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- Life's Too Short A Memoir [electronic resource] : by Rucker, Darius.aut; cloudLibrary;
"Darius has always been one of my favorite people to sing with and to call a friend in this industry and yet even knowing him well for as long as I have, there are so many incredible stories in Life's Too Short that I enjoyed learning for the first time.”—Sheryl Crow A raw, heartfelt memoir from Darius Rucker, the Grammy Award– winning country music sensation and multiplatinum-selling lead singer of Hootie & The Blowfish In 1986 Darius Rucker cofounded Hootie & The Blowfish at the University of South Carolina. What began as a party band playing frat houses and dive bars quickly became a global pop rock phenomenon through their multiplatinum-selling debut album, cracked rear view, which featured era-defining hit songs like “Only Wanna Be with You,” “Let Her Cry,” and “Hold My Hand.” Later, Darius would chart a pioneering path as a solo country music artist, with classic anthems like “Wagon Wheel” and “Alright.” Nearly forty years after the band’s formation, Darius tells his remarkable story through the lens of the songs that shaped him—from Al Green, Stevie Wonder, and KISS to Lou Reed, Billy Joel, Nanci Griffith, and so many more. Set against the soundtrack of his life, Darius recounts his childhood as the son of a single mother in Charleston, South Carolina. He traces the unlikely ascent of his band and shares wild tales of life on the road—but he also faces his missteps, defeats, and demons. As moving as it is entertaining, Life’s Too Short is a timeless book about a man and his music.- Subjects: Electronic books.; Country & Bluegrass; Personal Memoirs; Composers & Musicians; Entertainment & Performing Arts; Rock;
- © 2024., HarperCollins,
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- Los Hermanos/The Brothers. by Schneider, Ken,film director.; Jarmel, Marcia,film director.; PatchWorks Productions (Firm),dst; Kanopy (Firm),dst;
Originally produced by PatchWorks Productions in 2020.Virtuoso Afro-Cuban-born brothers—violinist Ilmar and pianist Aldo—live on opposite sides of a geopolitical chasm a half-century wide. Tracking their parallel lives in New York and Havana, their poignant reunion, and their momentous first performances together, Los Hermanos/The Brothers offers a nuanced, often startling view of estranged nations through the lens of music and family.Featuring an electrifying, genre-bending score, composed by Cuban Aldo López-Gavilán, performed with his American brother, Ilmar, and with guest appearances by maestro Joshua Bell and the Harlem Quartet.Mode of access: World Wide Web.- Subjects: Documentary films.; Arts.; Social sciences.; Music.; History, Modern.; Documentary films.; Artists.; History.; Families.; Cuba.; Hispanic Americans.; Performing arts.;
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- Taylor Swift : the stories behind the songs / by Zaleski, Annie,author.;
From her humble beginnings as a teenage country singer to her record-breaking Eras Tour, Taylor Swift's career is incomparable both in her mastery over multiple genres and the pure scale of her fan base and success. By weaving effortlessly through country, rock, pop, indie, and folk music, Swift has created a style of her own. 'Taylor Swift: The Stories Behind the Songs' is a comprehensive review of her entire songbook to date, covering all 11 studio albums and more than 200 songs that tell a dramatic story of life, love, and triumph.- Subjects: Biographies.; Personal narratives.; Swift, Taylor, 1989-; Swift, Taylor, 1989-; Musicians; Singers; Women singers;
- Available copies: 1 / Total copies: 1
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- This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--- Subjects: Essays.; Misogyny.; Music.; Women musicians.;
- Available copies: 1 / Total copies: 1
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- Lollapalooza : the uncensored story of alternative rock's wildest festival / by Bienstock, Richard,author.; Beaujour, Tom,author.; Thayil, Kim,writer of foreword.;
