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Namatjira Project. by Davies, Sera,film director.; , Various,actor.; Umbrella Entertainment (Firm),dst; Kanopy (Firm),dst;
VariousOriginally produced by Umbrella Entertainment in 2017.An extraordinary first-hand account of the international battle to reclaim the artwork and heritage of one of Australia's most important Indigenous figures: Albert Namatjira.Namatjira was one of those rare artists who changed the course of history. But he was never fully accepted by white Australia, and after being wrongfully imprisoned, he died despondent and broken. Then, in 1983, the Government sold the rights to his work to a dealer – despite Namatjira having left his art to his wife and children. NAMATJIRA PROJECT documents their fight to have his legacy returned to its rightful home.  Mode of access: World Wide Web.
Subjects: Documentary films.; Aboriginal Australians.; Art.; Justice.; Australians.; Artists.; Human rights.; Indigenous peoples.; History.; Documentary films.;
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The trail of Nenaboozhoo and other creation stories / by Bomgiizhik,1975-author,illustrator.; Belcourt, Christi,editor,illustrator.;
"This collection presents legends of Nenaboozhoo, the Ojibway creator spirit, along with other creation stories; sacred stories which were transcribed from the oral storytelling of Isaac Murdoch. The Trail of Nenaboozhoo and Other Creation Stories is a book of art and storytelling that preserve the legends of the Anishinaabe people. The stories are accompanied by strikingly beautiful illustrations, in the style of Ojibway pictographs, by revered Indigenous artists Isaac Murdoch and Christi Belcourt."-- Provided by publisher.
Subjects: Folklore.; Folk tales.; Creation; Indigenous peoples;
Available copies: 1 / Total copies: 1
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Reconciling history : a story of Canada / by Wilson-Raybould, Jody,1971-author.; Danesh, R. P.(Roshan P.),author.;
Includes bibliographical references."From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a polyphonic history of our land -- powerful, devastating, remarkable -- as told through the voices of both Indigenous and non-Indigenous peoples. The totem pole forms the foundation for this unique and important oral history of Canada. Its goal is both toweringly ambitious and beautifully direct: To tell the story of this country in a way that prompts readers to look from different angles, to see its dimensions, its curves, and its cuts. To see that history has an arc, just as the totem pole rises, but to realize that it is in the details along the way that important meanings are to be found. To recognize, just as Indigenous carvers do, that the story of the past is always there to be retold and recast, and must be conveyed to generations to come. That in the act of re-telling, meaning is found, and strength is built. When it comes to telling the history of Canada, and in particular the history of the relationship between Indigenous and non-Indigenous peoples, we need to accept that the way in which our history has traditionally been told has not been a common or shared enterprise. In many ways, it has been a highly exclusive and even aggressively siloed one. Among the countless peoples and groups that make up this vast country, some have dominated and controlled how the nation's stories are told -- often emphasizing the voices and experiences of a certain few over those of many others. History-telling today is breaking away from this exclusivity. Our Story in Our Words shares voices that have traditionally been marginalized, and in this groundbreaking book they are telling and re-telling history from their perspectives. Born out of the oral history in True Reconciliation, and complemented throughout with stunning photography and art from the different periods of history, Our Story in Our Words takes this approach to telling our collective story to an entirely different level"--
Subjects: Indigenous peoples; Oral tradition;
Available copies: 0 / Total copies: 1
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REDress : art, action, and the power of presence / by Black-Morsette, Jaime,editor.; Merrick, Cathy,writer of foreword.;
Includes bibliographical references."A powerful anthology uniting the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by the tragedy of Missing and Murdered Indigenous Women, Girls, and Two-Spirit people from across Turtle Island. In 2010, Métis artist Jaime Black-Morsette created the REDress Project -- an art installation consisting of placing red dresses in public spaces as a call for justice for Missing and Murdered Indigenous Women, Girls, and Two-Spirit people (MMIWG2S). Symbolizing both absence and presence, the red dresses ignite a reclamation of voice and place for MMIWG2S. Fifteen years later, the symbol of the empty red dress endures as families continue to call for action. In this anthology, Jaime Black-Morsette shares her own intimate stories and memories of the REDress Project along with the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by this tragedy. Together they use the power of their collective voice to not only call for justice for MMIWG2S, but honour Indigenous women as keepers and protectors of land, culture, and community across Turtle Island"--
