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Carry : a memoir of survival on stolen land / by Jensen, Toni,author.;
"A powerful, poetic memoir about what it means to exist as an indigenous woman in America, told in snapshots of the author's encounters with gun violence--for readers of Jesmyn Ward and Terese Marie Mailhot. Toni Jensen grew up in the Midwest around guns: As a girl, she learned how to shoot birds with her father, a card-carrying member of the NRA. As an adult, she's had guns waved in her face in the fracklands around Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of indigenous women, on indigenous land, and the ways it is hidden, ignored, forgotten. In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen recalls the discrimination she faced in college as a Native American student from her roommate to her faculty adviser. "The Worry Line" explores the gun and gang violence in her neighborhood the year her daughter was born. "At the Workshop" focuses on her graduate school years, during which a classmate repeatedly wrote stories in which he killed thinly veiled versions of her. In "Women in the Fracklands," Jensen takes the reader inside Standing Rock during the Dakota Access pipeline protests, as well as the peril faced by women, in regions overcome by the fracking boom. In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history--as well as to the violent cultural landscape in which she finds her coordinates as a Native American woman. With each chapter, Carry reminds us that surviving in one's country is not the same as surviving one's country."--
Subjects: Biographies.; Jensen, Toni.; Métis women; Indigenous women activists; Indigenous women;
Available copies: 1 / Total copies: 1
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Kihiani : a memoir of healing / by Aglukark, Susan,1967-author.; Warner, Andrea,author.;
"Born in Fort Churchill, Manitoba, but raised in Arviat, a predominantly Inuit community on the western edges of Hudson Bay, Susan and her six siblings grew up in a humble but loving home. But while living in Rankin Inlet, when she was eight years old, Susan's life was disrupted by a life-changing event, a distinct separation that created a schism inside her for many years and from which she continues to heal. At fifteen, she started writing poems that spilled out of her, and when Susan had the choice to leave her community, she grabbed it like a lifeline. Eventually, Susan was approached by a producer at CBC who was making a compilation album of Arctic artists and years later signed with a major label for her third album, This Child. The disruption and milestones, the turmoil and joy, the devastation and healing--this is Susan Aglukark's story of discovering her Inuk self."--
Subjects: Biographies.; Autobiographies.; Personal narratives.; Aglukark, Susan, 1967-; Composers; Inuit women; Lyricists; Singers; Women singers; Indigenous musicians;
Available copies: 1 / Total copies: 1
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Alha disnii : my truth : words from a Wet'suwet'en woman / by George, Corinne,author.; Phillip, Stewart,writer of foreword.;
Includes bibliographical references.My name is Corinne George. I am Wet'suwet'en with Gitksan lineage from the Gidimt'en (Bear) Clan. This is my truth, and through sharing my truth, I strive for ongoing healing and to continue the journey of reconciliation. As a Wet'suwet'en woman born and raised on what is now known as the "Highway of Tears," it was not uncommon to receive inferior treatment. There were even times when I was overtly targeted. It has been very common for people to outwardly refuse to acknowledge my existence as a human being. I was always afraid to share my truth because I did not want to be stigmatized. I am the daughter of a residential school survivor and a WWII veteran. As a result of colonization, I have encountered incredible levels of trauma. I need to acknowledge and speak my truth. As I share my pain and experiences, I have gathered self-awareness and every time I speak about my trauma, I heal a little bit more. I do not deserve to be treated like I do not exist. Despite the historical impacts of colonization and trauma, my connections to my ancestral ways and my identity have been critical. This is how I survived and how I strive to thrive.