Includes bibliographical references.The definitive, no-holds-barred oral history of 1990s alt-rock festival Lollapalooza -- told by the musicians, roadies, and industry insiders who lived it. In Lollapalooza: The Uncensored Story of Alternative Rock's Wildest Festival, authors Richard Bienstock and Tom Beaujour tell the no-holds-barred history of the iconic music festival. Through hundreds of new interviews with artists, tour founders, festival organizers, promoters, publicists, sideshow freaks, stage crews, record label execs, reporters, roadies and more, Lollapalooza chronicles the tour's pioneering 1991-1997 run, and, in the process, alternative rock's rise -- as well as the reverberations that led to a massive shift in the music industry and the culture at large. Lollapalooza features original interviews with some of the biggest names in music, including Perry Farrell and Jane's Addiction, Pearl Jam, Soundgarden, Nine Inch Nails, Sonic Youth, Tool, Smashing Pumpkins, Ice-T, Rage Against the Machine, Green Day, Patti Smith, Alice in Chains, Metallica and many more. Conceived by Farrell as a farewell tour for Jane's Addiction, Lollapalooza's inaugural outing across the U.S. in the summer of 1991 helped to coalesce an ideology and aesthetic that not only washed over popular music but seeped into fashion, film, television, literature, food, politics and more. Throughout the decade, Lollapalooza offered a vast and diverse ensemble of bands, breaking barriers of genre and uniting alternative rock, heavy metal, punk, hip-hop, industrial, goth, avant-garde, spoken word, electronic dance music and other styles under one big tent, and setting the template for the modern American music festival and the scores of other contemporary destination fests that are now an integral part of how audiences experience live music. Unorthodox not just in music, Lollapalooza also spotlighted visual arts, nonprofit organizations, political outfits and even the occasional freak show, offering a tantalizing cocktail of culture, art, and activism that, taken together, defined the alternative mindset that dominated the 1990s. Echoes of its impact reverberate strongly today -- cemented by annual sell-outs at destination events all over the world, an estimation of 400,000 attendees at the flagship Chicago fest each summer, and a spot among the world's largest and longest-running music festivals. A nostalgic look back at 1990s music and culture, Lollapalooza traces the festival's groundbreaking origins, following the tour as it progresses through the decade, and documenting the action onstage, backstage, and behind-the-scenes in detailed and uncensored and sometimes shocking first-person accounts. This is the story of Lollapalooza and the 1990s alternative rock revolution.- Subjects: Lollapalooza (Festival); Alternative rock musicians; Road crews (Concert tours); Rock music festivals; Rock musicians; Sound recording executives and producers; Alternative rock music; Rock music;
- Available copies: 1 / Total copies: 1
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- Stories I might regret telling you : a memoir / by Wainwright, Martha,1976-author.;
"The singer-songwriter's heartfelt memoir about growing up in a bohemian musical family and her experiences with love, loss, motherhood, divorce, the music industry, and more. Born into music royalty, the daughter of folk legends Kate McGarrigle and Loudon Wainwright III and sister to the highly-acclaimed and genre-defying singer Rufus Wainwright, Martha grew up in a world filled with such incomparable folk legends as Leonard Cohen; Suzzy Roche, Anna McGarrigle, Richard and Linda Thompson, Pete Townshend, Donald Fegan, and Emmylou Harris. It was within this loud, boisterous, carny, musical milieu that Martha came of age, struggling to find her voice until she exploded on the scene with her 2005 debut critically acclaimed album, Martha Wainwright, containing the blistering hit, 'Bloody Mother F*cking Asshole,' which the Sunday Times called one of the best songs of that year. Her successful debut album and the ones that followed such as Come Home to Mama, I Know You're Married But I've Got Feelings Too, and Goodnight City came to define Martha's searing songwriting style and established her as a powerful voice to be reckoned with. In her memoir, Stories I Might Regret Telling You, Martha digs into the deep recesses of herself with the same emotional honesty that has come to define her music. She describes her tumultuous public-facing journey from awkward, earnest, and ultimately rebellious daughter, through her intense competition and ultimate alliance with her brother, Rufus, to the indescribable loss of their mother, Kate, and then, finally, discovering her voice as an artist. With candor and grace, Martha writes of becoming a mother herself and making peace with her past struggles with Kate and her former self, finally understanding and facing the challenge of being a female artist and a mother. Ultimately, Stories I Might Regret Telling You offers readers a thoughtful and deeply personal look into the extraordinary life of one of the most talented singer-songwriters in music today."--- Subjects: Biographies.; Autobiographies.; Wainwright, Martha, 1976-; Composers; Singers; Women composers; Women singers;
