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Before Stonewall. by Schiller, Greta,film director.; Rosenberg, Robert,film director.; First Run Features (Firm),dst; Kanopy (Firm),dst;
Originally produced by First Run Features in 1984.In 1969 the police raided the Stonewall Inn, a gay bar in New York City's Greenwich Village, leading to three nights of rioting by the city's gay community. With this outpouring of courage and unity the Gay Liberation Movement had begun.BEFORE STONEWALL pries open the closet door--setting free the dramatic story of the sometimes horrifying public and private existences experienced by gay and lesbian Americans since the 1920s. Revealing and often humorous, this widely acclaimed film relives the emotionally-charged sparking of today's gay rights movement, from the events that led to the fevered 1969 riots to many other milestones in the brave fight for acceptance.Experience the fascinating and unforgettable, decade-by-decade history of homosexuality in America through eye-opening historical footage and amazing interviews with those who lived through an often brutal closeted history.Narrated by Rita Mae Brown.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Human rights.; Sociology.; Homosexuality.; Documentary films.; LGBTQ.; History.; Gay rights.; Lesbians.;
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Manufacturing Chaos. by Pemberton, Justin,film director.; Farrier, David,actor.; Video Project (Firm),dst; Kanopy (Firm),dst;
David FarrierOriginally produced by Video Project in 2022.MANUFACTURING CHAOS offers a survey on the recent rise of disinformation from a global perspective, looking at how changes in the way we receive information and connect with one another have influenced such events as Brexit, COVID-19, the 2016 election, Qanon, "deepfakes" and artificial intelligence, and more. Once a site of what many considered to be utopic potential, the primacy of social media platforms on the internet has rapidly turned it into a ready vehicle for disinformation. The film examines how the convergence of rising inequality, our increasing reliance on the online world, combined with new tools for manipulation, has enabled the creation of parallel realities with dramatic social consequences. People living within the same community can now perceive the world in vastly different ways, depending on where they hang out online. The power to manipulate narratives and herd people toward falsehood raises the stakes so high that peace and cooperation are becoming increasingly fragile, the goal of disinformation.Mode of access: World Wide Web.
Subjects: Documentary films.; Mass media.; Digital communications.; Journalism.; Documentary films.; Mass media and culture.; Democracy.; Conspiracies.; Propaganda.; Disinformation.;
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36 Seconds. by Albaba, Tarek,film director.; Minhaj, Hasan,actor.; Video Project (Firm),dst; Kanopy (Firm),dst;
Hasan MinhajOriginally produced by Video Project in 2023.On February 10, 2015, UNC students Deah Barakat, his wife Yusor Mohammad Abu-Salha, and her sister Razan Mohammad Abu-Salha were eating dinner in their home in Chapel Hill, North Carolina when they were killed by their neighbor Craig Hicks in 36 seconds. Before their families can grieve, they are forced to become activists to set the record straight — that these killings were a hate crime.36 SECONDS: PORTRAIT OF A HATE CRIME charts the families' agonizing overnight pivot from trauma to advocacy as they struggle to prevent their loved ones' deaths from being dismissed as the result of a random parking dispute as Hicks originally claimed, and local law enforcement and national media quickly parroted. They courageously speak the truth about the hate crime that destroyed their lives, the overtly insidious ways racism plays out in our society, and about the need to reform a hate crime system that is broken.Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Criminal law.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; Crime.; Political participation.; Racism.; Muslims.; North Carolina.; Hate crimes.;
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Muslim in America. by Khan, Deeyah,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 2020.Since 2015, anti-Muslim hate groups, conspiracy theories and hate crimes have risen in the United States. In this Peabody Award-winning exposé, Deeyah Khan explores the connections between this increase in hate-driven incidents and state-endorsed racism and investigates what it's like to be Muslim in a country where many people feel they don’t belong. Filmed before and during the coronavirus pandemic and while events following the death of George Floyd unfolded around her in America, Khan meets ordinary Muslims whose lives have been shattered by violence and intolerance, activists trying to combat a rising tide of hatred, armed militia who believe Islam is infiltrating the U.S., and lawmakers who have themselves been the target of vitriolic rhetoric, such as Minnesota congresswoman Ilhan Omar.Deploying her uniquely intimate filming style, Deeyah seeks to get to the heart of the Muslim experience - providing a vivid insight into the experiences of alienation, of rejection, and the daily struggles of keeping faith in both Islam and the American Dream.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Enthnology.; History, Modern.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; United States--Politics and government.; History.; Politicians.; Political participation.; Racism.; Social problems.; Discrimination.; Muslims.; Hate crimes.;
