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Call me Indian : from the trauma of residential school to becoming the NHL's first treaty Indigenous player / by Sasakamoose, Fred,1933-author.; Masters, Meg,author.;
"Trailblazer. Residential school survivor. First Indigenous player in the NHL. All of these descriptions are true--but none of them tell the whole story. Fred Sasakamoose suffered abuse in a residential school for a decade before becoming one of 125 players in the most elite hockey league in the world--and has been heralded as the first Canadian Indigenous player with Treaty status in the NHL. He made his debut with the 1954 Chicago Black Hawks on Hockey Night in Canada and taught Foster Hewitt how to correctly pronounce his name. Sasakamoose played against such legends as Gordie Howe, Jean Beliveau, and Maurice Richard. After twelve games, he returned home. When people tell Sasakamoose's story, this is usually where they end it. They say he left the NHL after only a dozen games to return to the family and culture that the Canadian government had ripped away from him. That returning to his family and home was more important to him than an NHL career. But there was much more to his decision than that. Understanding Sasakamoose's decision to return home means grappling with the dislocation of generations of Indigenous Canadians. Having been uprooted once, Sasakamoose could not endure it again. It was not homesickness; a man who spent his childhood as "property" of the government could not tolerate the uncertainty and powerlessness of being a team's property. Fred's choice to leave the NHL was never as clear-cut as reporters have suggested. And his story was far from over. He continued to play for another decade in leagues around Western Canada. He became a band councillor, served as Chief, and formed athletic programs for kids. He paved a way for youth to find solace and meaning in sports for generations to come. This isn't just a hockey story; Sasakamoose's groundbreaking memoir intersects Canadian history and Indigenous politics, and follows his journey to reclaim pride in an identity that had previously been used against him."-- Provided by publisher.
Subjects: Biographies.; Autobiographies.; Sasakamoose, Fred, 1933-; Hockey players; Native hockey players; Cree; First Nations;
Available copies: 1 / Total copies: 1
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The water walker / by Robertson, Joanne,1960-;
The story of a determined Ojibwe Grandmother (Nokomis) Josephine Mandamin and her great love for Nibi (Water). Nokomis walks to raise awareness of our need to protect Nibi for future generations, and for all life on the planet. She, along with other women, men, and youth, have walked around all of the Great Lakes from the four salt waters, or oceans, all the way to Lake Superior. The water walks are full of challenges, and by her example Josephine inspires and challenges us all to take up our responsibility to protect our water and our planet for all generations. Her story is a wonderful way to talk with children about the efforts that the Ojibwe and many other Indigenous peoples give to the protection of water - the giver of life.LSC
Subjects: Traditional ecological knowledge; Human ecology; Native peoples; Water conservation; Environmental protection; Ojibwa Indians;
Available copies: 1 / Total copies: 1
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Blood sisters / by Lillie, Vanessa,author.;
"A powerful mystery about a Native American archaeologist for the Bureau of Indian Affairs who must reckon with her past when she is called back to Oklahoma to investigate both the disappearance of her sister and a new case of a missing Native girl that turns up evidence with her name on it. Syd Walker fled her rural Oklahoma hometown-scarred by abandoned mines and a mounting opioid crisis-and never looked back. Now, she lives in Rhode Island as an archaeologist for the Bureau of Indian Affairs. It's Syd's job to make sure the Indigenous past isn't erased so that their future is preserved, too. When a woman's skull is found by local Indian Affairs authorities and Syd's sister is reported missing, she knows she must return home. She doesn't want her sister, Emma Lou, to become another statistic in the rising number of missing Native women cases that go uninvestigated. But not everyone is glad to have Syd home. After all, she still works for the BIA. Class tensions, land disputes, and the aftermath of a traumatizing act of violence from her youth come roaring back. Syd must battle her own demons and those set on destroying her town and her people if she's ever going to find Emma Lou"--
Subjects: Thrillers (Fiction); Novels.; Archaeologists; Indigenous women; Missing persons; Secrecy; Sisters; Women archaeologists;
Available copies: 1 / Total copies: 1
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From the tundra to the trenches / by Weetaltuk, Eddy,1932-2005,author.; Martin, Thibault,1963-editor,writer of foreword.; St-Amand, Isabelle,writer of introduction.;