- Available copies: 0 / Total copies: 1
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- DIG! XX. by Timoner, Ondi,film director.; Newcombe, Anton,actor.; Taylor-Taylor, Courtney,actor.; Gion, Joel,actor.; Oscilloscope Laboratories (Firm),dst; Kanopy (Firm),dst;
Anton Newcombe, Courtney Taylor-Taylor, Joel GionOriginally produced by Oscilloscope Laboratories in 2024.20 years ago, Sundance was rocked by DIG!, Ondi Timoner's genre-topping rockumentary about two Gen-X bands and their journey to alt-rock glory. Shot over nearly a decade, DIG! XX explores the collision of art and commerce through the star-crossed friendship and bitter rivalry of dueling 90s bands The Dandy Warhols and The Brian Jonestown Massacre. Through their loves and obsessions, gigs, arrests and death threats, uppers and downers, and ultimately to their shot at mainstream success, they stage a self-proclaimed revolution in the music industry.Mode of access: World Wide Web.- Subjects: Documentary films.; Arts.; Music.; Documentary films.; Artists.; Biography.; United States.; Musicians.; Nineteen nineties.; Performing arts.;
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- Guitar chord bible : over 500 illustrated chords for rock, blues, soul, country, jazz, and classical / by Capone, Phil,author.;
No matter what your musical style, Guitar Chord Bible is your handy take-anywhere guide to the chords you need for making great guitar music. Organized into keys and ascending chromatically from C to B, explore easy-to-follow visual instructions for creating over 500 chords (counting photo-illustrated chord variations on different parts of the fretboard to provide a greater choice of harmonic texture). Including chords across multiple genres, including rock, blues, soul, country, jazz, classical, and more, the book features: a compact format designed to fit in your bag; color-coded fingering diagrams for each chord clearly indicated on a fretboard; photographs showing the finger placements of each chord on a guitar; a layflat binding that allows you to lay the book down for easy reference while playing; Tips on techniques along with relevant chord sequences. With over 360,000 copies sold worldwide, the photographs and easy-to-follow diagrams and instructions of Guitar Chord Bible will set you on the road to becoming a true chordmaster!- Subjects: Fingering charts.; Teaching pieces (Music); Chords (Music); Guitar;
- Available copies: 1 / Total copies: 1
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- Willie, Waylon, and the boys : how Nashville outsiders changed country music forever / by Fairbanks, Brian,1981-author.;
Includes bibliographical references and index."The tragic and inspiring story of the leaders of Outlaw country and their influence on today's Alt-County and Americana superstars, tracing a path from Waylon Jennings' survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen. On February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered. Jennings switched to playing country, creating the Outlaw movement and later forming the Highwaymen supergroup, the first in country music, with Johnny Cash, Willie Nelson, and Kris Kristofferson. The foursome battled addiction, record companies, ex-wives, violent fans, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Kacey Musgraves, Ryan Bingham, Sturgill Simpson, and Taylor Swift outsell all challengers, and country is the most popular of all genres. In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today, bringing the reader deep into the worlds of not only Cash, Nelson, Kristofferson, and Jennings but artists like Chris Stapleton, Simpson, Bingham, and Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell. Thought-provoking and meticulously researched, Willie, Waylon, and the Boys ultimately shows how a twenty-one-year-old bass-playing plane crash survivor helped changed the course of American music"--- Subjects: Cash, Johnny.; Jennings, Waylon.; Kristofferson, Kris.; Nelson, Willie, 1933-; Country musicians; Country music;
- Available copies: 1 / Total copies: 1
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- Hip-hop is history / by Questlove,author.; Greenman, Ben,author.;
"A comprehensive fifty-year history of the hip-hop genre"--- Subjects: Hip-hop; Rap (Music);
- Available copies: 1 / Total copies: 1
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Results 11 to 20 of 29 | « previous | next »