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Country music. [videorecording] : a film by Ken Burns / by Acuff, Roy,on-screen participant.; Autry, Gene,1907-1998,on-screen participant.; Burns, Ken,1953-film director,film producer.; Cash, Johnny,on-screen participant.; Charles, Ray,1918-2015,on-screen participant.; Cline, Patsy,1932-1963,on-screen participant.; Coyote, Peter,narrator.; Duncan, Dayton,screenwriter.; Flatt, Lester,on-screen participant.; Monroe, Bill,1911-1996,on-screen participant.; Presley, Elvis,1935-1977,on-screen participant.; Rodgers, Jimmie,1897-1933,on-screen participant.; Scruggs, Earl,on-screen participant.; Williams, Hank,1923-1953,on-screen participant.; Wills, Bob,1905-1975,on-screen participant.; Carter Family (Musical group),on-screen participant.; Public Broadcasting Service (U.S.),production company,broadcaster.; PBS Distribution (Firm),distributor.;
Edited by Erik Ewers, Craig Mellish, Ryan Gifford, Margaret Shepardson-Legere ; cinematography, Buddy Squires.Narrated by Peter Coyote ; featuring the Carter Family, Jimmie Rodgers, Gene Autry, Bob Wills, Roy Acuff, Bill Monroe, Lester Flatt, Earl Scruggs, Hank Williams, Elvis Presley, Johnny Cash, Ray Charles, Patsy Cline, and others.Ken Burns chronicles the history of a uniquely American art form, rising from the experiences of remarkable people in distinctive regions of the nation. From its roots in ballads, hymns, and the blues to its mainstream popularity, meet the unforgettable characters and storytellers who made it 'America's Music.' Viewers will follow the evolution of country music over the course of the twentieth century as it eventually emerged to become America's music.E.DVD ; widescreen presentation ; Dolby Digital 5.1, 2.0 DVS.
Subjects: Nonfiction television programs.; Television mini-series.; Documentary television programs.; Historical television programs.; Video recordings for the hearing impaired.; Video recordings for people with visual disabilities.; Country music;
For private home use only.
Available copies: 1 / Total copies: 1
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Detroit rock city : the uncensored history of rock 'n' roll in America's loudest city / by Miller, Steve,1957 September 24-;
Black sheep (1965-1972). Respect ; Playground of noise ; "You can't be a leader on LSD" ; "Mitch Ryder, eat shit" ; "I'm no statesman, I'm no general" ; "They didn't call them the Stooges for nothing" ; Riots in the Motor City ; Here's new pretties for you ; America's only rock 'n roll magazine ; "What happens in Detroit, stays in Detroit" ; In Detroit, Woodstock was the weak shit ; Fist fights and gang rapes ; Drugs hate you -- Gimmie some action (1973-1981). New York : "none of these people have seen shit" ; Stranglehold ; Mongrel ; Creem : 'they're no good since Lester Bangs left" ; You're gonna die ; Sweet nothin' ; Nothin' to do in Detroit ; The voice box and first in line ; No hands clapping ; "You're not punk rock" -- The big three killed my baby (1981-2000). Vengeance ; Face forward ; Punk rock sucks ; Don Kirshner of Detroit ; Mutiny in hardcore ; You just can't win ; Cool American ; MC5. Are they from Detroit? Fresh blood and garage innocence ; "Warm beer and bestiality go together" ; I'm hell ; On the corner ; The same boy you've always known ; "It was raining faggots on me" ; Devil with a cause ; Aspiring and achieving lowly dreams.
Subjects: Rock music; Rock musicians;
Available copies: 1 / Total copies: 1
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The holy or the broken : Leonard Cohen, Jeff Buckley, and the unlikely ascent of "Hallelujah" / by Light, Alan.;
Discography: p. [237]-240.LSC
Subjects: Cohen, Leonard, 1934- Hallelujah.; Buckley, Jeff, 1966-1997.; Popular music;
© 2012., Atria Books,
Available copies: 1 / Total copies: 1
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OUTLAW : Waylon, Willie, Kris, and the Renegades of Nashville / by Streissguth, Michael.;
Includes bibliographical references and index.The newcomers -- Nashville sounds -- Let a flower be a flower -- Nothing left to lose -- With purpose down there -- The West End watershed -- Hillbilly Central -- Burger Boy outlaws -- Between worlds -- Wanted! -- Third Coast -- Ain't living long like this."A definitive look at the outlaw country music movement, TO BEAT THE DEVIL follows the stories of three legendary icons - Willie Nelson, Waylon Jennings, and Kris Kristofferson - as they redefined country music in the late '60s and early '70s, set in the rich backdrop of Nashville"--Provided by publisher.