Subjects: Biographies.; Autobiographies.; Personal narratives.; George, Corinne.; Indigenous women; Wet'suwet'en;
Available copies: 1 / Total copies: 1
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Intemperance : a novel / by Jha, Sonora,author.;
"In this follow-up to the critically-acclaimed The Laughter -- winner of the Washington State Book Award -- a middle-aged woman starts a firestorm when she holds a contest, based on an ancient Indian ritual, in which men must compete to win her affections"--
Subjects: Satirical fiction.; Novels.; Contests; Courtship; Indigenous peoples; Middle-aged women; Man-woman relationships;
Available copies: 0 / Total copies: 1
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The forgotten frontier [graphic novel] / by Jones, Tristan,author.; Bumbulut, Alexander,illustrator.;
The Western Frontier is arguably one of the most widely misrepresented histories, rife with inaccuracies and stereotypes. Author Tristan Jones reimagines a historical retelling of the Frontier through the lens of Truth and Reconciliation. With a focus on the historically missing Indigenous narrative, Jones manages the enormous feat of creating a link to the past while imagining a path forward for the future. Lavishly illustrated by master sequential artist Alexander Bumbulut, this new title is poised to revolutionize the graphic novel medium.
Subjects: Graphic novels.; Historical comics.; Western comics.; Apache women; Gunfights; Outlaws; Sheriffs; Small cities;
Available copies: 1 / Total copies: 1
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In my own moccasins : a memoir of resilience / by Knott, Helen,1987-author.; Robinson, Eden,writer of foreword.;
Includes bibliographical references."Helen Knott, a highly accomplished Indigenous woman, seems to have it all. But in her memoir, she offers a different perspective. In My Own Moccasins is an unflinching account of addiction, intergenerational trauma, and the wounds brought on by sexual violence. It is also the story of sisterhood, the power of ceremony, the love of family, and the possibility of redemption. With gripping moments of withdrawal, times of spiritual awareness, and historical insights going back to the signing of Treaty 8 by her great-great grandfather, Chief Bigfoot, her journey exposes the legacy of colonialism, while reclaiming her spirit. Helen Knott is a Dane Zaa, Nehiyaw, and mixed Euro-descent woman living in Fort St. John, British Columbia. In 2016 Helen was one of sixteen global change makers featured by the Nobel Women's Initiative for being committed to end gender-based violence. Helen was selected as a 2019 RBC Taylor Prize Emerging Author. This is her first book. Eden Robinson is the award-winning author of Monkey Beach, Son of a Trickster, and other novels. She is a member of the Haisla and Heiltsuk First Nations."-- Provided by publisher.
Subjects: Autobiographies.; Biographies.; Knott, Helen, 1987-; Recovering addicts; Victims of crimes; Native peoples; Indigenous women ; Indigenous women ;
Available copies: 1 / Total copies: 1
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To shape a dragon's breath / by Blackgoose, Moniquill,author.;
"A young, Indigenous woman enters a colonizer-run dragon academy after bonding with a hatchling-and quickly finds herself at odds with the "approved" way of doing things-in the first book of a brilliant new fantasy series. The remote island of Masquapaug has not seen a dragon in many generations-until fifteen-year-old Anequs finds a dragon's egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered: a Person Who Belongs to a Dragon. Unfortunately for Anequs, the Anglish conquerors of her land have a quite different opinion. They have a very specific idea on how a dragon should be raised-and who should be doing the raising-and Anequs does not meet any of their requirements. Only with great reluctance do they allow Anequs to enroll in a proper Anglish dragon school on the mainland. If she cannot succeed there, then her dragon will be destroyed. For a girl with no formal schooling, a non-Anglish upbringing, and a very different understanding of the history of her land challenges abound-both socially and academically. But Anequs is smart and determined, and resolved to learn what she needs to help her dragon, even if it means teaching herself. The one thing she refuses to do, however, is become the meek Anglish miss that everyone expects. For the world needs changing-and Anequs and her dragon are less coming of age in this bold new world than coming to power"--
Subjects: Fantasy fiction.; Novels.; Dragons; Indigenous women; Schools;
Available copies: 0 / Total copies: 2
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My heart is a chainsaw / by Jones, Stephen Graham,1972-author.;
