Search:

Everyone you hate is going to die : and other comforting thoughts on family, friends, sex, love, and more things that ruin your life / by Sloss, Daniel,author.;
"From one of the hottest young comedians at work today--two Netflix specials, a world tour, a brand new HBO special, and a well-earned reputation as mind-bogglingly funny and hilariously offensive and challenging--a book about his favorite subject ... and you will never think about relationships in the same way again. Daniel Sloss's comedy engages, enrages, offends, makes people uncomfortable, provides solace, and gets everyone roaring with laughter--all at the same time. Dark, his first Netflix comedy special, is a brilliant, somehow laugh-out loud funny meditation on our relationship with death. Jigsaw, his second Netflix special, needles apart the ideas of love, romantic relationships, and marriage--and according to Sloss has caused 120 divorces and some 50,000 break-ups (and he's got the Tweets to back up those numbers). Now, in his first book, he picks up where Jigsaw left off, and goes after every conceivable kind of relationship between two people--with one's country (Daniel's is Scotland), with America, with lovers, ex-lovers, ex-lovers who you hate, ex-lovers who hate you, parents, best friends (male and female), not-best friends, children, and siblings. Every relationship gets the full, inimitable Sloss treatment as he explains why each one is fragile and ridiculous and awful--but, just maybe, also valuable and meaningful. In any case, one way or the other, under his pen, they are all hilarious"--
Subjects: Interpersonal relations;
Available copies: 1 / Total copies: 1
unAPI

The last animal / by Ausubel, Ramona,author.;
"A playful, witty, and resonant novel in which a single mother and her two teen daughters engage in a wild scientific experiment and discover themselves in the process, from the award-winning writer of Sons and Daughters of Ease and Plenty Jane is a serious scientist on the cutting-edge team of a bold project looking to "de-extinct" the wooly mammoth. She's privileged to have been sent to Siberia to hunt for ancient DNA, but there's a catch: Jane's two "tagalong" teen daughters are there with her in the Arctic, and they're bored enough to cause trouble. Brilliant, fiery, sharp-tongued Eve is fifteen and willing to talk back to the male scientists in a way her mother is not. And sweet, thirteen-year-old Vera, who seems to absorb all the emotional burdens of her small family, just wants to be home in Berkeley, baking cakes and watching bad tv. When Eve and Vera stumble upon a 4,000-year-old baby mammoth that has been perfectly preserved, their discovery sets off a chain of events that pit Jane against her colleagues, and soon her status at the lab is tenuous at best. So what does a female scientist do when she's a passionate devotee of her field but her gender and life history hold her back? She goes rogue. As Jane and her daughters ping-pong from the slopes of Siberia to a university in California, from the shores of Iceland to an exotic animal farm in Italy, The Last Animal takes readers on an expansive, big-hearted journey that explores the possibility and peril of the human imagination on a changing planet, what it's like to be a woman and a mother in a field dominated by men, and how a wondrous discovery can best be enjoyed with family. Even teenagers"--
Subjects: Domestic fiction.; Psychological fiction.; Novels.; Mothers and daughters; Self-actualization (Psychology) in women; Single mothers; Women scientists; Woolly mammoth;
Available copies: 1 / Total copies: 1
unAPI

The blue collar CEO : my gutsy journey from rookie contractor to multi-millionaire construction boss / by Rennehan, Mandy,author.;
"Born in Yarmouth, Nova Scotia, Mandy Rennehan began her business career at ten-years-old by catching bait and selling it to local fishermen. She was so good at her job, she was soon out-earning her father, a local lobster fisherman. At the age of seventeen, Rennehan decided to strike out on her own, so she packed a hockey bag full of her belongings and fled to Halifax, where she began cold calling construction companies, volunteering to work for free, so she could learn more about contracting and the trades. Three years later, Rennehan had garnered all the experience she needed to start her own company Freshco, a boutique retail maintenance and construction company. Still in her early twenties, Rennehan's reputation as a knowledgeable and trustworthy contractor, led to her first corporate contract with The Gap. Freshco has since gone on to become a multi-million-dollar company whose clients are some of the top corporations in North America, including Apple, Lululemon, Tiffany's, Sephora, Anthropologie, Nike, and Home Depot, to name but a few. Known as the Blue-Collar CEO for her ability to seamlessly navigate between the white- and blue-collar worlds, and as a tireless advocate for the trades, Rennehan's savvy business skills and innovative thinking, led her to the top of a male-dominated industry before she reached the age of thirty. This book is the "respectfully uncensored" story of how Rennehan succeeded in business through honesty, integrity, and most of all, authenticity - by always remaining true to herself and her vision for success."--
Subjects: Biographies.; Autobiographies.; Personal narratives.; Rennehan, Mandy.; Businesswomen; Construction industry; Women chief executive officers;
Available copies: 1 / Total copies: 1
unAPI