Subjects: Black-Morsette, Jaime.; Indigenous women; Indigenous women; Indigenous women; Installations (Art); Political art; Social justice in art.;
Available copies: 1 / Total copies: 1
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Reconciling History A Story of Canada [electronic resource] : by Wilson-Raybould, Jody.aut; Danesh, Roshan.aut; cloudLibrary;
One of Indigo's Top 10 History Books of 2024 and Top 100 Books of 2024 • One of the Toronto Star’s 25 books to read this season From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a truly unique history of our land—powerful, devastating, remarkable—as told through the voices of both Indigenous and non-Indigenous peoples. The totem pole forms the foundation for this unique and important oral history of Canada. Its goal is both toweringly ambitious and beautifully direct: To tell the story of this country in a way that prompts readers to look from different angles, to see its dimensions, its curves, and its cuts.  To see that history has an arc, just as the totem pole rises, but to realize that it is also in the details along the way that important meanings are to be found.  To recognize that the story of the past is always there to be retold and recast, and must be conveyed to generations to come. That in the act of re-telling, meaning is found, and strength is built. When it comes to telling the history of Canada, and in particular the history of the relationship between Indigenous and non-Indigenous peoples, we need to accept that the way in which our history has traditionally been told has not been a common or shared enterprise. In many ways, it has been an exclusive and siloed one. Among the countless peoples and groups that make up this vast country, the voices and experiences of a few have too often dominated those of many others. Reconciling History shares voices that have seldom been heard, and in this ground-breaking book they are telling and re-telling history from their perspectives. Born out of the oral history in True Reconciliation, and complemented throughout with stunning photography and art, Reconciling History takes this approach to telling our collective story to an entirely different level.
Subjects: Electronic books.; Native American; Indigenous Studies; Native Americans;
© 2024., McClelland & Stewart,
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From Bear Rock Mountain : the life and times of a Dene residential school survivor / by Mountain, Antoine,1949-author.;
Includes bibliographical references."In this poetic, poignant memoir, Dene artist and social activist Antoine Mountain paints an unforgettable picture of his journey from residential school to art school-and his path to healing. In 1949, Antoine Mountain was born on the land near Radelie Koe, Fort Good Hope, Northwest Territories. At the tender age of seven, he was stolen away from his home and sent to a residential school-run by the Roman Catholic Church in collusion with the Government of Canada-three hundred kilometres away. Over the next twelve years, the three residential schools Mountain was forced to attend systematically worked to erase his language and culture, the very roots of his identity. While reconnecting to that which had been taken from him, he had a disturbing and painful revelation of the bitter depths of colonialism and its legacy of cultural genocide. Canada has its own holocaust, Mountain argues. As a celebrated artist and social activist today, Mountain shares this moving, personal story of healing and the reclamation of his Dene identity."--
Subjects: Biographies.; Autobiographies.; Personal narratives.; Mountain, Antoine, 1949-; Indigenous peoples; First Nations; First Nations; Denesuline; Denesuline;
Available copies: 1 / Total copies: 1
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Geoff Dixon: Portraits of Us. by O'Leary, Clare,film director.; Giles, Glenis,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.Geoff Dixon’s art reflects his vision for our future unless we take immediate action – he was working as a conservationist long before the word became part of our everyday vocabulary. His paintings are rich with colour, commentary, and a challenge to all of us to wake up and think about the future of our wildlife, our flora and fauna, our country and our planet. New Zealand-born and now living and working in Australia, in north Queensland, Geoff grew up and found/discovered his sexuality in the conservative Christchurch of the early seventies. The film introduces us to the people who influenced him and who believed in him over the years. We find out about his travels, his ups and downs, what led to his strong sense of the environment and why the symbols of bird life have come to inhabit his paintings. Geoff’s work celebrates the birds we have around us, as well as those that are on the verge of extinction in Australasia, and reflects on the state of our ecology. He says that the paintings are, at the same time, ‘portraits of us’. The film also explores his close relationship over many years with the late Australian Indigenous artist, Arone Meeks.Mode of access: World Wide Web.
