Search results for [Indigenous peoples in art.] at Tsuga Consortium

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Otter doesn't know / by Fritz, Andrea.;

Includes bibliographical references.Indigenous artist and storyteller Andrea Fritz tells a tale of a salmon and a sea otter who learn it's ok to say "I don't know" and to ask for help. Thuqi' the sockeye salmon knows it's time to spawn, but she is lost in the Salish Sea and doesn't know the way to Sta'lo', the river. When she asks Tumus the sea otter for help, he doesn't exactly know either, and he dismisses her questions. But when Tumus becomes lost in some weeds, Thuqi' shows him that it's okay not to know something-you can still find a way to help a friend in need. In this original story set in Coast Salish Traditional Territory, author and artist Andrea Fritz uses Indigenous storytelling techniques and art to share the culture and language of the Hul'q'umi'num'-speaking Peoples.

Subjects: Picture books.; Animal fiction.; Sea otter; Sockeye salmon; Helping behavior; Friendship; Halkomelem language;

Available copies: 1 / Total copies: 1

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Namatjira Project. by Davies, Sera,film director.; , Various,actor.; Umbrella Entertainment (Firm),dst; Kanopy (Firm),dst;

VariousOriginally produced by Umbrella Entertainment in 2017.An extraordinary first-hand account of the international battle to reclaim the artwork and heritage of one of Australia's most important Indigenous figures: Albert Namatjira.Namatjira was one of those rare artists who changed the course of history. But he was never fully accepted by white Australia, and after being wrongfully imprisoned, he died despondent and broken. Then, in 1983, the Government sold the rights to his work to a dealer – despite Namatjira having left his art to his wife and children. NAMATJIRA PROJECT documents their fight to have his legacy returned to its rightful home.  Mode of access: World Wide Web.

Subjects: Documentary films.; Aboriginal Australians.; Art.; Justice.; Australians.; Artists.; Human rights.; Indigenous peoples.; History.; Documentary films.;

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The trail of Nenaboozhoo and other creation stories / by Bomgiizhik,1975-author,illustrator.; Belcourt, Christi,editor,illustrator.;

"This collection presents legends of Nenaboozhoo, the Ojibway creator spirit, along with other creation stories; sacred stories which were transcribed from the oral storytelling of Isaac Murdoch. The Trail of Nenaboozhoo and Other Creation Stories is a book of art and storytelling that preserve the legends of the Anishinaabe people. The stories are accompanied by strikingly beautiful illustrations, in the style of Ojibway pictographs, by revered Indigenous artists Isaac Murdoch and Christi Belcourt."-- Provided by publisher.

Subjects: Folklore.; Folk tales.; Creation; Indigenous peoples;

Available copies: 1 / Total copies: 1

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Bearing Witness. by Kuperberg, Clara,film director.; Kuperberg, Julia,film director.; Bedard, Irene,actor.; Cardinal, Tantoo,actor.; Bridgestone Multimedia Group (Firm),dst; Kanopy (Firm),dst;

Irene Bedard, Tantoo CardinalOriginally produced by Bridgestone Multimedia Group in 2024.Hollywood Westerns long portrayed Native Americans as villains, glorifying Manifest Destiny and hiding genocide. In the 1960s-70s, films like Little Big Man and Soldier Blue finally humanized them and showed the massacres they endured.Mode of access: World Wide Web.

Subjects: Documentary films.; Mass media.; Digital communications.; Arts.; Motion pictures.; Foreign study.; Documentary films.; Indigenous peoples.; Ethnicity.; Mass media and culture.; Artists.; Indians of North America.; United States--History.; United States.; Motion pictures--History.; Popular culture.; Hollywood (Los Angeles, Calif.).;

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Of the sun : a poem for the land's first peoples / by González, Xelena.; Kewageshig, Emily.;

