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Indigenous relations : insights, tips & suggestions to make reconciliation a reality / by Joseph, Robert P. C.,1963-author.; Joseph, Cynthia F.,1966-author.;
Includes bibliographical references and index."We are all treaty people. This eagerly awaited sequel to the bestselling 21 Things You May Not Know About the Indian Act offers practical tools that will help you respectfully avoid missteps in your business interactions and personal relationships with Indigenous Peoples. This book will teach you about: Aboriginal Rights and Title, and the treaty process the difference between hereditary and elected leadership, and why it matters the lasting impact of the Indian Act, including the barriers that Indigenous communities face which terms are preferable, and which should be avoided Indigenous Worldviews and cultural traditions the effect of the United Nations Declaration on the Rights of Indigenous Peoples (UNDRIP) in Canada the truth behind common myths and stereotypes perpetuated about Indigenous Peoples since Confederation. In addition to being a hereditary chief, Bob Joseph is the President of Indigenous Corporate Training Inc., which offers programs in cultural competency. Here he offers an eight-part process that businesses and all levels of government can use to work more effectively with Indigenous Peoples, which benefits workplace culture as well as the bottom line. Embracing reconciliation on a daily basis in your work and personal life is the best way to undo the legacy of the Indian Act. By understanding and respecting cultural differences, you're taking a step toward full reconciliation between Indigenous and non-Indigenous peoples."-- Provided by publisher.
Subjects: Cultural awareness; Native peoples; Reconciliation.;
Available copies: 1 / Total copies: 1
unAPI

Bones of crows [videorecording] / by Clements, Marie,1962-film director,screenwriter.; Dove, Grace,actor.; Girard, Rémy,actor.; Lewitski, Phillip,actor.; Vanasse, Karine,1983-actor.; Elevation Pictures,film distributor.;
Grace Dove, Phillip Lewitski, Remy Girard, Karine Vanasse.Told through the eyes of Cree Matriarch Aline Spears as she survives a childhood in Canada's residential school system to continue her family's generational fight in the face of systemic starvation, racism, and sexual abuse. She uses her uncanny ability to understand and translate codes into working for a special division of the Canadian Air Force as a Cree code talker in World War II. The story unfolds over 100 years with a cumulative force that propels us into the future.Canadian Home Video Rating: 14A.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.
Subjects: Video recordings for the hearing impaired.; Fiction films.; Feature films.; Historical films.; Adult child abuse victims; Ciphers; First Nations; Indigenous peoples; Indigenous peoples; Man-woman relationships; World War, 1939-1945; Cree; Indigenous children; Indigenous code talkers; Indigenous families;
For private home use only.
Available copies: 1 / Total copies: 1
unAPI

Kitcikisik (the Great Sky) : stories that fill the night / by Buck, Wilfred.; Buck, Mistawasis.;
"Kitcikisik / Great Sky: Stories That Fill the Night Sky, is a Cree perspective on stars and constellations. For millennia, humans have stared into the night sky and wondered. Every culture on the face of Nikawiy Aski, Mother Earth, have their own connections to the vast night sky. The Ininew (Cree) of North America hold sacred the many tales and teachings the various constellations in Ininew Cosmology reveal. Indigenous Star Knowledge and the identification of constellations is a fluid and dynamic concept. As one begins to understand the depth of knowledge Indigenous People hold pertaining to the stars, a wholistic picture begins to develop about our existence and our (humans) part in that dynamic fluid concept - reality. The dynamic of fluidity is presented in the various stories associated with certain groups of stars. Kitcikisik / Great Sky are these stories. Cree and Cree syllabics, images, diagrams, constellation maps, original artwork are included in Kitcikisik."--
Subjects: Indigenous peoples; Astronomy; Cree mythology; Constellations; Stars; Animals, Mythical;
Available copies: 1 / Total copies: 1
unAPI

The Secret River. by Reid, Daina,film director.; Hulme, Lachy,actor.; Jackson-Cohen, Oliver,actor.; Snook, Sarah,actor.; Minchin, Tim,actor.; Jamieson, Trevor,actor.; Australian Broadcasting Corporation (Firm),dst; Kanopy (Firm),dst;
Lachy Hulme, Oliver Jackson-Cohen, Sarah Snook, Tim Minchin, Trevor JamiesonOriginally produced by Australian Broadcasting Corporation in 2015.An epic tragedy in which a good man is compelled by desperation, fear, ambition and love for his family to participate in a crime of inhuman savagery. Through the deeply personal story of early convict colonists William Thornhill and his wife Sal, THE SECRET RIVER raises the question of when two worlds collide, who is wrong and who is right? The dispossession of Indigenous Australians is made comprehensible and ultimately heart breaking, as Thornhill's claim over a piece of land by a beautiful river brings his family and neighbours into a fight for survival with its traditional custodians. THE SECRET RIVER is a landmark television miniseries based on Kate Grenville's, Man Booker Prize nominated bestselling novel of the same name, from two of Australia's most talented and internationally successful screenwriters Jan Sardi and Mac Gudgeon.Mode of access: World Wide Web.
Subjects: Feature films.; Television series.; Motion pictures.; Motion pictures--Australia.; Historical films.; Action and adventure films.;
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Three feathers [videorecording] / by Beaver, Eileen,actor.; Beaver, Henry,actor.; Burke, David,actor.; Ulrich, Carla,screenwriter,film director.; motion picture adaptation of (work):Van Camp, Richard.Three feathers.; Dayah Films,production company.;
Eileen Beaver, Henry Beaver, David Burke.Flinch, Bryce, and Rupert have been sent by their Elders to live nine months on the land. There, the young men learn to take responsibility for their actions and acquire the humility required to return home.PG.DVD.
Subjects: Feature films.; Indigenous youth; Restorative justice; Indigenous peoples;
For private home use only.
Available copies: 1 / Total copies: 1
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Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;
unAPI

