjects: Water and civilization.; Water; Water; Water; Ojibwe.;

Available copies: 1 / Total copies: 1

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Standing Above the Clouds. by Keane-Lee, Jalena,film director.; Collective Eye Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Collective Eye Films in 2024.STANDING ABOVE THE CLOUDS highlights the movement to protect Mauna Kea through the intergenerational stories of women in three Native Hawaiian families as they stand for the sacred mountain. The film follows teacher and community organizer Pua Case and her two daughters — artist-activists Hāwane Rios and Kapulei Flores — who have been called to stop the telescope since 2010. Their lives quickly become consumed with frontline actions and court proceedings and immersed in ceremonies and cultural practices. As they face opposition and arrests, they are joined by the families of Mehana and Leina'ala and a community who have dedicated their lives to protecting Mauna Kea.The film is an intimate journey through the women’s lives both on and off the mountain, and explores the physical and emotional toll of sustaining a grassroots movement. After nine months of living on the mountain, blocking construction, and establishing a frontline camp, STANDING ABOVE THE CLOUDS shows their journey to heal once they return to their homes in March 2020. In the face of challenges and tragedy, the mountain gifts each woman with hope and strength and the understanding that victory is in standing in unity for sacred places and that healing occurs through the sisterhood they have created along the way.Mode of access: World Wide Web.

Subjects: Documentary films.; Science.; Social sciences.; Environmental sciences.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Women's studies.; Current affairs.; Indigenous peoples.; Indians of North America.; Environmentalism.; Political participation.; Asian Americans.; Women social reformers.; Hawaii.;

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