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- River of the gods : genius, courage, and betrayal in the search for the source of the Nile / by Millard, Candice,author.;
Includes bibliographical references and index."From the New York Times bestselling author of RIVER OF DOUBT and DESTINY OF THE REPUBLIC, the stirring story of one of the great feats of exploration of all time, and its complicated legacy The Nile River is the longest in the world. Its fertile floodplain allowed for rise to the great civilization of ancient Egypt, but for millennia the location of its headwaters was shrouded in mystery. Pharaonic and Roman attempts to find it were stymied by a giant labyrinthine swamp, and subsequent expeditions got nofurther. In the 19th century, the discovery and translation of the Rosetta Stone set off a frenzy of interest in ancient Egypt. At the same time, European powers sent off waves of explorations intended to map the unknown corners of the globe - and extendtheir colonial empires. Two British men - Richard Burton and John Hanning Speke - were sent by the Royal Geographical Society to claim the prize for England. Burton was already famous for being the first non-Muslim to travel to Mecca, disguised as an Arab chieftain. He spoke twenty-nine languages, was a decorated soldier, and literally wrote the book on sword-fighting techniques for the British Army. He was also mercurial, subtle, and an iconoclastic atheist. Speke was a young aristocrat and Army officerdetermined to make his mark, passionate about hunting, Burton's opposite in temperament and beliefs. From the start the two men clashed, Speke chafing under Burton's command and Burton disapproving of Speke's ignorance of the people whose lands through which they traveled. They would endure tremendous hardships, illness, and constant setbacks. Two years in, deep in the African interior, Burton became too sick to press on, but Speke did, and claimed he found the source in a great lake that he christened Lake Victoria. When they returned to England, Speke rushed to take credit, disparaging Burton. Burton disputed his claim, and Speke launched another expedition to Africa to prove it. The two became venomous enemies, with the public siding with the more charismatic Burton, to Speke's great envy. The day before they were to publicly debate, Speke shot himself. Yet there was a third man on both expeditions, his name obscured by imperial annals, whose exploits were even more extraordinary. This was Sidi Mubarak Bombay, who was enslaved and shipped from his home village in East Africa to India. When the man who purchased him died, he made his way into the local Sultan's army, and eventually traveled back to Africa, where he used his resourcefulness, linguisticprowess and raw courage to forge a living as a guide. Without his talents, it is likely that neither Englishman would have come close to the headwaters of the Nile, or perhaps even survived. In RIVER OF THE GODS Candice Millard has written another peerless story of courage and adventure, set against the backdrop of the race to exploit Africa by the colonial powers"--- Subjects: Bombay, Sidi Mubarak; Burton, Richard Francis, Sir, 1821-1890; Speke, John Hanning, 1827-1864; Explorers;
- Available copies: 1 / Total copies: 1
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- The last girl : my story of captivity, and my fight against the Islamic State / by Murad, Nadia,author.; Clooney, Amal,writer of foreword.;
"In this intimate memoir of survival, a former captive of the Islamic State tells her harrowing and ultimately inspiring story. Nadia Murad was born and raised in Kocho, a small village of farmers and shepherds in northern Iraq. A member of the Yazidi community, she and her brothers and sisters lived a quiet life. Nadia had dreams of becoming a history teacher or opening her own beauty salon. On August 15th, 2014, when Nadia was just twenty-one years old, this life ended. Islamic State militants massacred the people of her village, executing men who refused to convert to Islam and women too old to become sex slaves. Six of Nadia's brothers were killed, and her mother soon after, their bodies swept into mass graves. Nadia was taken to Mosul and forced, along with thousands of other Yazidi girls, into the ISIS slave trade. Nadia would be held captive by several militants and repeatedly raped and beaten. Finally, she managed a narrow escape through the streets of Mosul, finding shelter in the home of a Sunni Muslim family whose eldest son risked his life to smuggle her to safety. Today, Nadia's story--as a witness to the Islamic State's brutality, a survivor of rape, a refugee, a Yazidi--has forced the world to pay attention to the ongoing genocide in Iraq. It is a call to action, a testament to the human will to survive, and a love letter to a lost country, a fragile community, and a family torn apart by war"--- Subjects: Biographies.; Murad, Nadia.; IS (Organization); Detention of persons; Human rights workers; Prisoners; Women and war; Women; Yezidis;
- Available copies: 1 / Total copies: 1
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- Every valley : the desperate lives and troubled times that made Handel's Messiah / by King, Charles,1967-author.;
Includes bibliographical references and index."The epic, dramatic story of the 18th century men and women behind the making of Handel's Messiah, one of the world's most beloved works of classical music, from a New York Times bestselling historian and National Book Critics Circle Award finalist. George Frideric Handel's Messiah is arguably the greatest piece of participatory art ever created. Adored by millions, it is performed each year by renowned choirs and orchestras as well as by fans singing along to the lyrics on their cell phones. But this work of triumphant joy was born in an age of anxiety. Britain in the early eighteenth century, the so-called age of Enlightenment, was a time of war, enslavement, political conspiracy, social polarization, and conflicts over everything from the legitimacy of government to the meaning of truth. Contrary to popular belief, the Messiah was not the product of a lone genius scribbling furiously on a musical staff. It came about because of a depressive political dissenter; an actress plagued by an abusive husband; an Atlantic sea captain and penniless philanthropist; an African Muslim man held captive in the American colonies; and Handel himself, once composer to kings but, at midlife, in ill health and straining to keep an audience's attention. Set amid royal intrigue and theatrical scandal, and exploring the rich ideas of its day, Every Valley is a cinematic drama of the entangled lives that shaped a masterpiece"--- Subjects: Biographies.; Personal narratives.; Handel, George Frideric, 1685-1759; Handel, George Frideric, 1685-1759.; Handel, George Frideric, 1685-1759.;
- Available copies: 1 / Total copies: 1
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