Results 11 to 18 of 18 | « previous
- A long walk from Gaza / by ʻAṭāwinah, Asmá,author.; Hartman, Michelle,translator.; Nasrallah, Caline,translator.; translation of:ʻAṭāwinah, Asmá.Sura mafquda.English.;
"In the tradition of Palestinian women writers, Asma Al-Atawna has gifted us a novel that is both personal and political, that exposes both the occupation and the patriarchy. A Long Walk from Gaza is a coming-of-age story that follows its teenage protagonist through her battles with a strict and abusive father, the exhilaration of her first crush, confrontations with occupation soldiers, and the heartbreak of leaving her home Gaza for a new life in Europe. Beginning in Europe and working backward to her own birth and early childhood, Al-Atawna's creative narration mirrors the traumas of her life and her people. A Long Walk from Gaza not only exposes the harshness of both male authority and the stifling of the dreams of girls in parallel with the devastating conditions Palestinians endure under a brutal Israeli occupation, but also the challenges of fleeing these for a cold, alienating life in Europe. Al-Atawna lays these bare within a story that also showcases moments of humor, joy, and the human capacity to survive and thrive at all costs. She skillfully weaves together the challenges of growing up in occupied Palestine while exposing the many intersections of violence, patriarchy, and growing up in a society that offers girls little to no compassion. Her teenage protagonist's feminist point of view is fresh and honest, powerfully conveying the heartbreaking truths of her life. At heart, A Long Walk from Gaza is a tale of freedom. Each of the characters is psychically wounded by their circumstances and each resists in their own way. Gaza comes to life in Al-Atawna's novel, showing a rich and diverse society-its flaws along with its beauty, showing us worlds, which are being destroyed and some of which no longer exist today"--- Subjects: Bildungsromans.; Novels.; Interpersonal relations; Male domination (Social structure); Military occupation; Palestinian Arabs; Women;
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- American mermaid : a novel / by Langbein, Julia(Art historian),author.;
"A brilliantly funny and razor-tongued debut which follows a writer lured to Los Angeles to adapt her feminist mermaid novel into a big-budget action film, who believes her heroine has come to life to take revenge for Hollywood's violations. Penelope Schleeman, a consistently broke Connecticut high school teacher, is as surprised as anyone when her sensitive debut novel, "American Mermaid"--the story of a wheelchair-bound scientist named Sylvia who discovers that her withered legs are the vestiges of a powerful tail--becomes a bestseller. Penelope soon finds herself lured to LA by promises of easy money to co-write the "American Mermaid" screenplay for a major studio with a pair of male hacks. As the studio pressures Penelope to change "American Mermaid" from the story of a fierce, androgynous eco-warrior to a teen sex object in a clam bra, strange things start to happen. Threats appear in the screenplay draft; siren calls lure people into danger. When Penelope's screenwriting partners try to kill Sylvia off entirely in a bitterly false but cinematic end, matters off the page escalate. Is Penelope losing her mind, or is Sylvia among us? American Mermaid follows a young woman braving a world of casual smiles and ruthless calculation, where she discovers a beating heart in her own fiction--a creature she'll do anything to protect. By turns both a comic and fabulously insightful tale of two female characters in search of truth, love, and self-acceptance as they move between worlds without giving up their voices"--- Subjects: Humorous fiction.; Novels.; High school teachers; Motion picture industry; Screenwriters; Women novelists;
- Available copies: 1 / Total copies: 1
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- My life, my love, my legacy / by King, Coretta Scott,1927-2006,author.; Reynolds, Barbara A.,author.;
"The life story of Coretta Scott King--wife of Martin Luther King Jr., founder of the King Center for Nonviolent Social Change, and singular twentieth-century American civil rights activist--as told fully for the first time, toward the end of her life, to one of her closest friends. Born in 1927 to daringly enterprising black parents in the Deep South, Coretta Scott had always felt called to a special purpose. One of the first black scholarship students recruited to Antioch College, a committed pacifist, and a civil rights activist, she was an avowed feminist--a graduate student determined to pursue her own career--when she met Martin Luther King Jr., a Baptist minister insistent that his wife stay home with the