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Tower. by Maitland, Keith,film director.; Jackson, Blair,actor.; Arnette, Louie,actor.; Beane, Violette,actor.; Kino Lorber (Firm),dst; Kanopy (Firm),dst;
Blair Jackson, Louie Arnette, Violette BeaneOriginally produced by Kino Lorber in 2016.August 1st 1966 was the day our innocence was shattered. A sniper rode the elevator to the top floor of the iconic University of Texas Tower and opened fire, holding the campus hostage for 96 minutes in what was a previously unimaginable event. TOWER combines archival footage with rotoscopic animation of the dramatic day, based entirely on first person testimonies from witnesses, heroes and survivors, in a seamless and suspenseful retelling of the unfolding tragedy. The film highlights the fear, confusion, and visceral realities that changed the lives of those present, and the rest of us, forever - a day when the worst in one man brought out the best in so many others.Winner, Grand Jury Prize and Audience Award for Best Documentary Feature at the SXSW Film FestivalNew York Times Critics' Pick - "Ingenious. The animation gives Mr. Maitland a lot of creative freedom, allowing him to take Expressionistic leaps." -Manohla Dargis, The New York Times"Boldly imaginative …'TOWER' plays like a historical Hitchcock film about ordinary people thrust into extraordinary circumstances. [A] true-crime thriller that’s enriched by a rare depth of inner experience. The effect is as much intellectual as emotional." -Richard Brody, The New YorkerMode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; History, Modern.; Sociology.; Documentary films.; Current affairs.; History.; Animated films.; Mass shootings.; United States--History.; Murder.; Firearms.; True crime stories.;
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Tupaia’s Endeavour. by Rolls, Lala,film director.; Ronin Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Ronin Films in 2020.A first contact story, told from a Pacific point of view. When James Cook, captain of the British ship Endeavour, took his first steps on the un-colonised shores of Aotearoa/New Zealand in 1769, he set in train a violent collision with the existing Māori occupants. The first meeting between Māori and Europeans would have ended disastrously for Cook and his crew, if not for Tupaia, a Polynesian who had joined the Endeavour expedition in Tahiti. Who was Tupaia - this high-priest, star-navigator, and extraordinary artist? He is left out of European history books, yet today his imprint lives on in modern Aotearoa/New Zealand. New Zealand-born artist Michel Tuffery (who is of Samoan/Rarotongan/Tahitian heritage) and Māori actor Kirk Torrance, with scholars and Māori tangata whenua (people of the land) alongside them, retrace the footsteps of Tupaia in true Polynesian style. Under the gaze of their ancestors, with song, haka and humour, they make startling new discoveries that rewrite history, cementing Tupaia’s role as a central figure in Pacific history.TUPAIA'S ENDEAVOUR was shot in Tahiti, Aotearoa New Zealand and the UK over eight years with each shoot unveiling new revelations and with Michel, Kirk and the whole film crew embodying the story physically, spiritually and emotionally. Backed with the Endeavour journals and the historical rigour of renowned anthropologist, historian and writer, Dame Anne Salmond, and in collaboration with Prof. Paul Tapsell (of the iwi Ngāti Whakaue and Ngāti Raukawa), it is a project that gathered research from the ground up, allowing Indigenous knowledge to lead in the creation of a compelling work, both as a film and as an educational resource.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Anthropology.; Documentary films.; History.; Aboriginal Australians.;
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Good omens [videorecording] / by Arjona, Adria,1992-actor.; Bradley, Tim(Television producer),television producer.; Brooke, Sian,1980-actor.; Buck, Sam Taylor,actor.; Collinson, Phil,television producer.; Cumberbatch, Benedict,1976-actor.; Dynevor, Josh,television producer.; Enos, Mireille,1975-actor.; Frift, Paul,television producer.; Gaiman, Neil,creator,screenwriter,television producer.; Hamm, Jon,1971-actor.; MacKinnon, Douglas,television director,television producer.; Mays, Daniel,actor.; McDormand, Frances,actor.; McKean, Michael,actor.; Offerman, Nick,1970-actor.; Sheen, Michael,actor.; Sussman, Chris,television producer.; Tennant, David,1971-actor.; Treen, Mike,television producer.; Whitehall, Jack,1988-actor.; Wilkins, Rob(Television producer),television producer.; Winstone, Simon(Television producer),television producer.; television adaptation of (work):Gaiman, Neil.Good omens.; television adaptation of (work):Pratchett, Terry.Good omens.; Amazon Prime Video (Firm),production company,broadcaster.; Amazon.com (Firm),production company,broadcaster.; BBC Studios,production company.; BBC Two (Television station : London, England),broadcaster.; BBC Worldwide Ltd.,publisher.; Blank Corporation (Firm),production company.; British Broadcasting Corporation,production company.; Narrativia (Firm),production company.;
First assistant director, Francesco Reidy.David Tennant, Michael Sheen, Adria Arjona, Miranda Richardson, Michael McKean, Jack Whitehall, Nick Offerman, Mireille Enos, Benedict Cumberbatch, Sam Taylor Buck, Jon Hamm, Daniel Mays, Sian Brooke.In the beginning and eleven years ago, two immortal beings decide that it might not be time to start an Apocalypse. Having followed the wrong boy for years, Aziraphale and Crowley must now try to locate the whereabouts of the real Antichrist. Perhaps the story of Agnes Nutter and her famous prophecies will hold the answer?14A.DVD, NTSC region 1, widescreen (2.35:1) presentation; Dolby Digital 5.1, Dolby Digital 2.0.
