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In pain : a bioethicist's personal struggle with opioids / by Rieder, Travis N.,author.;
Includes bibliographical references and index.A bioethicist's eloquent and riveting memoir of opioid dependence and withdrawal - a harrowing personal reckoning and clarion call for change not only for government but medicine itself, revealing the lack of crucial resources and structures to handle this insidious nationwide epidemic. Travis Rieder's terrifying journey down the rabbit hole of opioid dependence began with a motorcycle accident in 2015. Enduring half a dozen surgeries, the drugs he received were both miraculous and essential to his recovery. But his most profound suffering came several months later when he went into acute opioid withdrawal while following his physician's orders. Over the course of four excruciating weeks, Rieder learned what it means to be "dope sick" - the physical and mental agony caused by opioid dependence. Clueless how to manage his opioid taper, Travis's doctors suggested he go back on the drugs and try again later. Yet returning to pills out of fear of withdrawal is one route to full-blown addiction. Instead, Rieder continued the painful process of weaning himself. Rieder's experience exposes a dark secret of American pain management: a healthcare system so conflicted about opioids, and so inept at managing them, that the crisis currently facing us is both unsurprising and inevitable. As he recounts his story, Rieder provides a fascinating look at the history of these drugs first invented in the 1800s, changing attitudes about pain management over the following decades, and the implementation of the pain scale at the beginning of the twenty-first century. He explores both the science of addiction and the systemic and cultural barriers we must overcome if we are to address the problem effectively in the contemporary American healthcare system. In Pain is not only a gripping personal account of dependence, but a groundbreaking exploration of the intractable causes of America's opioid problem and their implications for resolving the crisis. Rieder makes clear that the opioid crisis exists against a backdrop of real, debilitating pain-and that anyone can fall victim to this epidemic.
Subjects: Rieder, Travis N.; Opioid abuse; Opioid abuse; Drug addiction; Pain;
Available copies: 1 / Total copies: 1
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Why we drive : toward a philosophy of the open road / by Crawford, Matthew B.,author.;
Includes bibliographical references and index.From the author of the landmark Shop Class as Soulcraft, a brilliant, first-of-its-kind celebration of driving as a unique pathway of human freedom, one now critically threatened by automation. Once we were drivers, the open road alive with autonomy, adventure, danger, trust, and speed. Today we are as likely to be in the back seat of an Uber as behind the wheel ourselves. Tech giants are hurling us toward a shiny, happy "self-driving" future, selling utopia but equally keen to advertise to a captive audience strapped into another expensive device. Are we destined, then, to become passengers, not drivers? Why We Drive reveals that much more may be at stake than we might think. Ten years ago, in the New York Times-bestselling Shop Class as Soulcraft, philosopher-mechanic Matthew B. Crawford--a University of Chicago PhD who owned his own motorcycle shop--made a revolutionary case for manual labor, one that ran headlong against the pretentions of white-collar office work. Now, using driving as a window through which to view the broader changes wrought by technology on all aspects of contemporary life, Crawford investigates the driver's seat as one of the few remaining domains of skill, exploration, play--and freedom. Blending philosophy and hands-on storytelling, Crawford grounds the narrative in his own experience in the garage and behind the wheel, recounting his decade-long restoration of a vintage Volkswagen as well as his journeys to thriving automotive subcultures across the country. Crawford leads us on an irreverent but deeply considered inquiry into the power of faceless bureaucracies, the importance of questioning mindless rules, and the battle for democratic self-determination against the surveillance capitalists. A meditation on the competence of ordinary people, Why We Drive explores the genius of our everyday practices on the road, the rewards of "folk engineering," and the existential value of occasionally being scared shitless. Witty and ingenious throughout, Why We Drive is a rebellious and daring celebration of the irrepressible human spirit.