"Of The Sun is a loving homage to the Indigenous peoples of this land--both in González's beautiful, lyrical poem and Kewageshig's warm, vibrant Anishinaabe-styled artwork. A wonderful read aloud you must add to bookshelves at home, at school, and in community!" - Traci Sorell, award-winning author of We Are Grateful Otsaliheliga and At The Mountain's Base A powerful and hopeful ode to Indigenous children. Indigenous. Native. On this land, you may roam. Child of the sun, on this land, you are home. Of the Sun is an uplifting and mighty poem that wraps the Indigenous children of the Americas in reassuring words filled with hope for a brighter future and reminders of their bond and importance to the land. Each page fills them with pride and awe of their cultural heritage and invites them to unite and inspire change in the world. Paired with powerful art reflecting cultures of various Indigenous Nations and Tribes, the poem offers all readers a sense of the history and majesty of the land we live on and how we can better care for ourselves and the world when we recognize our connection to the land and to each other. Written by Xelena González, poet and activist in the Native and Latinx communities, and an enrolled member of the Tap Pilam Coahuiltecan Nation Bold illustrations by prominent Anishinaabe illustrator Emily Kewageshig depict landscapes across the Americas and children from many backgrounds Endnotes provide more information on Native and Indigenous unity and activism in younger generations.

Subjects: Poetry.; Picture books.; Stories in rhyme.; Indigenous peoples; American poetry;

Available copies: 1 / Total copies: 1

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Reconciling history : a story of Canada / by Wilson-Raybould, Jody,1971-author.; Danesh, R. P.(Roshan P.),author.;

Includes bibliographical references."From the #1 national bestselling author of 'Indian' in the Cabinet and True Reconciliation, a polyphonic history of our land -- powerful, devastating, remarkable -- as told through the voices of both Indigenous and non-Indigenous peoples. The totem pole forms the foundation for this unique and important oral history of Canada. Its goal is both toweringly ambitious and beautifully direct: To tell the story of this country in a way that prompts readers to look from different angles, to see its dimensions, its curves, and its cuts. To see that history has an arc, just as the totem pole rises, but to realize that it is in the details along the way that important meanings are to be found. To recognize, just as Indigenous carvers do, that the story of the past is always there to be retold and recast, and must be conveyed to generations to come. That in the act of re-telling, meaning is found, and strength is built. When it comes to telling the history of Canada, and in particular the history of the relationship between Indigenous and non-Indigenous peoples, we need to accept that the way in which our history has traditionally been told has not been a common or shared enterprise. In many ways, it has been a highly exclusive and even aggressively siloed one. Among the countless peoples and groups that make up this vast country, some have dominated and controlled how the nation's stories are told -- often emphasizing the voices and experiences of a certain few over those of many others. History-telling today is breaking away from this exclusivity. Our Story in Our Words shares voices that have traditionally been marginalized, and in this groundbreaking book they are telling and re-telling history from their perspectives. Born out of the oral history in True Reconciliation, and complemented throughout with stunning photography and art from the different periods of history, Our Story in Our Words takes this approach to telling our collective story to an entirely different level"--

Subjects: Indigenous peoples; Oral tradition;

Available copies: 1 / Total copies: 1

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REDress : art, action, and the power of presence / by Black-Morsette, Jaime,editor.; Merrick, Cathy,writer of foreword.;

Includes bibliographical references."A powerful anthology uniting the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by the tragedy of Missing and Murdered Indigenous Women, Girls, and Two-Spirit people from across Turtle Island. In 2010, Métis artist Jaime Black-Morsette created the REDress Project -- an art installation consisting of placing red dresses in public spaces as a call for justice for Missing and Murdered Indigenous Women, Girls, and Two-Spirit people (MMIWG2S). Symbolizing both absence and presence, the red dresses ignite a reclamation of voice and place for MMIWG2S. Fifteen years later, the symbol of the empty red dress endures as families continue to call for action. In this anthology, Jaime Black-Morsette shares her own intimate stories and memories of the REDress Project along with the voices of Indigenous women, Elders, grassroots community activists, artists, academics, and family members affected by this tragedy. Together they use the power of their collective voice to not only call for justice for MMIWG2S, but honour Indigenous women as keepers and protectors of land, culture, and community across Turtle Island"--

