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      - A Good Bad Boy Luke Perry and How a Generation Grew Up [electronic resource] : by Wappler, Margaret.aut; cloudLibrary; 
 An artful and contemplative tribute to the late actor famed for his role as Dylan McKay in Beverly Hills, 90210. Best known for playing loner rebel Dylan McKay in Beverly Hills 90210, Luke Perry was fifty-two years old when he died of a stroke in 2019. There have been other deaths of 90’s stars, but this one hit different. Gen X was reminded of their own inescapable mortality, and robbed of an exciting career resurgence for one of their most cherished icons—with recent roles in the hit series Riverdale and Quentin Tarantino’s Once Upon a Time In Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture. In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends. (After his death, the pair bonded in their grief and eventually married.) Amid these original interviews and exhaustive archival research, Wappler weaves poignant vignettes of memoir in which she serves as an avatar to show how Perry shaped a generation’s views on masculinity, privilege and the ideal of “cool.” Timed to the fifth anniversary of Perry’s death, A Good Bad Boy is a profound and entertaining examination of what it means to be an artist and an adult. An artful and contemplative tribute to the late actor famed for his role as Dylan McKay in Beverly Hills, 90210. Best known for playing loner rebel Dylan McKay in Beverly Hills 90210, Luke Perry was fifty-two years old when he died of a stroke in 2019. There have been other deaths of 90’s stars, but this one hit different. Gen X was reminded of their own inescapable mortality, and robbed of an exciting career resurgence for one of their most cherished icons—with recent roles in the hit series Riverdale and Quentin Tarantino’s Once Upon a Time In Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture. In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends. (After his death, the pair bonded in their grief and eventually married.) Amid these original interviews and exhaustive archival research, Wappler weaves poignant vignettes of memoir in which she serves as an avatar to show how Perry shaped a generation’s views on masculinity, privilege and the ideal of “cool.” Timed to the fifth anniversary of Perry’s death, A Good Bad Boy is a profound and entertaining examination of what it means to be an artist and an adult.
- Subjects: Electronic books.; Entertainment & Performing Arts; History & Criticism; Popular Culture; 
- © 2024., Simon & Schuster,
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      - It's a mad, mad, mad, mad world [videorecording] / by Terry-Thomas,1911-1990,actor.; Backus, Jim,actor.; Berle, Milton,actor.; Brown, Joe E.(Joe Evan),1892-1973,actor.; Caesar, Sid,1922-2014,actor.; Durante, Jimmy,1893-1980,actor.; Falk, Peter,1927-2011,actor.; Hackett, Buddy,1924-2003,actor.; Keaton, Buster,1895-1966,actor.; Knotts, Don,1924-2006,actor.; Kramer, Stanley,presenter,film producer,film director.; Merman, Ethel,actor.; Pitts, ZaSu,1898-1963,actor.; Reiner, Carl,1922-actor.; Rooney, Mickey,actor.; Silvers, Phil,1911-1985,actor.; Tracy, Spencer,1900-1967,actor.; Winters, Jonathan,actor.; Criterion Collection (Firm); Los Angeles Philharmonic Orchestra,performer.; Metro-Goldwyn-Mayer,production company.; Shirelles (Musical group),singer.; Three Stooges (Comedy team),actor.; United Artists Corporation,production company.; 
 Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters, Edie Adams, Dorothy Provine, Eddie "Rochester" Anderson, Jim Backus, Ben Blue, Joe E. Brown, Alan Carney, Chick Chandler, Barrie Chase, Lloyd Corrigan, William Demarest, Selma Diamond (voice), Andy Devine, Peter Falk, Norman Fell, Paul Ford, Stan Freberg, Louise Glenn (voice), Leo Gorcey, Sterling Holloway, Marvin Kaplan, Edward Everett Horton, Buster Keaton, Don Knotts, Charles Lane, Mike Mazurki, Charles McGraw, Cliff Norton, Zasu Pitts, Carl Reiner, Madlyn Rhue, Roy Roberts, Arnold Stang, Nick Stewart, The Three Stooges, Sammee Tong, Jesse White, Jimmy Durante.About a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast.MPAA Rating: G.DVD: aspect ratio 2.76:1 widescreen presentation, Dolby Digital, region 1. Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters, Edie Adams, Dorothy Provine, Eddie "Rochester" Anderson, Jim Backus, Ben Blue, Joe E. Brown, Alan Carney, Chick Chandler, Barrie Chase, Lloyd Corrigan, William Demarest, Selma Diamond (voice), Andy Devine, Peter Falk, Norman Fell, Paul Ford, Stan Freberg, Louise Glenn (voice), Leo Gorcey, Sterling Holloway, Marvin Kaplan, Edward Everett Horton, Buster Keaton, Don Knotts, Charles Lane, Mike Mazurki, Charles McGraw, Cliff Norton, Zasu Pitts, Carl Reiner, Madlyn Rhue, Roy Roberts, Arnold Stang, Nick Stewart, The Three Stooges, Sammee Tong, Jesse White, Jimmy Durante.About a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast.MPAA Rating: G.DVD: aspect ratio 2.76:1 widescreen presentation, Dolby Digital, region 1.