Subjects: Crawford, Matthew B.; Automated vehicles; Technological innovations; Automobile driving;
Available copies: 1 / Total copies: 1
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Letters / by Sacks, Oliver,1933-2015,author.; Edgar, Kate(Editor),editor.;
Includes bibliographical references and index."The letters of one of the greatest observers of the human species, revealing his intimate thoughts on life and work, friendship and art, medicine and society, and the richness of his relationships with friends, family and scientists over the decades. A prolific correspondent, Dr. Oliver Sacks -- who describes himself variously in these pages as "a philosophical physician," "an astronomer of the inward," a "neuropathological Talmudist," and "a consummate observer" with "a pure love for phenomena" -- wrote letters throughout his life to his parents, his beloved Aunt Lennie, to friends and colleagues from London, Oxford, California, and around the world. The pages begin with his arrival in America as a young man, eager to establish himself away from the confines of postwar England, and carry us through his bumpy early career in medicine and the discovery of his writer's voice and métier; his weightlifting, motorcycle-riding years and his explosive seasons of discovery with the patients who populate his book Awakenings; his growing interest in matters of sight and the musical brain; his many friendships and exchanges with fellow writers, artists and scientists (to say nothing of astronauts, botanists, and mathematicians), and his deep gratitude for all these relationships at the end of his life. From Francis Crick and Jane Goodall to W. H. Auden and Susan Sontag, from lovers to patients, and ordinary folk who wrote to him with their odd symptoms and questions, all are treated equally to Sacks's lyrical, ferocious, penetrating and at times hilarious observations. His musings often contain the first detailed sketches of an essay forming in his mind. Sensitively introduced and edited by Kate Edgar, Sacks's longtime assistant (and one of his correspondents), the letters deliver a complete portrait of Sacks as he wrestles with the workings of the brain and mind. We see, through his eyes, the beginnings of modern neuroscience as it unlocks many secrets of how the human brain defines us. We experience the arc of a remarkable personal evolution, closely following the thought processes of one of the twentieth century's great intellectuals, whose life was long and productive and whose words, as evidenced in these pages, were unfailingly shaped with generosity and wonder toward other people"--
Subjects: Biographies.; Autobiographies.; Personal correspondence.; Personal narratives.; Sacks, Oliver, 1933-2015; Sacks, Oliver, 1933-2015; Neurologists;
Available copies: 1 / Total copies: 1
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Pain killer : a memoir of big league addiction / by Myhres, Brantt,1974-author.;
"From the only player to be banned for life from the NHL, a harrowing tale of addiction, and an astonishing path to recovery. Brantt Myhres wasn't around for the birth of his daughter. Myhres had played for seven different NHL teams, and had made millions. But he'd been suspended four times, all for drug use, and he had partied his way out of the league. By the time his daughter was born, he was penniless, sleeping on a friend's couch. He'd just been released from police custody. He had a choice between sticking around for the birth, and showing up for league-mandated rehab. He went to rehab. For the fifth time. This is his story, in his own words, of how he fought his way out of minor hockey into the big league, but never left behind the ghosts of a bleak and troubled childhood. He tells the story of discovering booze as a way of handling the anxiety of fighting, and of the thrill of cocaine. In the raw language of the locker room, he tells of how substance abuse poisoned the love he had in his life, and sabotaged a great career. Full of stories of week-long benders and stripper-filled hot tubs, motorcycle crashes and barroom brawls, Playing Guilty is at its most powerful when Myhres acknowledges how he let himself down, and betrayed those who trusted him. Again and again, he fools the executives and doctors who tried to give him a second chance, then a third, then a fourth, and with each betrayal, he spirals further downward. But finally, on the eve of his daughter's birth, when all the money was gone, every bridge burnt, and every opportunity squandered, he was given a last chance. And this time, it worked. It worked so well, that not only has he been around for his daughter for the past eleven years, he was signed by the LA Kings as a "sober coach": a guy who'd been there, a guy who could recognize and help solve problems before they ruined lives and made headlines (as the Kings had seen happen three times that one season). Not only did Myhres save himself, he saved others. Unpolished, unpretentious, and unflinching, Myhres tells it like it is, acknowledging every mistake, and painting a portrait of an angry, violent, dangerous man caught in the vice of something he couldn't control, and didn't understand. If Brantt Myhres can pull himself together, anyone can. And he does, convincingly, and inspiringly."--
Subjects: Biographies.; Autobiographies.; Myhres, Brantt, 1974-; Myhres, Brantt, 1974-; Myhres, Brantt, 1974-; Hockey players; Recovering addicts;
Available copies: 1 / Total copies: 1
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MoreBikes
Mode of access: Internet.