Subjects: Documentary films.; Art.; Arts.; Science.; Australians.; Foreign study.; Zoology.; Documentary films.; Artists.;
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Red paint : the ancestral autobiography of a Coast Salish punk / by LaPointe, Sasha taqwšeblu,author.;
"Sasha taqwšeblu LaPointe, a Coast Salish indigenous woman, has always longed for a sense of home. As a child her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. As an adolescent determined to escape the poverty and abuse of her childhood in order to build a better future for herself and her people, Sasha throws herself headlong into the world, with little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother, a linguist who helped preserve her indigineous language of Lushootseed and one in a long line of powerful ancestors. Exploring what it means to be vulnerable in love and in art while offering an unblinking reckoning with personal traumas as well as the collective historical traumas of colonialism and genocide that continue to haunt native peoples, Red Paint is an intersectional autobiography of lineage, resilience and above all the ability to heal that chronicles Sasha's struggles navigating a collapsing marriage while answering the call to greater purpose. Set against a backdrop of tour vans and the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk-an ethos that challenges us to reclaim what's rightfully ours: our histories, our power, our traditions, and our truths-Red Paint is ultimately a story of the ways we learn to heal while fighting for our right to a place to call home"--
Subjects: Biographies.; Autobiographies.; LaPointe, Sasha taqwšeblu.; Psychic trauma; Punk culture; Resilience (Personality trait); Salishan women; Coast Salish; Coast Salish; Coast Salish;
Available copies: 1 / Total copies: 1
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A nation's paper : the Globe and mail in the life of Canada / by Ibbitson, John,editor.;
Includes bibliographical references and index."From Canada's newspaper of record for 180 years, here are thirty-one brilliant and provocative essays by a diverse selection of their current writers on how the Globe and Mail covered and influenced major events and issues from the paper's founding in 1844 to the latest file. Since 1844, the Globe and Mail and its predecessor, George Brown's Globe, have chronicled Canada: as a colony, a dominion, and a nation. To mark the paper's 180th anniversary, Globe writers explored thirty issues and events in which the national newspaper has influenced the course of the country: Confederation, settler migrations, regional tensions, tussles over language, religion, and race. The essays reveal a tapestry of progress, conflict, and still-incomplete reconciliation: Catholic-Protestant hostilities that are now mostly the stuff of memory; the betrayal of Indigenous peoples with which we still grapple; the frustrations and triumphs of women journalists; pandemics old and new; environmental challenges; the joys of covering sports and the arts; chronicling the nation's business, international coverage, the impossibility of Canada and of this newspaper, which both somehow flourish nonetheless. Riveting, insightful, disturbing, witty, and always a joy to read, A Nation's Paper chronicles a country and a newspaper that have grown and struggled together -- essential reading for anyone who wants to understand where we came from and where we are going."--
Subjects: Essays.; Globe and mail; Canadian newspapers;
Available copies: 1 / Total copies: 1
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Theory of water : Nishnaabe maps to the times ahead / by Simpson, Leanne Betasamosake,1971-author.;
Includes bibliographical references."Acclaimed writer Leanne Betasamosake Simpson takes a revolutionary look at that most elemental force, water, and through Indigenous stories, tradition, and thinking, suggests a powerful path for the future. For many years, Leanne Betasamosake Simpson took solace in skiing -- in all kinds of weather, on all kinds of snow across all kinds of terrain, often following the trail beside a beloved creek near her home. Recently, as she skied on this path against the backdrop of uncertainty, environmental devastation, rising authoritarianism and ongoing social injustice, her mind turned to the water in the creek and an elemental question: What might it mean to truly listen to water? To know water? To exist with and alongside water? So began a quest to understand her people's historical, cultural, and ongoing interactions with water in all its forms (ice, snow, rain, perspiration, breath). Pulling together these threads, Leanne began to see how a "Theory of Water" might suggest a radical rethinking of relationships between beings and forces in the world today. In this inventive work, Simpson draws on Nishnaabeg origin stories and her own deep thinking while artfully weaving the work of influential writers and artists alongside her personal memories and experience -- and in doing so, reimagines water as a catalyst for radical transformation, capable of birthing a new world. Theory of Water is a resonant and brilliant exploration of an intricate, multi-layered relationship with the most abundant element on our planet -- one that, as Simpson eloquently shows, is shaping our present even as it demands a radical rethinking of how we might achieve a just future"--
Subjects: Water and civilization.; Water; Water; Water; Ojibwe.;
Available copies: 1 / Total copies: 1
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Results 21 to 30 of 35 | « previous |