Includes bibliographical references."'My name is Weetaltuk; Eddy Weetaltuk. My Eskimo tag name is E9-422.' So begins From the 'Tundra to the Trenches.' Weetaltuk means 'innocent eyes' in Inuktitut, but to the Canadian government, he was known as E9-422: E for Eskimo, 9 for his community, 422 to identify Eddy. In 1951, Eddy decided to leave James Bay. Because Inuit weren't allowed to leave the North, he changed his name and used this new identity to enlist in the Canadian Forces: Edward Weetaltuk, E9-422, became Eddy Vital, SC-17515, and headed off to fight in the Korean War. In 1967, after fifteen years in the Canadian Forces, Eddy returned home. He worked with Inuit youth struggling with drug and alcohol addiction, and, in 1974, started writing his life's story. This compelling memoir traces an Inuk's experiences of world travel and military service. Looking back on his life, Weetaltuk wanted to show young Inuit that they can do and be what they choose. From the Tundra to the Trenches is the fourth book in the First Voices, First Texts series, which publishes lost or underappreciated texts by Indigenous writers. This new English edition of Eddy Weetaltuk's memoir includes a foreword and appendix by Thibault Martin and an introduction by Isabelle St-Amand."--
Subjects: Biographies.; Weetaltuk, Eddy, 1932-2005.; Inuit; Korean War, 1950-1953; Soldiers;
Available copies: 1 / Total copies: 1
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Birdgirl : looking to the skies in search of a better future / by Craig, Mya-Rose,author.;
"Birder, environmentalist and activist Mya-Rose Craig is an international force. In her moving memoir, Birdgirl, she chronicles her mother's struggle with mental illness, and shares her passion for social justice and fierce dedication to preserving our planet. Meet Mya-Rose-otherwise known as "Birdgirl." In her words: "Birdwatching has never felt like a hobby, or a pastime I can pick up and put down, but a thread running through the pattern of my life, so tightly woven in that there's no way of pulling it free and leaving the rest of my life intact." Birdgirl follows Mya-Rose and her family as they travel the world in search of rare birds and astonishing landscapes. But a shadow moves with them, too--her mother's deepening mental health crisis. In the face of this struggle, the Craigs turn to nature again and again for comfort and meaning. Each bird they see brings a moment of joy and reflection, instilling in Mya-Rose a deep love of the natural world. But Mya-Rose has also seen first-hand the reckless destruction we are inflicting on our fragile planet, as well as the pervasive racism infecting every corner of the world, leading her to campaign for Black, Indigenous, people of color. Joining the fight of today's young environmental activists, Mya-Rose shares her experiences to advocate for the simple, profound gift of nature, and for making it accessible to all, calling her readers to rediscover the power of our natural world. Birder, activist, daughter: this is her story"--
Subjects: Biographies.; Autobiographies.; Craig, Mya-Rose; Craig, Mya-Rose; Craig, Mya-Rose; Bird watchers; Environmentalists;
Available copies: 1 / Total copies: 1
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Full-metal indigiqueer : poems / by Whitehead, Joshua,1989-author.;
"This poetry collection focuses on a hybridized Indigiqueer Trickster character named Zoa who brings together the organic (the protozoan) and the technologic (the binaric) in order to re-beautify and re-member queer Indigeneity. This Trickster is a Two-Spirit / Indigiqueer invention that resurges in the apocalypse to haunt, atrophy, and to reclaim. Following oral tradition (à la Iktomi, Nanaboozho, Wovoka), Zoa infects, invades, and becomes a virus to canonical and popular works in order to re-centre Two-Spirit livelihoods. They fiercely take on the likes of Edmund Spenser, Shakespeare, Charles Dickens, and John Milton while also not forgetting contemporary pop culture figures such as Lana Del Rey, Grindr, and Peter Pan. Zoa world-builds a fourth-dimension, lives in the cyber space, and survives in NDN-time -- they have learned to sing the skin back onto their bodies and remain #woke at the end of the world. "Do not read me as a vanished ndn," they ask, 'read me as a ghastly one.' Full-Metal Indigiqueer is influenced by the works of Jordan Abel, Tanya Tagaq, Daniel Heath Justice, Claudia Rankine, Vivek Shraya, Qwo-Li Driskill, Leanne Simpson, Kent Monkman, and Donna Haraway. It is a project of resurgence for Two-Spirit / Indigiqueer folk who have been ghosted in policy, page, tradition, and hi/story -- the very lives of Two-Spirit / Indigiqueer youth are rarely mentioned (and even dispossessed in our very mandates for reconciliation), our lives are precarious but they too are precious. We find ourselves made spectral in settler and neocolonial Indigenous nationalisms -- if reconciliation is a means of 'burying the hatchet,' Zoa seeks to unearth the bones buried with those hatched scalps and perform a séance to ghost dance Indigiqueerness into existence. Zoa world-destroys in order to world-build a new space -- they care little for reconciliation but rather aim to reterroritorialize space in literature, pop culture, and oral storytelling. This project follows in the tradition of the aforementioned authors who, Whitehead believes, utilize deconstruction as a means of decolonization. This is a sex-positive project that tirelessly works to create coalition between those who have, as Haraway once noted, 'been injured, profoundly'"--
Subjects: Canadian poetry;
Available copies: 1 / Total copies: 1
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Kâ-pî-isi-kiskisiyân = The way I remember / by Ratt, Solomon,author,translator.; Ogg, Arden C.(Arden Catherine),1960-editor,writer of introduction.; container of (expression):Ratt, Solomon.Kâ-pî-isi-kiskisiyân.English.; container of (work):Ratt, Solomon.Kâ-pî-isi-kiskisiyân.;