- Subjects: Comedy films.; Feature films.; Road films.; Screwball comedy films.; Treasure troves; 
- © 2014., Criterion Collection,
- Available copies: 1 / Total copies: 1
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      - It's a mad, mad, mad, mad world [videorecording] / by Terry-Thomas,1911-1990,actor.; Backus, Jim,actor.; Berle, Milton,actor.; Brown, Joe E.(Joe Evan),1892-1973,actor.; Caesar, Sid,1922-2014,actor.; Durante, Jimmy,1893-1980,actor.; Falk, Peter,1927-2011,actor.; Hackett, Buddy,1924-2003,actor.; Keaton, Buster,1895-1966,actor.; Knotts, Don,1924-2006,actor.; Kramer, Stanley,presenter,film producer,film director.; Merman, Ethel,actor.; Pitts, ZaSu,1898-1963,actor.; Reiner, Carl,1922-actor.; Rooney, Mickey,actor.; Silvers, Phil,1911-1985,actor.; Tracy, Spencer,1900-1967,actor.; Winters, Jonathan,actor.; Criterion Collection (Firm); Los Angeles Philharmonic Orchestra,performer.; Metro-Goldwyn-Mayer,production company.; Shirelles (Musical group),singer.; Three Stooges (Comedy team),actor.; United Artists Corporation,production company.; 
 Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters, Edie Adams, Dorothy Provine, Eddie "Rochester" Anderson, Jim Backus, Ben Blue, Joe E. Brown, Alan Carney, Chick Chandler, Barrie Chase, Lloyd Corrigan, William Demarest, Selma Diamond (voice), Andy Devine, Peter Falk, Norman Fell, Paul Ford, Stan Freberg, Louise Glenn (voice), Leo Gorcey, Sterling Holloway, Marvin Kaplan, Edward Everett Horton, Buster Keaton, Don Knotts, Charles Lane, Mike Mazurki, Charles McGraw, Cliff Norton, Zasu Pitts, Carl Reiner, Madlyn Rhue, Roy Roberts, Arnold Stang, Nick Stewart, The Three Stooges, Sammee Tong, Jesse White, Jimmy Durante.About a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast.MPAA Rating: G.Blu-ray disc (requires Blu-ray player for playback) ; anamorphic widescreen format (1.85:1 aspect ratio); 5.1 DTS-HD Master Audio, 5.1 DTS-HD Digital surround. Spencer Tracy, Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, Jonathan Winters, Edie Adams, Dorothy Provine, Eddie "Rochester" Anderson, Jim Backus, Ben Blue, Joe E. Brown, Alan Carney, Chick Chandler, Barrie Chase, Lloyd Corrigan, William Demarest, Selma Diamond (voice), Andy Devine, Peter Falk, Norman Fell, Paul Ford, Stan Freberg, Louise Glenn (voice), Leo Gorcey, Sterling Holloway, Marvin Kaplan, Edward Everett Horton, Buster Keaton, Don Knotts, Charles Lane, Mike Mazurki, Charles McGraw, Cliff Norton, Zasu Pitts, Carl Reiner, Madlyn Rhue, Roy Roberts, Arnold Stang, Nick Stewart, The Three Stooges, Sammee Tong, Jesse White, Jimmy Durante.About a group of strangers fighting tooth and nail over buried treasure, is the most grandly harebrained movie ever made, a pileup of slapstick and borscht-belt-y one-liners performed by a nonpareil cast.MPAA Rating: G.Blu-ray disc (requires Blu-ray player for playback) ; anamorphic widescreen format (1.85:1 aspect ratio); 5.1 DTS-HD Master Audio, 5.1 DTS-HD Digital surround.