children. But in love and devoted to shared Christian beliefs and racial justice goals, she married King, and events promptly thrust her into a maelstrom of history throughout which she was a strategic partner, a standard bearer, a marcher, a negotiator, and a crucial fundraiser in support of world-changing achievements. As a widow and single mother of four, while butting heads with the all-male African American leadership of the times, she championed gay rights and AIDS awareness, founded the King Center for Nonviolent Social Change, lobbied for fifteen years to help pass a bill establishing the US national holiday in honor of her slain husband, and was a powerful international presence, serving as a UN ambassador and playing a key role in Nelson Mandela's election. Coretta's is a love story, a family saga, and the memoir of an independent-minded black woman in twentieth-century America, a brave leader who stood committed, proud, forgiving, nonviolent, and hopeful in the face of terrorism and violent hatred every single day of her life."--Provided by publisher.- Subjects: Biographies.; King, Coretta Scott, 1927-2006.; King, Martin Luther, Jr., 1929-1968.; African American women; Baptist women; Christian women; Civil rights workers; Social reformers; Spouses of clergy; Widows;
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- In the darkroom / by Faludi, Susan,author.;
"'In the summer of 2004 I set out to investigate someone I scarcely knew, my father. The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things--obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.' So begins Susan Faludi's extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father--long estranged and living in Hungary--had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who claimed to be "a complete woman now" connected to the silent, explosive, and ultimately violent father she had known? Faludi chases that mystery into the recesses of her suburban childhood and her father's many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful--and virulent--nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals. Faludi's struggle to come to grips with her father's reinvented self takes her across borders--historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you "choose," or is it the very thing you can't escape?"--- Subjects: Biographies.; Faludi, Susan; Authors, American; Women journalists; Fathers and daughters.; Identity (Psychology); Sex change; Male-to-female transsexuals;
- Available copies: 1 / Total copies: 1
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- Hush / by Farrow, Dylan,1985-;
"A stunning and timely debut from activist Dylan Farrow, Hush is a powerful feminist fantasy full of surprising insights, that casts a ray of light into the shadows of a society based on silencing and lies. How do you speak up in a world where propaganda is a twisted form of magic? In the land of Montane, language is literal magic to the select few who possess the gift of Telling. This power is reserved for the Bards, and, as everyone knows, the Bards have almost always been men. Seventeen-year-old Shae has lived her entire life in awe of the Bards-and afraid of the Blot, a deadly disease spread by ink, which took the life of her younger brother five years ago. Ever since, Shae fears she's cursed. But when tragedy strikes again, and her mother is found murdered with a golden dagger-a weapon used only by the Bards-Shae is forced to act. With a heart set on justice, Shae journeys to High House in search of answers. But when the kind, fatherly Cathal, the High Lord of Montane, makes Shae an undeniable offer to stay and train as a Bard, Shae can't refuse. Through this twisty tale, Shae endures backbreaking training by a ruthless female Bard, tentative and highly-forbidden feelings for a male Bard with a dark past, and a castle filled with dangerous illusions bent on keeping its secrets buried. But sometimes, the truth is closer than we think. We just have to learn to listen. "Farrow carefully crafts a layered world hiding dark secrets and gives us a fierce protagonist determined to unearth the truth-no matter the consequences. A compelling tale that's bound to grab your heart."--Swati Teerdhala, author of the Tiger at Midnight series"--Provided by publisher.LSC- Subjects: Fantasy fiction.; Teenage girls; Truthfulness and falsehood; Storytellers; Blessing and cursing; Magic; Sexism; Revenge; Diseases; Murder;
- Available copies: 1 / Total copies: 1
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- No more nice girls : gender, power, and why it's time to stop playing by the rules / by McKeon, Lauren,author.;