"A residential school survivor finds his way back to his language and culture through his family's traditional stories. When reflecting on forces that have shaped his life, Solomon Ratt says his education was interrupted by his schooling. Torn from his family at the age of six, Ratt was placed into the residential school system--far from the love and comfort of home and family. In The Way I Remember, Ratt reflects on these memories and the life-long challenges he endured through his telling of autobiographical stories and traditional tales. In many ways, these stories reflect the experience of thousands of other Indigenous children across Canada, but Ratt's stories also stand apart in a significant way: despite the destruction wrought by colonialism, he managed to retain his mother language of Cree by returning home to his parents each summer. Ratt then shifts from the âcimisowina (personal, autobiographical stories) to âcathôhkîwina (sacred stories), the more formal and commonly recognized style of traditional Cree literature, to illustrate how, in a world uninterrupted by colonialism and its agenda of genocide, these traditional stories would have formed the winter curriculum of a Cree child's education. Presented in Cree th-dialect standard roman orthography, syllabics, and English, Ratt's particularly Cree sense of humour shines, making kâ-pî-isi-kiskisiyân / The Way I Remember an important and unique memoir that emphasizes and celebrates Solomon Ratt's perseverance and life after residential school."--
Subjects: Biographies.; Autobiographies.; Ratt, Solomon; Ratt, Solomon.; Cree language; Cree language; First Nations; First Nations; First Nations; First Nations;
Available copies: 1 / Total copies: 1
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Paper trails : from the backwoods to the front page : a life in stories / by MacGregor, Roy,1948-author.;
"One of Canada's greatest journalists shares a half century of the stories behind the stories. From his vantage point harnessed to a tree overlooking the town of Huntsville (he tended to wander), a very young Roy MacGregor got in the habit of watching people--what they did, who they talked to, where they went. He has been getting to know his fellow Canadians and telling us all about them ever since. From his early days in the pages of Maclean's, to stints at the Toronto Star, Ottawa Citizen, National Post and most famously from his perch on page two of the Globe and Mail, MacGregor was one of the country's must-read journalists. While news media were leaning increasingly right or left, he always leaned north, his curiosity trained by the deep woods and cold lakes of Algonquin Park to share stories from Canada's farthest reaches, even as he worked in the newsrooms of its southern capitols. From Parliament to the backyard rink, subarctic shores to prairie expanses, MacGregor shaped the way Canadians saw and thought about themselves--never entirely untethered from the land and its history. When MacGregor was still a young editor at Maclean's, the 21-year-old chief of the Waskaganish (aka Rupert's House) Crees, Billy Diamond, found in Roy a willing listener as the chief was appealing desperately to newsrooms across Ottawa, trying to bring attention to the tainted-water emergency in his community. Where other journalists had shrugged off Diamond's appeals, MacGregor got on a tiny plane into northern Quebec. From there began a long friendship that would one day lead MacGregor to a Winnipeg secret location with Elijah Harper and his advisors, a host of the most influential Indigenous leaders in Canada, as the Manitoba MPP contemplated the Charlottetown Accord and a vote that could shatter what seemed at the time the country's last chance to save Confederation. This was the sort of exclusive access to vital Canadian stories that Roy MacGregor always seemed to secure. And as his ardent fans will discover, the observant small-town boy turned pre-eminent journalist put his rare vantage point to exceptional use. Filled with reminiscences of an age when Canadian newsrooms were populated by outsized characters, outright rogues and passionate practitioners, the unputdownable Paper Trails is a must-read account of a life lived in stories."--
Subjects: Biographies.; MacGregor, Roy, 1948-; MacGregor, Roy, 1948-; Journalists;
Available copies: 1 / Total copies: 1
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Birds of passage / by Acosta, José,actor.; Cármina, Bea,actor.; Gallego, Cristina,film director.; Guerra, Ciro,1981-film director.; Narvaez, Jhon,actor.; Reyes, Natalia,actor.; Orchard (Firm),film distributor.;
Natalia Reyes, Carmina Martinez, Jose Acosta, Jhon Narvaez, Greider Meza.The origins of the Colombian drug trade, as seen through eyes of an indigenous Wayuu family that becomes involved in the booming business of selling marijuana to American youth in the 1970s. When greed, passion and honor collide, a fratricidal war breaks out and puts their lives, culture and ancestral traditions at stake.Canadian Home Video Rating: 14A.DVD ; widescreen presentation ; Dolby Digital 5.1, 2.0.
Subjects: Fiction films.; Feature films.; Motion pictures, Columbian.; Video recordings for the hearing impaired.; Foreign films.; Crime films.; Drug traffic; Families; Marijuana industry;
For private home use only.
Available copies: 1 / Total copies: 1
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