Close to the Bone. by Thomas, Jared,film director.; McKinnon, Malcolm,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2022.In September 1852, in South Australia’s Flinders Ranges, the mutilated body of 16-year-old shepherd, James Brown, was found. The next day, a reprisal party of 17 men killed a disputed number of First Nations people. 170 years later, descendants of James Brown’s family return to the Flinders Ranges and reach out to people from some of the Aboriginal groups and share memories of the traumatic early period of European invasion. What happens when stories of violence and conquest on Australia’s colonial frontier are more than just an historical abstraction, with powerful and personal meanings for families and individuals on both sides of the inter-cultural frontier? Can the scars of past atrocities be reconciled and healed through the act of truth-telling? CLOSE TO THE BONE is a practical exercise in ‘truth and reconciliation,’ engaging with culturally and politically challenging material, in an effort to forge shared understandings. The film reveals diverse understandings of historic events, while seeking to resolve a shared path forward. In doing so, the film is informed by Charlie Perkins’ words: ‘We know we cannot live in the past, but the past lives in us.’Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Australians.; Foreign study.; History, Modern.; Documentary films.; Indigenous peoples.; Current affairs.; History.; Violence.; Aboriginal Australians.; Australia.;
unAPI

Indian Horse. by S. Campanelli, Stephen,film director.; Kapashesit, Ajuawak,actor.; Manitowabi, Edna,actor.; Goodluck, Forrest,actor.; Donovan, Martin,actor.; Huisman, Michiel,actor.; Peltier, Sladen,actor.; Elevation Pictures (Firm),dst; Kanopy (Firm),dst;
Ajuawak Kapashesit, Edna Manitowabi, Forrest Goodluck, Martin Donovan, Michiel Huisman, Sladen PeltierOriginally produced by Elevation Pictures in 2017.In late 1950s Ontario, seven year-old Saul Indian Horse is torn from his Ojibway family and committed to one of Canada's notorious Catholic residential schools. In this oppressive environment, Saul is denied the freedom to speak his language or embrace his indigenous heritage and he witnesses all kinds of abuse at the hands of the very people who were entrusted with his care. Despite this, Saul finds salvation in the unlikeliest of places and favourite Canadian pastimes--hockey. Fascinated by the game, he secretly teaches himself how to not only play, but develops a unique and rare skill. It's as if he has eyes in the back of his head and can see the game in a way no other player can. His talent leads him away from the misery of the school to a Northern Ontario native league and eventually the pros. But the ghosts of Saul's past will always haunt him. Forced to confront painful memories and revelations, Saul draws on the spirit of his ancestors and the understanding of his friends to gain the compassion he so sorely needs in order to begin healing.Mode of access: World Wide Web.
Subjects: Feature films.; Motion pictures.; Drama.; Sports.; Motion pictures--Canada.;
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Chilean Films in Exile - Shorts by Juan Forch. by Forch, Juan,film director.; Herrmann, Jörg,film director.; Barke, Lothar,film director.; Börner, Michael,film director.; Hofmann, Rolf,film director.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Originally produced by DEFA Film Library in 1975.The Chilean director and poet Juan Forch (1948-) immigrated via Mexico to East Germany after the military coup in 1973. He joined the DEFA Studio for Animation Films in Dresden and learned the craft of animation. Between 1975 and 1978, he made several animation and documentary films drawing on his Chilean background and his political experiences in exile. The photo collages Chile Lives (1976) and Nobody Can Stop the Revolution (1976), the latter in collaboration with media artist Lutz Dammbeck, proclaim the hope of a victory of the progressive forces over the Pinochet dictatorship. The collage Chile (1975) by Forch and Jörg Herrmann reveals the USA as the backer of the military coup on September 11, 1973. The trick collage Hitlerpinochet (1975) by Forch and Jörg Herrmann draws similarities between the political slogans of Adolf Hitler and Augusto Pinochet. In 1976, Forch filmed Chilean students in Dresden drawing a mural in honor of former President Salvador Allende. The cut-out animation film Neutron Peace? (1977) offers a warning against a nuclear war emanating from the USA. Forch creates a visually and colorfully powerful epic about the life of the indigenous Mapuche in the cut-out film Lautaro (1977), his most comprehensive work at the Dresden studio. Finally, the animation film Rosaura (1978) by Lothar Barke atmospherically translates a poem by Juan Forch into images.Mode of access: World Wide Web.
Subjects: Feature films.; Experimental films.; Arts.; Short films.; Motion pictures.;
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There's something in the water [videorecording] / by Daniel, Ian,film director.; Page, Elliot,1987-on-screen participant,film director.; Collective Eye Films,publisher.;
Elliot Page.Based on Ingrid Waldron's incendiary study, the film follows Page as he travels to rural areas of the province that are plagued by toxic fallout from industrial development. As did Waldron, the filmmakers discover that these catastrophes have been precisely placed, all in remote, low-income, and very often Indigenous or Black, communities.E.Closed-captioned for the hearing impaired.DVD ; wide screen presentation ; stereophonic.
Subjects: Video recordings for the hearing impaired.; Documentary films.; Nonfiction films.; Environmental films.; Blacks; Racism against Blacks; Environmental justice; Environmental policy; Hazardous waste sites; Racism; Capitalism; Indigenous peoples; Indigenous peoples;
For private home use only.
Available copies: 1 / Total copies: 1
unAPI

Results 31 to 40 of 88 | « previous |