Subjects: Black-Morsette, Jaime.; Indigenous women; Indigenous women; Indigenous women; Installations (Art); Political art; Social justice in art.;

Available copies: 1 / Total copies: 1

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Eerie whispers : exploring Canada's reluctant relationship with its ghostly lore / by Baker, Brian(Journalist),author.;

Includes bibliographical references and index."Why are Canadians afraid of ghosts? Canada's paranormal roots run deep. We share ghost stories around flickering campfires and confess encounters with the unexplained to family and friends -- but our polite, risk-averse nation mostly buries these experiences, seldom promoting them in the places we live or in our arts and entertainment. We are afraid of stigma, uneasy with the unknown, and our cultural discomfort with death only deepens the feeling of unease. We push our ghostly heritage into the shadows, allowing ourselves the thrill of flirting with ghosts, ghouls, and goblins only at Halloween. Delving into tales of Canada's haunted history and the accounts of spirits and mysterious beings found in the diverse folklore of its immigrant communities and the traditional stories of Indigenous Peoples, Eerie Whispers asks why Canadians, unlike Americans and the British, are reluctant to celebrate this part of our culture. Brian Baker encourages us to embrace the uncanny and find the bold artistic energy necessary to amplify the country's supernatural voice"--

Subjects: Folklore; Ghosts; Haunted places;

Available copies: 1 / Total copies: 1

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From Bear Rock Mountain : the life and times of a Dene residential school survivor / by Mountain, Antoine,1949-author.;

Includes bibliographical references."In this poetic, poignant memoir, Dene artist and social activist Antoine Mountain paints an unforgettable picture of his journey from residential school to art school-and his path to healing. In 1949, Antoine Mountain was born on the land near Radelie Koe, Fort Good Hope, Northwest Territories. At the tender age of seven, he was stolen away from his home and sent to a residential school-run by the Roman Catholic Church in collusion with the Government of Canada-three hundred kilometres away. Over the next twelve years, the three residential schools Mountain was forced to attend systematically worked to erase his language and culture, the very roots of his identity. While reconnecting to that which had been taken from him, he had a disturbing and painful revelation of the bitter depths of colonialism and its legacy of cultural genocide. Canada has its own holocaust, Mountain argues. As a celebrated artist and social activist today, Mountain shares this moving, personal story of healing and the reclamation of his Dene identity."--

Subjects: Biographies.; Autobiographies.; Personal narratives.; Mountain, Antoine, 1949-; Indigenous peoples; First Nations; First Nations; Denesuline; Denesuline;

Available copies: 1 / Total copies: 1

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Geoff Dixon: Portraits of Us. by O'Leary, Clare,film director.; Giles, Glenis,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;

Originally produced by Ronin Films in 2022.Geoff Dixon’s art reflects his vision for our future unless we take immediate action – he was working as a conservationist long before the word became part of our everyday vocabulary. His paintings are rich with colour, commentary, and a challenge to all of us to wake up and think about the future of our wildlife, our flora and fauna, our country and our planet. New Zealand-born and now living and working in Australia, in north Queensland, Geoff grew up and found/discovered his sexuality in the conservative Christchurch of the early seventies. The film introduces us to the people who influenced him and who believed in him over the years. We find out about his travels, his ups and downs, what led to his strong sense of the environment and why the symbols of bird life have come to inhabit his paintings. Geoff’s work celebrates the birds we have around us, as well as those that are on the verge of extinction in Australasia, and reflects on the state of our ecology. He says that the paintings are, at the same time, ‘portraits of us’. The film also explores his close relationship over many years with the late Australian Indigenous artist, Arone Meeks.Mode of access: World Wide Web.

Subjects: Documentary films.; Art.; Arts.; Science.; Australians.; Foreign study.; Zoology.; Documentary films.; Artists.;

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