- Subjects: Comedy films.; Feature films.; Road films.; Screwball comedy films.; Treasure troves; 
- © 2014., Criterion Collection,
- Available copies: 1 / Total copies: 1
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      - Like Love: Essays and Conversations [electronic resource] : by Nelson, Maggie.aut; cloudLibrary; 
 One of the Globe and Mail's most anticipated books of 2024 A career-spanning collection of inspiring, revelrous essays about art and artists. Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development, and a testament to the profound sustenance offered by art and artists. One of the Globe and Mail's most anticipated books of 2024 A career-spanning collection of inspiring, revelrous essays about art and artists. Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson’s brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson’s passion for dialogue and dissent. The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur: intergenerational exchange; love and friendship; feminist and queer issues, especially as they shift over time; subversion, transgression, and perversity; the roles of the critic and of language in relation to visual and performance arts; forces that feed or impede certain bodies and creators; and the fruits and follies of a life spent devoted to making. Arranged chronologically, Like Love shows the writing, thinking, feeling, reading, looking, and conversing that occupied Nelson while writing iconic books such as Bluets and The Argonauts. As such, it is a portrait of a time, an anarchic party rich with wild guests, a window into Nelson’s own development, and a testament to the profound sustenance offered by art and artists.
- Subjects: Electronic books.; Social; Essays; Essays; 
- © 2024., McClelland & Stewart,
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      - Sticks and scones / by Alexander, Ellie,author.; 
 It's late spring in Juliet's charming hamlet, Ashland, Oregon. Spotted deer are nibbling on lush green grasses in Lithia Park, the Japanese maples are blooming, and Torte is baking a bevy of spring delights -- lemon curd cupcakes, mini coconut cream pies, grapefruit tartlets, and chocolate dipped almond Tuiles. Meanwhile, her friend Lance, the artistic director of the Oregon Shakespeare Festival, is taking center stage with his new theater troupe -- the Fair Verona Players. Their performance in Uva's vineyard promises to be a modern, gender-bending twist on "The Taming of the Shrew," but as the curtain rises, so do the strange occurrences. Stage mishaps and internal bickering threaten to derail the production. But as the curtain rises, the real show begins when the leading actor, Jimmy Paxton, meets his final curtain call. Now, Jules is not only in the mix, but she's going to need to craft the perfect recipe for solving this theatrical whodunit. It's late spring in Juliet's charming hamlet, Ashland, Oregon. Spotted deer are nibbling on lush green grasses in Lithia Park, the Japanese maples are blooming, and Torte is baking a bevy of spring delights -- lemon curd cupcakes, mini coconut cream pies, grapefruit tartlets, and chocolate dipped almond Tuiles. Meanwhile, her friend Lance, the artistic director of the Oregon Shakespeare Festival, is taking center stage with his new theater troupe -- the Fair Verona Players. Their performance in Uva's vineyard promises to be a modern, gender-bending twist on "The Taming of the Shrew," but as the curtain rises, so do the strange occurrences. Stage mishaps and internal bickering threaten to derail the production. But as the curtain rises, the real show begins when the leading actor, Jimmy Paxton, meets his final curtain call. Now, Jules is not only in the mix, but she's going to need to craft the perfect recipe for solving this theatrical whodunit.
