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The godmother : murder, vengeance, and the bloody struggle of mafia women / by Nadeau, Barbie Latza,author.;
"The untold stories of the women who have risen to prominence and notoriety in Italy's mafia-many more ruthless than the fathers and husbands they replaced-and the octogenarian murderer who decades ago blazed a bloody trail for them to follow. In 1955 in a public market outside Naples, Italy, a pregnant teenage widow named Assunta "Pupetta" Maresca encounters the man she believes to be her husband's killer. Minutes later, police find the man dead, riddled with an astonishing 29 bullets. Pupetta is arrested and convicted for his death. "I killed for love," she declares in court, "and I'd do it again!" It is the middle of the twentieth century. Italy is impoverished after the war. Criminal organization are springing up where governments fail their citizens. Women are considered adjunct to the growth of the criminal class; they are mothers who train sons in the primacy of blood feuds, or they are daughters and sisters who deliver messages for imprisoned male relatives. But Pupetta changes that. She is heralded "Lady Camorra," and in prison she takes on legendary stature, with films and TV shows produced to capitalize on her outlaw image. The crime and even the killing does not stop there for Pupetta, and though she is arguably the first mafia godmother, she is not the worst. Some of the women who follow in her footsteps will meet terrible fates; others will lead their clans. But if CNN correspondent and Daily Beast Rome bureau chief makes one thing clear in The Godmother, it's that as women seize ever more control of Italy's criminal underworld, they are proving themselves more vicious, cunning and cutthroat than the men they replace."--
Subjects: True crime stories.; Mafia; Women and the mafia;
Available copies: 1 / Total copies: 1
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Before they were men : essays on manhood, compassion, and what went wrong / by Tobia, Jacob,1991-author.;
Includes bibliographical references."The conversation about masculinity, patriarchy, and misogyny has never been so prominent or heated. Alarmed by a new generation of angry, broken young men, genderqueer writer Jacob Tobia set out to explore what was going on and came to a shocking conclusion: emotionally and spiritually-speaking, men and boys may be the ones suffering the most under the gender binary right now. Jacob should know. For their gender-defying adolescent heart, the nonconsensual process of being "made a man" was crushing. After spending a lifetime fleeing manhood and masculinity, Jacob dares to ask the question: what happens if we stop understanding men as categorical beneficiaries of patriarchal institutions and start understanding them for what they are -- co-survivors of patriarchy itself? In a series of personal and devastating essays, Before They Were Men argues that we must rewire our entire framework of feminism. A much-needed nonbinary intervention into a two-sided discourse gone stale, Jacob boldly posits compassion and empathy as the paradigm-shifting forces that will lead men -- and us all -- to a brighter future. Urgent, surprising, and at times, hilarious, they cover topics like: The unspoken body image issues and dysmorphia confronting men and boys. The difficulty of challenging a world that glorifies war, aggression, and the violence of men. The case for rethinking, and ultimately retiring, counterproductive terms like "Toxic Masculinity" and "Male Privilege""--
Subjects: Masculinity.; Men; Misogyny.; Patriarchy.; Sex role.;
Available copies: 1 / Total copies: 1
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The falcon's eyes : a novel / by Stanfill, Francesca,author.;
Includes bibliographical references."Set in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know--Eleanor of Aquitaine. Willful and outspoken, sixteen-year-old Isabelle yearns to escape her stifling life in provincial twelfth century France. The bane of her mother's existence, she admires the notorious queen most in her circle abhor: Eleanor of Aquitaine. Isabelle's arranged marriage to Gerard--a rich, charismatic lord obsessed with falcons--seems, at first, to fulfill her longing for adventure. But as Gerard's controlling nature, and his consuming desire for a male heir, become more apparent, Isabelle, in the spirit of her royal heroine, makes bold, often perilous, decisions which will forever affect her fate. A suspenseful, sweeping tale about marriage, freedom, identity, and motherhood, THE FALCON'S EYES brings alive not only a brilliant century and the legendary queen who dominated it, but also the vivid band of complex characters whom the heroine encounters on her journey to selfhood: noblewomen, nuns, servants, falconers, and courtiers. The various settings--Château Ravinour, Fontevraud Abbey, and Queen Eleanor's exiled court in England--are depicted as memorably as those who inhabit them. The story pulses forward as Isabelle confronts one challenge, one danger, after another, until it hurtles to its final, enthralling, page. With the historical understanding of Hillary Mantel and the storytelling gifts of Ken Follett, Francesca Stanfill has created an unforgettable character who, while firmly rooted in her era, is also a woman for all times."--
Subjects: Historical fiction.; Novels.; Eleanor, of Aquitaine, Queen, consort of Henry II, King of England, 1122?-1204; Arranged marriage; Identity (Psychology); Self-realization in women; Young women;
Available copies: 1 / Total copies: 1
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No more nice girls : gender, power, and why it's time to stop playing by the rules / by McKeon, Lauren,author.;