The farewell tour : a novel / by Clifford, Stephanie,author.;
Includes bibliographical references.It's 1980, and Lillian Waters is hitting the road for the very last time. Jaded from her years in the music business, perpetually hungover, and diagnosed with career-ending vocal problems, Lillian cobbles together a nationwide farewell tour featuring some old hands from her early days playing honky-tonk bars in Washington State and Nashville, plus a few new ones. She yearns to feel the rush of making live music one more time and bask in the glow of a packed house before she makes the last, and most important, stop on the tour: the farm she left behind at age ten and the sister she is finally ready to confront about an agonizing betrayal in their childhood. As the novel crisscrosses eras, moving between Lillian's youth--the Depression, the Second World War, the rise of Nashville--and her middle-aged life in 1980, we see her striving to build a career in the male-dominated world of country music, including the hard choices she makes as she tries to redefine music, love, aging, and womanhood on her own terms. Nearing her final tour stop, Lil is forced to confront those choices and how they shaped her life. Would a different version of herself have found the happiness and success that has eluded her? When she reaches her Washington hometown for her very last show, though, she'll undergo a reckoning with the past that forces her to reconsider her entire life story. Exploring one unforgettable woman's creativity, ambition, and sacrifices in a world--and an art form--made for men, The Farewell Tour asks us to consider how much of our past we can ever leave behind.
Subjects: Psychological fiction.; Novels.; Country musicians; Homecoming; Identity (Psychology); Self-actualization (Psychology); Sisters; Tours; Women ; Women country musicians;
Available copies: 1 / Total copies: 1
unAPI

The godmother : murder, vengeance, and the bloody struggle of mafia women / by Nadeau, Barbie Latza,author.;
"The untold stories of the women who have risen to prominence and notoriety in Italy's mafia-many more ruthless than the fathers and husbands they replaced-and the octogenarian murderer who decades ago blazed a bloody trail for them to follow. In 1955 in a public market outside Naples, Italy, a pregnant teenage widow named Assunta "Pupetta" Maresca encounters the man she believes to be her husband's killer. Minutes later, police find the man dead, riddled with an astonishing 29 bullets. Pupetta is arrested and convicted for his death. "I killed for love," she declares in court, "and I'd do it again!" It is the middle of the twentieth century. Italy is impoverished after the war. Criminal organization are springing up where governments fail their citizens. Women are considered adjunct to the growth of the criminal class; they are mothers who train sons in the primacy of blood feuds, or they are daughters and sisters who deliver messages for imprisoned male relatives. But Pupetta changes that. She is heralded "Lady Camorra," and in prison she takes on legendary stature, with films and TV shows produced to capitalize on her outlaw image. The crime and even the killing does not stop there for Pupetta, and though she is arguably the first mafia godmother, she is not the worst. Some of the women who follow in her footsteps will meet terrible fates; others will lead their clans. But if CNN correspondent and Daily Beast Rome bureau chief makes one thing clear in The Godmother, it's that as women seize ever more control of Italy's criminal underworld, they are proving themselves more vicious, cunning and cutthroat than the men they replace."--
Subjects: True crime stories.; Mafia; Women and the mafia;
Available copies: 1 / Total copies: 1
unAPI

Before they were men : essays on manhood, compassion, and what went wrong / by Tobia, Jacob,1991-author.;
Includes bibliographical references."The conversation about masculinity, patriarchy, and misogyny has never been so prominent or heated. Alarmed by a new generation of angry, broken young men, genderqueer writer Jacob Tobia set out to explore what was going on and came to a shocking conclusion: emotionally and spiritually-speaking, men and boys may be the ones suffering the most under the gender binary right now. Jacob should know. For their gender-defying adolescent heart, the nonconsensual process of being "made a man" was crushing. After spending a lifetime fleeing manhood and masculinity, Jacob dares to ask the question: what happens if we stop understanding men as categorical beneficiaries of patriarchal institutions and start understanding them for what they are -- co-survivors of patriarchy itself? In a series of personal and devastating essays, Before They Were Men argues that we must rewire our entire framework of feminism. A much-needed nonbinary intervention into a two-sided discourse gone stale, Jacob boldly posits compassion and empathy as the paradigm-shifting forces that will lead men -- and us all -- to a brighter future. Urgent, surprising, and at times, hilarious, they cover topics like: The unspoken body image issues and dysmorphia confronting men and boys. The difficulty of challenging a world that glorifies war, aggression, and the violence of men. The case for rethinking, and ultimately retiring, counterproductive terms like "Toxic Masculinity" and "Male Privilege""--
Subjects: Masculinity.; Men; Misogyny.; Patriarchy.; Sex role.;
Available copies: 1 / Total copies: 1
unAPI