- Subjects: Detective and mystery fiction.; Cozy mysteries.; Novels.; Bakers; Caterers and catering; Murder; Pastry; Theater; 
- Available copies: 1 / Total copies: 1
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      - The Jazz Singer. by Crosland, Alan,film director.; Jolson, Al,actor.; Besserer, Eugenie,actor.; McAvoy, May,actor.; Lederer, Otto,actor.; Tucker, Richard,actor.; Oland, Warner,actor.; NYX Channel (Firm),dst; Kanopy (Firm),dst; 
 Al Jolson, Eugenie Besserer, May McAvoy, Otto Lederer, Richard Tucker, Warner OlandOriginally produced by NYX Channel in 1927.THE JAZZ SINGER is a landmark in film history, known as the first feature-length movie with synchronized dialogue, ushering in the era of sound in cinema. The story follows Jakie Rabinowitz, a young Jewish man expected to follow in his father’s footsteps as a synagogue cantor. However, Jakie dreams of becoming a jazz singer and changes his name to Jack Robin. As he rises to fame on the Broadway stage, he finds himself torn between his artistic ambitions and his family's religious and cultural expectations. The tension peaks when he must choose between performing on opening night or singing in his father's place for Yom Kippur. Starring Al Jolson, the film combines heartfelt drama with groundbreaking musical performances, symbolizing the tension between old traditions and a rapidly modernizing America.Mode of access: World Wide Web. Al Jolson, Eugenie Besserer, May McAvoy, Otto Lederer, Richard Tucker, Warner OlandOriginally produced by NYX Channel in 1927.THE JAZZ SINGER is a landmark in film history, known as the first feature-length movie with synchronized dialogue, ushering in the era of sound in cinema. The story follows Jakie Rabinowitz, a young Jewish man expected to follow in his father’s footsteps as a synagogue cantor. However, Jakie dreams of becoming a jazz singer and changes his name to Jack Robin. As he rises to fame on the Broadway stage, he finds himself torn between his artistic ambitions and his family's religious and cultural expectations. The tension peaks when he must choose between performing on opening night or singing in his father's place for Yom Kippur. Starring Al Jolson, the film combines heartfelt drama with groundbreaking musical performances, symbolizing the tension between old traditions and a rapidly modernizing America.Mode of access: World Wide Web.
- Subjects: Feature films.; Motion pictures.; Drama.; Musicals.; Jazz.; Hollywood (Los Angeles, Calif.).; 
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      - All the rage : a partial memoir in two acts and a prologue / by Fraser, Brad,1959-author.; 
 "A Canadian playwright's rise to fame amid the terrors of the AIDS era. Brad Fraser suffered an impoverished and abusive childhood, living with his teenage parents in motel rooms and shacks on the side of the highway in Alberta and Northern British Columbia. He grew to be one of the most celebrated, and controversial, Canadian playwrights, his work produced to acclaim all over the world. All the Rage chronicles Brad Fraser's rise as he breaks with his past and enrolls as a performing arts student. He is pulled into the newly developing Canadian theatre scene, where he shows great promise. But his early career is one of challenge after challenge, some of which result from his upbringing and prejudice against his queerness. But just as many challenges arise from his combative personality and willingness to challenge the establishment. Few Canadian artists have been as abrasive, notorious and polarizing as Fraser was in his youth. Woven through this tale of artistic development is his journey as a queer man coming into himself during the most exhilarating period in the Gay Liberation Movement, and the dawn of a global health crisis. What should have been a triumphant time in a young, successful playwright's life was blighted with the terrifying emergence of AIDS, and the sickness and death of comrades and lovers. This is both the story of an artist's evolution and an important work of gay history that has rarely been recounted from a Canadian perspective. Written with Fraser's trademark wit and candour, All the Rage is unsparing, sometimes shocking and always enthralling."