Includes bibliographical references and index."In the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they'll have to work twice as hard, be told to "play nice," and face countless double standards that curb their personal, political, and economic power. Today, long after the rise of girl power in the 90s, the failed promise of a female president, and the ubiquity of feminist-branded everything, women are still a surprisingly, depressingly long way from gender and racial equality. It's worth asking: Why do we keep trying to win a game we were never meant to play in the first place? Award-winning journalist and author Lauren McKeon examines the varied ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage and shows us why we need more than parity, visible diversity, and lone female CEOs to change this power game. She uncovers new models of power-- ones the patriarchy doesn't get to define-- by talking to lawyers insisting on gender-neutral change rooms in courthouses, programmers creating apps to track the breakdown of men and women being quoted in the news media, educators illustrating tampon packaging with pictures of black bodies, mixed martial artists teaching young girls self-empowerment, entrepreneurs prioritizing trauma-informed office cultures, and many other women doing power differently. As the toxic, divisive, and hyper-masculine style of leadership gains ground, threatening democracy here and abroad, McKeon underscores why it's time to stop playing by the rules of a rigged game. No More Nice Girls charts a hopeful and potent path forward for how to disrupt the standard (very male) vision of power, ditch convention, and build a more equitable world for everyone."--
Subjects: Equality.; Feminism.; Power (Social sciences); Sex discrimination against women.; Social control.; Women; Women's rights.;
Available copies: 1 / Total copies: 1
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Contesting intersex : the dubious diagnosis / by Davis, Georgiann,author.;
Includes bibliographical references and index."When sociologist Georgiann Davis was a teenager, her doctors discovered that she possessed XY chromosomes, marking her as intersex. Rather than share this information with her, they withheld the diagnosis in order to 'protect' the development of her gender identity; it was years before Davis would see her own medical records as an adult and learn the truth. Davis' experience is not unusual. Many intersex people feel isolated from one another and violated by medical practices that support conventional notions of the male/female sex binary which have historically led to secrecy and shame about being intersex. Yet, the rise of intersex activism and visibility in the US has called into question the practice of classifying intersex as an abnormality, rather than as a mere biological variation. This shift in thinking has the potential to transform entrenched intersex medical treatment. In Contesting Intersex, Davis draws on interviews with intersex people, their parents, and medical experts to explore the oft-questioned views on intersex in medical and activist communities, as well as the evolution of thought in regards to intersex visibility and transparency. She finds that framing intersex as an abnormality is harmful and can alter the course of one's life. In fact, controversy over this framing continues, as intersex has been renamed a 'disorder of sex development' throughout medicine. This happened, she suggests, as a means for doctors to reassert their authority over the intersex body in the face of increasing intersex activism in the 1990s and feminist critiques of intersex medical treatment. Davis argues the renaming of 'intersex' as a 'disorder of sex development' is strong evidence that the intersex diagnosis is dubious. Within the intersex community, though, disorder of sex development terminology is hotly disputed; some prefer not to use a term which pathologizes their bodies, while others prefer to think of intersex in scientific terms. Although terminology is currently a source of tension within the movement, Davis hopes intersex activists and their allies can come together to improve the lives of intersex people, their families, and future generations. However, for this to happen, the intersex diagnosis, as well as sex, gender, and sexuality, needs to be understood as socially constructed phenomena"--
Subjects: Intersex people.; Intersexuality; Sexual disorders.;
Available copies: 1 / Total copies: 1
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This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
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Cuba libre! : Che, Fidel, and the improbable revolution that changed world history / by Perrottet, Tony,author.;
"Historian and travel writer Tony Perrottet chronicles the events of the Cuban Revolution and the figures at the center of the guerrilla uprising: Che Guevara, Fidel Castro, and the scrappy band of rebel men and women who followed them. Most people are familiar with the general timeline of the Cuban Revolution of 1956-1958: It was led by two of the 20th century's most iconic figures, Fidel Castro and Che Guevara; it successfully overthrew the island nation's US-backed dictator; and it quickly went awry under Castro's rule. But less is commonly remembered about the amateur nature of the upstart movement, or the lives of its players. In this wildly entertaining and meticulously researched account, Tony Perrottet unravels the human drama behind history's most improbable revolution: a scruffy handful of self-taught revolutionaries--many of them kids just out of college, literature majors, art students and young lawyers, and including a number of women--defeated 40,000 professional soldiers to overthrow thedictatorship of Fulgencio Batista. Cuba Libre's deep dive into the revolution reveals fascinating details: How did Fidel's highly organized lover Celia Sanchez whip the male guerrillas into shape? Who were the two dozen American volunteers who joined theCuban rebels? How do you make lethal land mines from condensed milk cans -- or, for that matter, cook chorizo à la guerrilla (sausage guerrilla-style)? Cuba Libre is an entertaining look back at a liberation movement that captured the imaginationof the world with its spectacular drama, foolhardy bravery, tragedy, and, sometimes, high comedy--and that set the stage for a buildup of Cold War tension that became a pivotal moment in history"--"A pop-history account of the Cuban Revolution"--