"In her quickly gentrifying rural lake town Jade sees recent events only her encyclopedic knowledge of horror films could have prepared her for in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones. "Some girls just don't know how to die ..." Shirley Jackson meets Friday the 13th in My Heart Is a Chainsaw, written by the New York Times bestselling author of The Only Good Indians Stephen Graham Jones, called "a literary master" by National Book Award winner Tananarive Due and "one of our most talented living writers" by Tommy Orange. Alma Katsu calls My Heart Is a Chainsaw "a homage to slasher films that also manages to defy and transcend genre." On the surface is a story of murder in small-town America. But beneath is its beating heart: a biting critique of American colonialism, Indigenous displacement, and gentrification, and a heartbreaking portrait of a broken young girl who uses horror movies to cope with the horror of her own life. Jade Daniels is an angry, half-Indian outcast with an abusive father, an absent mother, and an entire town that wants nothing to do with her. She lives in her own world, a world in which protection comes from an unusual source: horror movies ... especially the ones where a masked killer seeks revenge on a world that wronged them. And Jade narrates the quirky history of Proofrock as if it is one of those movies. But when blood actually starts to spill into the waters of Indian Lake, she pulls us into her dizzying, encyclopedic mind of blood and masked murderers, and predicts exactly how the plot will unfold. Yet, even as Jade drags us into her dark fever dream, a surprising and intimate portrait emerges ... a portrait of the scared and traumatized little girl beneath the Jason Voorhees mask: angry, yes, but also a girl who easily cries, fiercely loves, and desperately wants a home. A girl whose feelings are too big for her body. My Heart Is a Chainsaw is her story, her homage to horror and revenge and triumph"--
Subjects: Thrillers (Fiction); Horror films; Young women; Indigenous women; Murder;
Available copies: 1 / Total copies: 1
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1666 : a novel / by Chilton, Lora,author.;
Includes bibliographical references (pages 199-200)."The survival story of the Patawomeck Tribe of Virginia has been remembered within the tribe for generations, but the massacre of Patawomeck men and the enslavement of women and children by land hungry colonists in 1666 has been mostly unknown outside of the tribe until now. Author Lora Chilton, a member of the tribe through the lineage of her father, has created this powerful fictional retelling of the survival of the tribe through the lives of three women. 1666: After the Massacre is the imagined story of the indigenous Patawomeck women who lived through the decimation of their tribe in the summer of 1666. Told in first person point of view, this historical novel is the harrowing account of the Patawomeck women who were sold and transported to Barbados via slave ship. The women are separated and bought by different sugar plantations, and their experiences as slaves diverge as they encounter the decadence and clashing cultures of the Anglican, Quaker, Jewish and African populations living in sugar rich "Little England" in the 1660's. The book explores the Patawomeck customs around food, family and rites of passage that defined daily life before the tribe was condemned to "utter destruction" by vote of the Virginia General Assembly. The desire to return to the land they call home fuels the women as they bravely plot their escape from Barbados. With determination and guile, Ah'SaWei WaTaPaAnTam (Golden Fawn) and NePa'WeXo (Shining Moon) are able to board separate ships and make their way back to Virginia to be reunited with the remnant of the tribe that remained. It is because of these women that the tribe is in existence to this day. This work of historical fiction is based on oral tradition, written colonial records and extensive research by the author, including study of the language. The book uses indigenous names for the characters and some of the Patawomeck language to honor the culture and heritage that was erased when European colonization of the Americans began in the 16th century. The book includes a glossary for readers unfamiliar with the language and names"--
Subjects: Historical fiction.; Novels.; Enslaved persons; Indigenous peoples; Indigenous women; Indigenous women; Massacres; Potomac Indians;
Available copies: 1 / Total copies: 1
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Soft as bones : a memoir / by Sage, Chyana Marie,author.;
Chyana Marie Sage shares the pain of growing up with her father, a crack dealer who went to prison for molesting her older sister. In revisiting her family's history, Chyana examines the legacy of generational abuse, which began with her father's father, who was forcibly removed from his family by the residential schools and Sixties Scoop programs. Yet hers is also a story of hope, as it was the traditions of her people that saved her life, healing one small piece in the mosaic that makes up the dark past of colonialism shared by Indigenous people throughout Turtle Island.
Subjects: Biographies.; Autobiographies.; Personal narratives.; Sage, Chyana Marie; Sage, Chyana Marie.; Cree women; Generational trauma.; Métis women;
Available copies: 0 / Total copies: 1
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