-- "A Canadian playwright's rise to fame amid the terrors of the AIDS era. Brad Fraser suffered an impoverished and abusive childhood, living with his teenage parents in motel rooms and shacks on the side of the highway in Alberta and Northern British Columbia. He grew to be one of the most celebrated, and controversial, Canadian playwrights, his work produced to acclaim all over the world. All the Rage chronicles Brad Fraser's rise as he breaks with his past and enrolls as a performing arts student. He is pulled into the newly developing Canadian theatre scene, where he shows great promise. But his early career is one of challenge after challenge, some of which result from his upbringing and prejudice against his queerness. But just as many challenges arise from his combative personality and willingness to challenge the establishment. Few Canadian artists have been as abrasive, notorious and polarizing as Fraser was in his youth. Woven through this tale of artistic development is his journey as a queer man coming into himself during the most exhilarating period in the Gay Liberation Movement, and the dawn of a global health crisis. What should have been a triumphant time in a young, successful playwright's life was blighted with the terrifying emergence of AIDS, and the sickness and death of comrades and lovers. This is both the story of an artist's evolution and an important work of gay history that has rarely been recounted from a Canadian perspective. Written with Fraser's trademark wit and candour, All the Rage is unsparing, sometimes shocking and always enthralling."--
- Subjects: Biographies.; Autobiographies.; Fraser, Brad, 1959-; Gay dramatists; Gay liberation movement; Gays; Gays; Dramatists, Canadian (English); 
- Available copies: 1 / Total copies: 1
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      - That's What She Said. by Sutherland, Natasha,film director.; Gravel Road Africa (Firm),dst; Kanopy (Firm),dst; 
 Originally produced by Gravel Road Africa in 2023.After writing Brutal Legacy, a memoir about abusive relationships with men in her past, Tracy Going offers up her story to be scrutinized by a random group of men in the present. They watch her account as it is displayed in a theatre production adaptation of her book. The film documents this process and the frank discussions that follow the performance, offering a unique social dialogue to bring an important message across as a relatable film without diminishing the abused, or men/women in general. In a conscientious manner, it gives an opportunity for men to be heard on a huge, often polarising, social issue.Mode of access: World Wide Web. Originally produced by Gravel Road Africa in 2023.After writing Brutal Legacy, a memoir about abusive relationships with men in her past, Tracy Going offers up her story to be scrutinized by a random group of men in the present. They watch her account as it is displayed in a theatre production adaptation of her book. The film documents this process and the frank discussions that follow the performance, offering a unique social dialogue to bring an important message across as a relatable film without diminishing the abused, or men/women in general. In a conscientious manner, it gives an opportunity for men to be heard on a huge, often polarising, social issue.Mode of access: World Wide Web.
- Subjects: Documentary films.; Literature.; Arts.; Social sciences.; Human rights.; Gender identity.; Documentary films.; Women's studies.; Artists.; Current affairs.; 
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      - Counting backwards / by Kirshenbaum, Binnie,author.; 
 "A middle-aged couple struggles with the husband's descent into early-onset Lewy Body dementia in this profound and deeply moving novel shot through with Kirshenbaum's lacerating humor. It begins with hallucinations. From their living room window, Leo sees a man on stilts, an acting troupe, a pair of swans paddling on the street. Initially, Leo believes the visions are related to visual impairment-they are something he and his wife, Addie, can joke about. Then, he starts to experience occasional, but fleeting, oddities that mimic myriad brain disorders: aphasia, the inability to perform simple tasks, Capgras Syndrome, audial hallucinations he believes to be real. The doctors have no answers. Leo, a scientist, and Addie, a collage artist, had a loving and happy marriage. But as his periods of lucidity become rarer, Addie finds herself less and less able to cope. Eventually, Leo is diagnosed with Lewy Body disease. Life expectancy ranges from 3 to 20 years. A decidedly uncharacteristic act of violence makes it clear that he cannot come home. He moves first to an assisted living facility and then to a small apartment with a caretaker where, over time, he descends into full cognitive decline. Addie's agony, anger, and guilt result in self-imposed isolation, which mirrors Leo's diminished life. And so for years, all she can do is watch him die-too soon, and yet not soon