Subjects: Castro, Fidel, 1926-2016.; Guevara, Che, 1928-1967.;
Available copies: 1 / Total copies: 1
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We keep the dead close : a murder at Harvard and a half century of silence / by Cooper, Becky,author.;
Includes bibliographical references."1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school and the year that Jane Britton, an ambitious 23-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. WE KEEP THE DEAD CLOSE is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history"--
Subjects: Biographies.; True crime stories.; Britton, Jane Sanders, 1945-1969.; Harvard University; Murder; Cold cases (Criminal investigation); Murder victims; Women graduate students; Women in higher education; Sex discrimination in higher education;
Available copies: 1 / Total copies: 1
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On sex and gender : a commonsense approach / by Coleman, Doriane Lambelet,author.;
Includes bibliographical references and index."On Sex and Gender focuses on three sequential and consequential questions: What is sex -- as opposed to gender? How does sex matter in our everyday lives? And how should it be reflected in law and policy? All three are front-and-center in American politics: They are included in both of the major parties' political platforms. They are the subject of ongoing litigation in the federal courts and of highly contentious legislation on Capitol Hill. And they are a pivotal issue in the culture war between left and right playing out on battlegrounds from campuses and school boards to op-ed pages and corporate handbooks. Doriane Coleman challenges both sides to chart a new way forward. She argues that denying biological sex would have profound and detrimental effects on women's equal opportunity and on the health and welfare of society generally. Structural sexism needed to be dismantled -- a true achievement of feminism and an ongoing fight -- but sex blindness is not the next step forward. This book is a clear guide for reasonable Americans on the issue of gender and sex -- something everyone is terrified to discuss. Coleman shows equally that the science is settled but there is a middle ground on protecting both women's rights and trans rights. She livens her narrative with a sequence of portraits of exceptional human beings who have fought to advance the cause of equality from legal pioneers like Myra Bradwell and Ketanji Brown Jackson to champion athletes like Caster Semenya and Cate Campbell to civil rights giants like Ruth Bader Ginsburg and Pauli Murray. Above all, Coleman reminds us that sex -- the male and the female body -- is good for three reasons. Sex is good for procreation, it's good for sexual pleasure, and it's good for something in our natural lives to be beautiful"--
Subjects: Feminism; Gender identity; Sex (Biology); Sex and law; Women's rights;
Available copies: 1 / Total copies: 1
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All in her head : the truth and lies early medicine taught us about women's bodies and why it matters today / by Comen, Elizabeth,author.;
Includes bibliographical references and index.For as long as medicine has been a practice, woman's bodies have been treated like objects to be practiced on: examined and ignored, idealized and sexualized, shamed, subjugated, mutilated, and dismissed. The history of women's healthcare is a story in which women themselves have too often been voiceless-a narrative written from the perspective of men who styled themselves as authorities on the female of the species, uninformed by women's own voices, thoughts, fears, pain, and experiences. This continuing cultural and societal legacy results in the (mis)treatment and care of women. While the modern age has seen significant advancements in the medical field, the notion that female bodies are flawed inversions of the male ideal lingers on-as do the pervasive societal stigmas and ignorance that shape women's health and relationships with their own bodies. Memorial Sloan Kettering oncologist and medical historian Dr. Elizabeth Comen draws back the curtain on the collective medical history of women to reintroduce us to our whole bodies-how they work, the actual doctors and patients whose perspectives and experiences laid the foundation for today's medical thought, and the many oversights that remain unaddressed. With a physician's knowledge and empathy, Dr. Comen follows the road map of the eleven organ systems to share unique and untold stories, drawing upon medical texts and journals, interviews with expert physicians, as well as her own observations from treating thousands of women. Empowering women to better understand themselves and advocate for care that prioritizes healthy and joyful lives-for us and generations to come-'All In Her Head' is written with humor, wisdom, and deep scientific and cultural insight. Eye-opening, sometimes enraging, yet always captivating, this shared memoir of women's medical history is an essential contribution to a holistic understanding and a much-needed reclaiming of women's history and bodies.
Subjects: Sexism in medicine.; Women's health services; Women; Women;
Available copies: 1 / Total copies: 1
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