Subjects: Television comedies.; Television programs.; Fantasy television programs.; Television mini-series.; Apocalyptic television programs.; Video recordings for the hearing impaired.; Angels; Antichrist; Armageddon; Demonology; Good and evil; Witches;
For private home use only.
Available copies: 1 / Total copies: 1
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Your first million : why you don't have to be born into a legacy of wealth to leave one behind : an entrepreneur's guide / by Hamilton, Arlan,author.; Nelson, Rachel L.,author.;
"Having lived nearly her entire life below the poverty line before going on to attain wealth and success as an entrepreneur and investor, Arlan Hamilton knows that entrepreneurship is the quickest path to money and power -- particularly for those who haven't had much of it in the past. In Your First Million, she shows how anyone -- no matter what they look like or how much money they have -- they can tap into all the new tools they already have at their disposal to get their million-dollar idea off the ground. Readers will learn: how to identify unmet needs, raise money, choose the right collaborators, create multiple income streams, and turn their unique knowledge and experience into a profitable businesses -- while reinvesting in their communities and empowering others to do the same. If we can change who gets to decide what new ideas are worthy, and who gets to turn those ideas into reality, not only can we change our own circumstances -- we can change the world"--
Subjects: African American businesspeople; Business education.; Businesspeople; Entrepreneurship.; Intergenerational relations;
Available copies: 1 / Total copies: 1
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Noor / by Okorafor, Nnedi,author.;
"Anwuli Okwudili prefers to be called AO. To her, these initials have always stood for Artificial Organism. AO has never really felt ... natural, and that's putting it lightly. Her parents spent most of the days before she was born praying for her peaceful passing because even in-utero she was "wrong". But she lived. Then came the car accident years later that disabled her even further. Yet instead of viewing her strange body the way the world views it, as freakish, unnatural, even the work of the devil, AO embraces all that she is: A woman with a ton of major and necessary body augmentations. And then one day she goes to her local market and everything goes wrong. Once on the run, she meets a Fulani herdsman named DNA and the race against time across the deserts of Northern Nigeria begins. In a world where all things are streamed, everyone is watching the "reckoning of the murderess and the terrorist" and the "saga of the wicked woman and mad man" unfold. This fast-paced, relentless journey of tribe, destiny, body, and the wonderland of technology revels in the fact that the future sometimes isn't so predictable. Expect the unaccepted."--
Subjects: Science fiction.; Cyborgs; Desert survival; Fugitives from justice; Sandstorms; Women with disabilities;
Available copies: 1 / Total copies: 1
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Checkpoint Charlie : the Cold War, the Berlin Wall, and the most dangerous place on earth / by MacGregor, Iain,author.;
Includes bibliographical references (pages 323-326) and index."Checkpoint Charlie is the story of the men and women - from both sides of the Cold War's political divide - who lived, served on, or escaped through the Berlin Wall during its life span (13th August 1961 - 9th November 1989). This physical monstrosity created by the East German communist state was to divide one of the most beautiful and by 1961, ruined cities of the world; dividing families, friends and lovers. Its creation, and its sudden collapse twenty-seven years later, were the key moments of the Cold War. Checkpoint Charlie was the one place in a paranoid continent where East faced West across one hundred yards of No Man's Land. Where soldiers served, spies watched through trained binoculars, escapees fled, politicians made speeches, people died and, mothers wept. The Wall was seen by many as permanent as the Himalayas. Across the Wall's almost three decades of existence, over two hundred people died trying to escape through it to the West, and these are just the recorded deaths. Many more who attempted and failed to break to freedom, would later die of their wounds in an East German hospital or prison. Historian Iain MacGregor travels to America, Britain, Germany and France to talk to the many people the Berlin Wall affected and who found themselves at the gates of Checkpoint Charlie - either on the Allied, or Soviet side. He interviews soldiers, politicians, journalists, spies, policemen, refugees and escapees to build a picture of what life was like in the city that was universally seen as the "hot spot" of the Cold War for four decades"--
Subjects: Berlin Wall, Berlin, Germany, 1961-1989; Checkpoint Charlie, Berlin, Germany, 1961-1989; Cold War;
Available copies: 1 / Total copies: 1
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