enough. Kirshenbaum captures the couple's final years, months, and days in short scenes that burn with despair, humor, and rage, tracking the brutal destruction of the disease, as well the moments of love and beauty that still exist for them amid the larger tides of loss"-- "A middle-aged couple struggles with the husband's descent into early-onset Lewy Body dementia in this profound and deeply moving novel shot through with Kirshenbaum's lacerating humor. It begins with hallucinations. From their living room window, Leo sees a man on stilts, an acting troupe, a pair of swans paddling on the street. Initially, Leo believes the visions are related to visual impairment-they are something he and his wife, Addie, can joke about. Then, he starts to experience occasional, but fleeting, oddities that mimic myriad brain disorders: aphasia, the inability to perform simple tasks, Capgras Syndrome, audial hallucinations he believes to be real. The doctors have no answers. Leo, a scientist, and Addie, a collage artist, had a loving and happy marriage. But as his periods of lucidity become rarer, Addie finds herself less and less able to cope. Eventually, Leo is diagnosed with Lewy Body disease. Life expectancy ranges from 3 to 20 years. A decidedly uncharacteristic act of violence makes it clear that he cannot come home. He moves first to an assisted living facility and then to a small apartment with a caretaker where, over time, he descends into full cognitive decline. Addie's agony, anger, and guilt result in self-imposed isolation, which mirrors Leo's diminished life. And so for years, all she can do is watch him die-too soon, and yet not soon enough. Kirshenbaum captures the couple's final years, months, and days in short scenes that burn with despair, humor, and rage, tracking the brutal destruction of the disease, as well the moments of love and beauty that still exist for them amid the larger tides of loss"--
- Subjects: Domestic fiction.; Psychological fiction.; Novels.; Dementia; Despair; Lewy body dementia; Love; Married people; Social isolation; 
- Available copies: 1 / Total copies: 1
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      - Orlando, My Political Biography. by B., Paul,film director.; The Criterion Collection (Firm),dst; Kanopy (Firm),dst; 
 Originally produced by The Criterion Collection in 2023.“Come, come! I’m sick to death of this particular self. I want another.” Taking Virginia Woolf’s novel Orlando: A Biography as his starting point, academic virtuoso turned filmmaker Paul B. Preciado fashioned the documentary ORLANDO, MY POLITICAL BIOGRAPHY—a personal essay, historical analysis, and social manifesto. For almost a century, Woolf’s eponymous hero(ine) has inspired readers with their gender fluidity as well as their physical and spiritual metamorphoses across a three-hundred-year span. In making his film, Preciado invited a diverse group of more than twenty trans and nonbinary people to play the role of Orlando and to participate in this shared biography. Together, they perform interpretations of the novel, weaving into Woolf’s narrative their own stories of transition and identity formation. Not content to simply update a groundbreaking work, Preciado interrogates the relevance of Orlando in the ongoing struggle to secure dignity for trans people worldwide.Mode of access: World Wide Web. Originally produced by The Criterion Collection in 2023.“Come, come! I’m sick to death of this particular self. I want another.” Taking Virginia Woolf’s novel Orlando: A Biography as his starting point, academic virtuoso turned filmmaker Paul B. Preciado fashioned the documentary ORLANDO, MY POLITICAL BIOGRAPHY—a personal essay, historical analysis, and social manifesto. For almost a century, Woolf’s eponymous hero(ine) has inspired readers with their gender fluidity as well as their physical and spiritual metamorphoses across a three-hundred-year span. In making his film, Preciado invited a diverse group of more than twenty trans and nonbinary people to play the role of Orlando and to participate in this shared biography. Together, they perform interpretations of the novel, weaving into Woolf’s narrative their own stories of transition and identity formation. Not content to simply update a groundbreaking work, Preciado interrogates the relevance of Orlando in the ongoing struggle to secure dignity for trans people worldwide.Mode of access: World Wide Web.
- Subjects: Documentary films.; Literature.; Arts.; Social sciences.; Gender identity.; Homosexuality.; Documentary films.; LGBTQ.; Artists.; 
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