The falcon's eyes : a novel / by Stanfill, Francesca,author.;
Includes bibliographical references."Set in France and England at the end of the twelfth century, the moving story of a spirited, questing young woman, Isabelle, who defies convention to forge a remarkable life, one profoundly influenced by the fabled queen she idolizes and comes to know--Eleanor of Aquitaine. Willful and outspoken, sixteen-year-old Isabelle yearns to escape her stifling life in provincial twelfth century France. The bane of her mother's existence, she admires the notorious queen most in her circle abhor: Eleanor of Aquitaine. Isabelle's arranged marriage to Gerard--a rich, charismatic lord obsessed with falcons--seems, at first, to fulfill her longing for adventure. But as Gerard's controlling nature, and his consuming desire for a male heir, become more apparent, Isabelle, in the spirit of her royal heroine, makes bold, often perilous, decisions which will forever affect her fate. A suspenseful, sweeping tale about marriage, freedom, identity, and motherhood, THE FALCON'S EYES brings alive not only a brilliant century and the legendary queen who dominated it, but also the vivid band of complex characters whom the heroine encounters on her journey to selfhood: noblewomen, nuns, servants, falconers, and courtiers. The various settings--Château Ravinour, Fontevraud Abbey, and Queen Eleanor's exiled court in England--are depicted as memorably as those who inhabit them. The story pulses forward as Isabelle confronts one challenge, one danger, after another, until it hurtles to its final, enthralling, page. With the historical understanding of Hillary Mantel and the storytelling gifts of Ken Follett, Francesca Stanfill has created an unforgettable character who, while firmly rooted in her era, is also a woman for all times."--
Subjects: Historical fiction.; Novels.; Eleanor, of Aquitaine, Queen, consort of Henry II, King of England, 1122?-1204; Arranged marriage; Identity (Psychology); Self-realization in women; Young women;
Available copies: 1 / Total copies: 1
unAPI

No more nice girls : gender, power, and why it's time to stop playing by the rules / by McKeon, Lauren,author.;
Includes bibliographical references and index."In the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they'll have to work twice as hard, be told to "play nice," and face countless double standards that curb their personal, political, and economic power. Today, long after the rise of girl power in the 90s, the failed promise of a female president, and the ubiquity of feminist-branded everything, women are still a surprisingly, depressingly long way from gender and racial equality. It's worth asking: Why do we keep trying to win a game we were never meant to play in the first place? Award-winning journalist and author Lauren McKeon examines the varied ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage and shows us why we need more than parity, visible diversity, and lone female CEOs to change this power game. She uncovers new models of power-- ones the patriarchy doesn't get to define-- by talking to lawyers insisting on gender-neutral change rooms in courthouses, programmers creating apps to track the breakdown of men and women being quoted in the news media, educators illustrating tampon packaging with pictures of black bodies, mixed martial artists teaching young girls self-empowerment, entrepreneurs prioritizing trauma-informed office cultures, and many other women doing power differently. As the toxic, divisive, and hyper-masculine style of leadership gains ground, threatening democracy here and abroad, McKeon underscores why it's time to stop playing by the rules of a rigged game. No More Nice Girls charts a hopeful and potent path forward for how to disrupt the standard (very male) vision of power, ditch convention, and build a more equitable world for everyone."--
Subjects: Equality.; Feminism.; Power (Social sciences); Sex discrimination against women.; Social control.; Women; Women's rights.;
Available copies: 1 / Total copies: 1
unAPI

Contesting intersex : the dubious diagnosis / by Davis, Georgiann,author.;
Includes bibliographical references and index."When sociologist Georgiann Davis was a teenager, her doctors discovered that she possessed XY chromosomes, marking her as intersex. Rather than share this information with her, they withheld the diagnosis in order to 'protect' the development of her gender identity; it was years before Davis would see her own medical records as an adult and learn the truth. Davis' experience is not unusual. Many intersex people feel isolated from one another and violated by medical practices that support conventional notions of the male/female sex binary which have historically led to secrecy and shame about being intersex. Yet, the rise of intersex activism and visibility in the US has called into question the practice of classifying intersex as an abnormality, rather than as a mere biological variation. This shift in thinking has the potential to transform entrenched intersex medical treatment. In Contesting Intersex, Davis draws on interviews with intersex people, their parents, and medical experts to explore the oft-questioned views on intersex in medical and activist communities, as well as the evolution of thought in regards to intersex visibility and transparency. She finds that framing intersex as an abnormality is harmful and can alter the course of one's life. In fact, controversy over this framing continues, as intersex has been renamed a 'disorder of sex development' throughout medicine. This happened, she suggests, as a means for doctors to reassert their authority over the intersex body in the face of increasing intersex activism in the 1990s and feminist critiques of intersex medical treatment. Davis argues the renaming of 'intersex' as a 'disorder of sex development' is strong evidence that the intersex diagnosis is dubious. Within the intersex community, though, disorder of sex development terminology is hotly disputed; some prefer not to use a term which pathologizes their bodies, while others prefer to think of intersex in scientific terms. Although terminology is currently a source of tension within the movement, Davis hopes intersex activists and their allies can come together to improve the lives of intersex people, their families, and future generations. However, for this to happen, the intersex diagnosis, as well as sex, gender, and sexuality, needs to be understood as socially constructed phenomena"--
Subjects: Intersex people.; Intersexuality; Sexual disorders.;
Available copies: 1 / Total copies: 1
unAPI

This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
unAPI