Results 191 to 194 of 194 | « previous
- The star [videorecording] / by Reckart, Timothy,film director.; Magee-Cook, Jennifer,film producer.; Kotkin, Carlos,screenwriter.; Yeun, Steven,voice actor.; Rodriguez, Gina,1984-voice actor.; Levi, Zachary,1980-voice actor.; Key, Keegan-Michael,1971-voice actor.; Affirm Films,presenter.; Sony Pictures Animation (Firm),presenter,production company.; Sony Pictures Home Entertainment (Firm),publisher.;
Music, John Paesano.Steven Yeun, Gina Rodriguez, Zachary Levi, Keegan-Michael Key, Kelly Clarkson, Anthony Anderson, Aidy Bryant, Ving Rhames, Gabriel Iglesias, Patricia Heaton, Kristen Chenoweth, Christopher Plummer, Tracy Morgan, Tyler Perry, Oprah Winfrey.A small but brave donkey and his animal friends become the unsung heroes of the first Christmas.Canadian Home Video Rating: G.DVD ; widescreen presentation ; Dolby Digital 5.1.
- Subjects: Video recordings for people with visual disabilities.; Christmas films.; Children's films.; Religious films.; Feature films.; Donkeys; Animals; Heroes; Holidays; Christmas;
- For private home use only.
- Available copies: 1 / Total copies: 1
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unAPI
- To the Moon and Back (Reese's Book Club) A Novel [electronic resource] : by Ramage, Eliana.aut; CloudLibrary;
A REESE’S BOOK CLUB PICK: “A breathtaking debut about family, identity, and love across generations.” —REESE WITHERSPOON “Eliana Ramage will break your heart and take you to the stars. From painfully accurate depictions of adolescence to effortless jumps through time and space—I loved it all.” —KILEY REID In this dazzlingly powerful story of family, ambition and belonging, one young woman’s obsessive quest to become the first Cherokee astronaut irrevocably alters the fates of the people she loves most. Steph Harper is on the run. She has been all her life, ever since her mother drove five-year-old Steph and her younger sister through the night to Cherokee Nation, a place they had never been, but where she hoped they might finally belong. In response to the turmoil, Steph sets her sights as far away from Oklahoma as she can get, vowing that she will let nothing get in the way of pursuing the rigorous physical and academic training she knows she will need to be accepted by NASA, and ultimately, to go to the moon. Spanning three decades and several continents, To the Moon and Back encompasses Steph’s turbulent journey, along with the multifaceted and intertwined lives of the three women closest to her: her sister Kayla, an artist who goes on to become an Indigenous social media influencer, and whose determination to appear good takes her life to unexpected places; Steph’s college girlfriend Della Owens, who strives to reclaim her identity as an adult after being removed from her Cherokee family through a challenge to the Indian Child Welfare Act; and Hannah, Steph and Kayla’s mother, who has held up her family’s tribal history as a beacon of inspiration to her children, all the while keeping her own past a secret. In Steph’s certainty that only her ambition can save her, she will stretch her bonds with each of these women to the point of breaking, at once betraying their love and generosity, and forcing them to reconsider their own deepest desires in her shadow. Told through an intricately woven tapestry of narrative, To the Moon and Back is an astounding and expansive novel of mothers and daughters, love and sacrifice, alienation and heartbreak, terror and wonder. At its core, it is the story of the extraordinary lengths to which one woman will go to find space for herself.
- Subjects: Electronic books.; Literary; Coming of Age; Native American & Aboriginal;
- © 2025., Simon & Schuster,
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- We don't know ourselves : a personal history of modern Ireland / by O'Toole, Fintan,1958-author.;
Includes bibliographical references and index."A celebrated Irish writer's magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government?in despair, because all the young people were leaving?opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don't Know Ourselves, O'Toole, one of the Anglophone world's most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society-perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O'Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland's main export was beef and it was still not unknown for herds of cattle to clatter down Dublin's streets. Yet the Westerns were a sign of what was to come. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O'Toole's telling, America became a lodestar, from John F. Kennedy's 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O'Toole in coruscating prose captures the peculiar Irish habit of "deliberate unknowing," which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don't Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us"--
- Subjects: Biographies.; Personal narratives.; O'Toole, Fintan, 1958-;
- Available copies: 1 / Total copies: 1
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- Osceola. by Petzold, Konrad,film director.; Mitic, Gojko,actor.; Schulze, Horst,actor.; Darie, Iurie,actor.; Ugowski, Karin,actor.; DEFA Film Library (Firm),dst; Kanopy (Firm),dst;
Gojko Mitic, Horst Schulze, Iurie Darie, Karin UgowskiOriginally produced by DEFA Film Library in 1971.Florida, 1830. Of all eastern Indigenous nations, only the Seminoles have resisted being moved to reservations. Having retreated to Florida, they live a rich horticultural life, while white plantation owners, angry at the increasing numbers of Black slaves fleeing to Seminole protection, want to take their land. Plantation owner Raynes, in particular, has convinced the US military to wipe out the Seminoles. His rival Moore, a sawmill owner from the North who has a Seminole wife, is against slavery on moral grounds and considers it unprofitable. Seminole leader Osceola sees the coming danger and despite his efforts, he cannot prevent the war that breaks out in 1835.Since the 1960s, the East German DEFA Studio for Feature Films adapted the Western film genre for socialism, while also attempting a gesture of solidarity with the Indigenous nations of North America. Films such as this one, include the representation of unacceptable practices, cultural appropriation, as well as racist and stereotypical depictions, characterization, language and imagery. The DEFA Film Library’s English-subtitled version makes efforts to address racist language and honor authorship. In the subtitles, terms for Black, Native American and Indigenous peoples that have always been derogatory in English and German are indicated as [n-word] or [i-word].Mode of access: World Wide Web.
- Subjects: Feature films.; Foreign films.; Motion pictures.; Drama.; Motion Pictures.; Western films.; Historical drama.;
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Results 191 to 194 of 194 | « previous