Includes bibliographical references and index."In the age of girl bosses, Beyoncé, and Black Widow, we like to tell our little girls they can be anything they want when they grow up, except they'll have to work twice as hard, be told to "play nice," and face countless double standards that curb their personal, political, and economic power. Today, long after the rise of girl power in the 90s, the failed promise of a female president, and the ubiquity of feminist-branded everything, women are still a surprisingly, depressingly long way from gender and racial equality. It's worth asking: Why do we keep trying to win a game we were never meant to play in the first place? Award-winning journalist and author Lauren McKeon examines the varied ways in which our institutions are designed to keep women and other marginalized genders at a disadvantage and shows us why we need more than parity, visible diversity, and lone female CEOs to change this power game. She uncovers new models of power-- ones the patriarchy doesn't get to define-- by talking to lawyers insisting on gender-neutral change rooms in courthouses, programmers creating apps to track the breakdown of men and women being quoted in the news media, educators illustrating tampon packaging with pictures of black bodies, mixed martial artists teaching young girls self-empowerment, entrepreneurs prioritizing trauma-informed office cultures, and many other women doing power differently. As the toxic, divisive, and hyper-masculine style of leadership gains ground, threatening democracy here and abroad, McKeon underscores why it's time to stop playing by the rules of a rigged game. No More Nice Girls charts a hopeful and potent path forward for how to disrupt the standard (very male) vision of power, ditch convention, and build a more equitable world for everyone."--- Subjects: Equality.; Feminism.; Power (Social sciences); Sex discrimination against women.; Social control.; Women; Women's rights.;
- Available copies: 1 / Total copies: 1
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- Contesting intersex : the dubious diagnosis / by Davis, Georgiann,author.;
Includes bibliographical references and index."When sociologist Georgiann Davis was a teenager, her doctors discovered that she possessed XY chromosomes, marking her as intersex. Rather than share this information with her, they withheld the diagnosis in order to 'protect' the development of her gender identity; it was years before Davis would see her own medical records as an adult and learn the truth. Davis' experience is not unusual. Many intersex people feel isolated from one another and violated by medical practices that support conventional notions of the male/female sex binary which have historically led to secrecy and shame about being intersex. Yet, the rise of intersex activism and visibility in the US has called into question the practice of classifying intersex as an abnormality, rather than as a mere biological variation. This shift in thinking has the potential to transform entrenched intersex medical treatment. In Contesting Intersex, Davis draws on interviews with intersex people, their parents, and medical experts to explore the oft-questioned views on intersex in medical and activist communities, as well as the evolution of thought in regards to intersex visibility and transparency. She finds that framing intersex as an abnormality is harmful and can alter the course of one's life. In fact, controversy over this framing continues, as intersex has been renamed a 'disorder of sex development' throughout medicine. This happened, she suggests, as a means for doctors to reassert their authority over the intersex body in the face of increasing intersex activism in the 1990s and feminist critiques of intersex medical treatment. Davis argues the renaming of 'intersex' as a 'disorder of sex development' is strong evidence that the intersex diagnosis is dubious. Within the intersex community, though, disorder of sex development terminology is hotly disputed; some prefer not to use a term which pathologizes their bodies, while others prefer to think of intersex in scientific terms. Although terminology is currently a source of tension within the movement, Davis hopes intersex activists and their allies can come together to improve the lives of intersex people, their families, and future generations. However, for this to happen, the intersex diagnosis, as well as sex, gender, and sexuality, needs to be understood as socially constructed phenomena"--- Subjects: Intersex people.; Intersexuality; Sexual disorders.;
- Available copies: 1 / Total copies: 1
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- This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--- Subjects: Essays.; Misogyny.; Music.; Women musicians.;
- Available copies: 1 / Total copies: 1
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Results 11 to 18 of 18 | « previous