Subjects: Jennings, Waylon.; Kristofferson, Kris.; Nelson, Willie, 1933-; Country music;
Available copies: 1 / Total copies: 1
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Burning down the house : Talking Heads and the New York scene that transformed rock / by Gould, Jonathan,1951-author.;
Includes bibliographical references and index.""Psycho Killer." "Take Me to the River." "Road to Nowhere." Few artists have had the lasting impact and relevance of Talking Heads. One of the foundational bands of downtown New York's 1970s music scene, Talking Heads have endured as a musical and cultural force for decades, their unique brand of transcendent, experimental rock a lingering influence on popular music -- despite having disbanded over thirty years ago. Now on the 50th anniversary of the band's formation, acclaimed music biographer and contributor to The New Yorker Jonathan Gould offers the definitive story of Talking Heads -- a band whose sound, fame, and legacy forever connected the avant-garde to rock music. From their art school origins, to the enigma of David Byrne, to the internal tensions that ultimately brought them down, Gould tells the story of a band that emerged back when rock music was still young and unwittingly redefined the era's expectations of what a rock band could sound, look, and act like. At a time when guitar solos, lead singer swagger, and sweaty stadium tours reigned supreme, Talking Heads were pretentious, awkward, infectious, distinctive -- most comfortable on the ragged stages of the East Village where they could make art for themselves, above all else. More than just a biography of a band, Gould masterfully captures the singular time and place that incubated and nurtured this original music -- downtown in the 1970s -- that much romanticized, little understood moment in New York City history when art, music, and commerce uneasily collided to cement the post-Woodstock generation of rock stars, often with messy results. What emerges is an expansive portrait of a band and a scene that permanently shifted the horizons of popular music, iconoclasts that pushed the cultural fringe into the mainstream and then burned down the house"--
Subjects: Biographies.; Personal narratives.; Talking Heads (Musical group); New wave musicians; Rock musicians; New wave music; Rock music; Rock music;
Available copies: 1 / Total copies: 1
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Her country : how the women of country music became the success they were never supposed to be / by Moss, Marissa R.,author.;
Includes bibliographical references."Her Country is veteran Nashville journalist Marissa R. Moss's story of how in the past two decades, country's women fought back against systems designed to keep them down, armed with their art and never willing to just shut up and sing: how women like Kacey Musgraves, Mickey Guyton, Maren Morris, The Chicks, Miranda Lambert, Rissi Palmer, Brandy Clark, LeAnn Rimes, Brandi Carlile, Margo Price and many more have reinvented the rules to find their place in an industry stacked against them, how they've ruled the century when it comes to artistic output--and about how women can and do belong in the mainstream of country music, even if their voices aren't being heard as loudly"--
Subjects: Country music; Country music; Sex role in music.; Women country musicians; Women singers;
Available copies: 1 / Total copies: 1
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Bob Dylan in America / by Wilentz, Sean.;
Includes bibliographical references, discography and index.
Subjects: Dylan, Bob, 1941-; Popular music; Rock music; Rock musicians; Singers;
© c2010., Doubleday,
Available copies: 1 / Total copies: 1
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Jay-Z : made in America / by Dyson, Michael Eric,author.; Dyson, Everett,illustrator.; Williams, Pharrell,writer of foreword.;
Includes bibliographical references.JAY-Z: Made in America is the fruit of Michael Eric Dyson's decade of teaching the work of one of the greatest poets this nation has produced, as gifted a wordsmith as Walt Whitman, Robert Frost and Rita Dove. But as a rapper, he's sometimes not given the credit he deserves for just how great an artist he's been for so long. This book wrestles with the biggest themes of JAY-Z's career, including hustling, and it recognizes the way that he's always weaved politics into his music, making important statements about race, criminal justice, black wealth and social injustice. As he enters his fifties, and to mark his thirty years as a recording artist, this is the perfect time to take a look at JAY-Z's career and his role in making this nation what it is today. In many ways, this is JAY-Z's America as much as it's Pelosi's America, or Trump's America, or Martin Luther King's America. JAY-Z has given this country a language to think with and words to live by.
Subjects: Biographies.; Jay-Z, 1969-; Rap musicians; Rap (Music);
Available copies: 1 / Total copies: 1
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We Oughta Know How Céline, Shania, Alanis, and Sarah Ruled the ’90s and Changed Music [electronic resource] : by Warner, Andrea.aut; Shraya, Vivek.; cloudLibrary;
A lively collection of essays that re-examines the extraordinary legacies of the four Canadian women who dominated ’90s music and changed the industry forever Fully revised and updated, with a foreword by Vivek Shraya “A fascinating, fun, and infuriating read.” — Tegan Quin, Tegan and Sara In this of-the-moment essay collection, celebrated music journalist Andrea Warner explores the ways in which Céline Dion, Shania Twain, Alanis Morissette, and Sarah McLachlan became bonafide global superstars while revolutionizing ’90s music. In an era when male-fronted musical acts dominated radio and were given serious critical consideration, these four women were reduced, mocked, and disparaged by the media and became pop culture jokes, even as their albums were topping the charts and demolishing sales records. With empathy, humor, and reflections on her own teenaged perceptions of Céline, Shania, Alanis, and Sarah, Andrea offers us a revised and expanded edition of her 2015 book, providing a new perspective on the legacies of the four Canadian women who dominated the ’90s airwaves and influenced an entire generation of current day popstars with their voices, fashion, and advocacy. As the world is now reconsidering the treatment and reputations of key women in ’90s entertainment, We Oughta Know is definitively entering the chat.General adult.
Subjects: Electronic books.; History & Criticism; Pop Vocal; Women's Studies; Popular Culture;
© 2024., ECW Press,
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Massey Hall / by McPherson, David(Music journalist),author.; Arden, Jann,writer of foreword.;
Includes bibliographical references and index."The fascinating story of Canada's most revered concert hall and the myriad artists who have graced its stage. Known for its intimacy and sense of occasion, a night at Toronto's Massey Hall is magical for both audiences and performers. For many musicians, playing the Hall is the surest sign that they have made it. Looking out over the crowd, performers often comment on the intimacy of the venue and the sense of joining history as they stand on the stage where Sarah Vaughan, Miles Davis, Bob Dylan, and so many other legends have stood. Based on scores of interviews and meticulous research, Massey Hall: An Enduring Legacy chronicles not only the historical and musical moments of the past century, but the community of artists and supporters that has built up around the hall over the years. Covering both emerging artists such as Shakura S'Aida and William Prince and musical giants from Nana Mouskouri to the Tragically Hip, this full colour book is a celebration of music, community, and our shared cultural heritage."--
Subjects: Massey Hall (Toronto, Ont.); Concerts; Music;
Available copies: 1 / Total copies: 1
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