Subjects: Automotive;
© , Mortons Media Group Ltd.
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Get a life, Chloe Brown : a novel / by Hibbert, Talia,author.;
"Chloe Brown is a chronically ill computer geek with a goal, a plan, and a list. After almost-- but not quite-- dying, she's come up with seven directives to help her "get a life," and she's already completed the first: finally moving out of her glamorous family's mansion. The next items? Enjoy a drunken night out; Ride a motorcycle; Go camping; Have meaningless but thoroughly enjoyable sex; Travel the world with nothing but hand luggage; and ... do something bad. But it's not easy being bad, even when you've written step-by-step guidelines on how to do it correctly. What Chloe needs is a teacher, and she knows just the man for the job. Redford 'Red' Morgan is a handyman with tattoos, a motorcycle, and more sex appeal than ten thousand Hollywood heartthrobs. He's also an artist who paints at night and hides his work in the light of day, which Chloe knows because she spies on him occasionally. Just the teeniest, tiniest bit. But when she enlists Red in her mission to rebel, she learns things about him that no spy session could teach her. Like why he clearly resents Chloe's wealthy background. And why he never shows his art to anyone. And what really lies beneath his rough exterior ..."-- Page [4] of cover.
Subjects: Romance fiction.; Man-woman relationships; Chronically ill; Rich people; Young women; Social classes;
Available copies: 1 / Total copies: 1
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La fille à moto / by Novesky, Amy.; Morstad, Julie.; Britt, Fanny.;
LSC
Subjects: Dautheville, Anne France; Dautheville, Anne France; Femmes motocyclistes; Mototourisme; Voyages autour du monde; Women motorcyclists; Motorcycle touring; Voyages around the world;
Available copies: 1 / Total copies: 1
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Muy bien, Fergus! / by Shannon, David,1959-;
Except for his bath, Fergus experiences the perfect doggy day, from chasing cats and motorcycles to being scratched on his favorite tickle spot.LSC
Subjects: West Highland white terrier; Dogs;
© c2006., Scholastic Inc.,
Available copies: 1 / Total copies: 1
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Mascarade. by Bedos, Nicolas,film director.; Cluzet, François,actor.; Adjani, Isabelle,actor.; Vacth, Marine,actor.; Niney, Pierre,actor.; Sphere Films (Firm),dst; Kanopy (Firm),dst;
François Cluzet, Isabelle Adjani, Marine Vacth, Pierre NineyOriginally produced by Sphere Films in 2022.Adrien, an attractive dancer whose career was shattered by a motorcycle accident, squanders his youth in idleness. His life changes when he meets Margot, who lives off scams and amorous manipulations.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Comedy.; Crime.;
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I'm still here [videorecording] / by Mello, Selton,1972-actor.; Montenegro, Fernanda,actor.; Salles, Walter,film director.; Torres, Fernanda,1965-actor.; Sony Pictures Home Entertainment (Firm),publisher.;
Fernanda Torres, Selton Mello, Fernanda Montenegro, Antonio Saboia, Guiherme Silveira, Valentina Herszage, Maria Manoella, Marjorie Estiano.While Brazil faces the tightening grip of a military dictatorship, Eunice Paiva, a mother of five, is forced to reinvent herself and her family, resisting the oppression that hangs over the country. From the acclaimed director of Central Station and The Motorcycle Diaries, Walter Salles and based on Marcelo Rubens Paiva's memoir, this story portrays an important part of Brazil's hidden history.Canadian Home Video Rating: PG.MPAA rating: PG-13; for smoking, drug use, brief nudity, some strong language, and thematic content.Subtitled for the deaf and hard-of-hearing (SDH).DVD ; wide screen presentation ; Dolby Digital 5.1.
Subjects: Video recordings for the hearing impaired.; Motion pictures, Portuguese.; Motion pictures, Brazilian.; Foreign films.; Fiction films.; Feature films.; Biographical films.; Political films.; Paiva, Marcelo Rubens; Paiva, Marcelo Rubens; Mothers; Man-woman relationships; Families; Dictatorships;
For private home use only.
Available copies: 0 / Total copies: 1
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