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- Rebel girl : my life as a feminist punk / by Hanna, Kathleen,1968-author.;
"An electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre. Hey girlfriend I got a proposition, goes something like this: Dare ya to do what you want. Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the '90s and beyond. Her band Bikini Kill embodies this iconic time, and today her personal yet feminist lyrics on anthems like "Rebel Girl" and "Double Dare Ya" are more powerful than ever. But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes clear, being in a "girl band," especially a punk girl band, in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination. But the relationships she developed during those years buoyed her -- including with her bandmates, Tobi Vail, Kathi Wilcox, and Johanna Fateman; her friendships with Kurt Cobain and Ian MacKaye; and her introduction to Joan Jett -- were all a testament to how the punk world could nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful-and how it continues to fuel her revolutionary art and music"--- Subjects: Biographies.; Autobiographies.; Hanna, Kathleen, 1968-; Bikini Kill (Musical group); Tigre (Punk rock group); Punk rock musicians; Riot grrrl movement.; Singers; Women punk rock musicians;
- Available copies: 1 / Total copies: 1
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- Ride along. [videorecording] / by Ice Cube(Musician),producer,actor.; Bratt, Benjamin,1963-; Hart, Kevin,1979-actor.; Jeong, Ken,1969-; McGill, Bruce,1950-; Munn, Olivia,1980-; Story, Tim,film director.; Sumpter, Tika,actor.; Universal Studios Home Entertainment (Firm);
Ice Cube, Kevin Hart, Tika Sumpter, Benjamin Bratt, Olivia Munn.Police rookie Ben accompanies his soon-to-be brother-in-law James to Miami on a lead that threatens both the case James is working on and Ben's upcoming wedding.Canadian Home Video Rating: PG.Blu-ray disc (requires Blu-ray player for playback) ; anamorphic widescreen format (1.85:1 aspect ratio); DTS-HD Master Audio 5.1, DTS-HD Digital surround 5.1, DVS 2.0.- Subjects: Action and adventure films.; Comedy films.; Feature films.; Criminal investigation; Fiancés; Male friendship; Man-woman relationships; Police; Police;
- For private home use only.
- Available copies: 1 / Total copies: 1
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- 21 Jump Street [videorecording] / by Ice Cube(Musician); Bacall, Michael.; Cannell, Stephen J.; Davis, DeRay.; Franco, David,1985-; Hasburgh, Patrick.; Hill, Jonah,1983-; Larson, Brie,1989-; Lord, Phil,1977-; Miller, Chris,1975-; Moritz, Neal H.; Mothersbaugh, Mark.; Riggle, Rob.; Tatum, Channing.; Cannell Studios (Firm); Columbia Pictures Industries.; Original Film (Firm); Relativity Media.;
Music, Mark Mothersbaugh ; editor, Joel Negron ; director of photography, Barry Peterson.Channing Tatum, Jonah Hill, Brie Larson, David Franco, Rob Riggle, Deray Davis, Ice Cube.Schmidt (Hill) and Jenko (Tatum) have the kind of faces that could let them pass for teenagers. Eager to prove themselves as effective policemen, the pair join the Jump Street program and go undercover to investigate a high-school drug ring. Now, the only thing more daunting than the prospect of taking on violent adolescent dope slingers is the possibility of experiencing the torture of their teenage years all over again.Canadian Home Video Rating: 14A.DVD ; NTSC, region 1, anamorphic widescreen presentation (2.40:1), Dolby Digital.- Subjects: Action and adventure films.; Comedy films.; Drug dealers; Feature films.; High school students; Male friendship; Undercover operations; Video recordings for the hearing impaired.;
- © c2012., Columbia Pictures Industries,
- Available copies: 1 / Total copies: 1
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- This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--- Subjects: Essays.; Misogyny.; Music.; Women musicians.;
- Available copies: 1 / Total copies: 1
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- Rumble fish [videorecording] / by Claybourne, Doug,film producer.; Coppola, Francis Ford,1939-film director.; Dillon, Matt,actor.; Lane, Diane,actor.; Rourke, Mickey,actor.; Criterion Collection (Firm),film distributor.;
Music, Stewart Copeland.Matt Dillon, Mickey Rourke, Diane Lane.The second of Francis Ford Coppola's films based on the popular juvenile novels of S.E. Hinton (the first being The Outsiders), Rumble Fish split critics into opposite camps: those who admired the film for its heavily stylized indulgence, and those who hated it for the very same reason. Whatever the response, it's clearly the work of a maverick director who isn't afraid to push the limits of his innovative talent. Filmed almost entirely in black and white with an occasional dash of color for symbolic effect, this tale of alienated youth centers on gang leader Rusty James (Matt Dillon) and his band of punk pals. Rusty's got a girlfriend (Diane Lane), an older brother named Motorcycle Boy (Mickey Rourke), and a drunken father (Dennis Hopper) who've all given up trying to straighten him out. He's best at making trouble, and he pursues that skill with an enthusiastic flair that eventually catches up with him. But it's not the whacked-out story here that matters--it's the uninhibited verve of Coppola's visual approach, which includes everything from time-lapse clouds to the kind of smoky streets and alleyways that could only exist in the movies. The supporting cast includes a host of fresh faces who went on to thriving careers, including Nicolas Cage, Christopher Penn, Vincent Spano, Laurence Fishburne, and musician Tom Waits.Canadian Home Video Rating: 14A.MPAA rating: R.DVD ; widescreen presentation ; Dolby Digital 2.0.- Subjects: Feature films.; Brothers; Gangs; Male friendship;
- For private home use only.
- Available copies: 1 / Total copies: 1
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Results 11 to 15 of 15 | « previous