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- Dogs and Monsters Stories [electronic resource] : by Haddon, Mark.aut; cloudLibrary;
From the "terrifyingly talented" (The Times, [London]) author of The Curious Incident of the Dog in the Night-Time and The Porpoise, eight mesmerizingly imaginative, deeply-humane stories that use Greek myths and contemporary dystopian narratives to examine mortality, moral choices and the many variants of love For millenia Greek myths have fascinated people, who have seen in them lessons about fate and hubris and the contingency of existence. Mark Haddon digs into the heart of these ancient fables and imagines them anew. The dawn goddess Eos asks Zeus to give her lover Tithonus eternal life but forgets to ask for eternal youth. In "The Quiet Limit of the World" Haddon imagines Tithonus' life as he slowly ages over thousands of years, turning the cautionary tale of tempting the gods into a spellbinding meditation on witnessing death from the outside, and ultimately, how carnal love evolves into something richer and more poignant with time. In "The Mother’s Story," Haddon takes the myth of the minotaur in his labyrinth, in which the beast is the spawn of the monstrous lust of the king's wife Pasiphaë, and turns it into a wrenching parable of maternal love for a damaged child, and the more real monstrosities of patriarchy. In "D.O.G.Z.," the story of Actaeon, who was turned into a stag after glimpsing the naked goddess Diana and torn to pieces by his hunting dogs, becomes a visceral metaphor about the continuum of human and animal behavior. Other stories play with contemporary mythic tropes—genetic engineering, trying to escape the future, the viciousness of adolescent ostracism—to showcase how modern humans are subject to the same capriciousness that obsessed the Greeks. Haddon's tales cover a vast range, from the mythic to the domestic, from ancient Greece to the present day, from stories about love to stories about cruelty, from battlefields to bed and breakfasts, from dogs in space to doors between worlds, all of them bound together by a profound sympathy and an understanding of how human beings act and think and feel when pushed to the very edge. Throughout, Haddon's supple prose showcases his astonishing powers of observation, of both the physical world and the workings of the psyche. His vision is clear-eyed, but always resolutely empathetic.
- Subjects: Electronic books.; Literary; Magical Realism; Historical;
- © 2024., Doubleday Canada,
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- Baddest man : the making of Mike Tyson / by Kriegel, Mark,author.;
Includes bibliographical references and index."From the acclaimed New York Times bestselling author whose coverage of Mike Tyson and his inner circle dates back to the 1980s, a magnificent noir epic about fame, race, greed, criminality, trauma, and the creation of the most feared and mesmerizing fighter in boxing history. On an evening that defined the Greed is Good 1980s, Donald Trump hosted a raft of celebrities and high rollers in a carnival town on the Jersey Shore to bask in the glow created by a 21-year-old heavyweight champion. Mike Tyson knocked out Michael Spinks that night, and in 91 frenzied seconds earned more than the annual payrolls of the Los Angeles Lakers and Boston Celtics combined. It had been just eight years since Tyson, a feral child from a dystopian Brooklyn neighborhood was delivered to boxing's forgotten wizard, Cus D'Amato, living a self-imposed exile in upstate New York. Together, Cus and the Kid were an irresistible story of mutual redemption-darlings to the novelists, screenwriters and newspapermen long charmed by D'Amato, and perfect for the nascent industry of cable television. Long before anyone heard of Tony Soprano, Mike Tyson was HBO's leading man. It was the greatest sales job in the sport's history, and the most lucrative. But the business of Tyson concealed truths that were darker and more nuanced than the script would allow. The intervening decades have seen Tyson villainized, lionized, and fetishized-but never, until now, fully humanized. Mark Kriegel, an acclaimed biographer regarded as "the finest boxing writer in America," was a young cityside reporter at the New York Daily News when first swept up in the Tyson media hurricane, but here measures his subject not by whom he knocked out, but by what he survived. Though Tyson was billed as a modern-day Jack Dempsey, the truth was closer to Sonny Liston. Tyson was Black, feared, and born to die young. What made Liston a pariah, though, would make Tyson-in a way his own handlers could never understand-a touchstone for a generation raised on a soundtrack of hip hop and gunfire. What Peter Guralnick did for Elvis in Train to Memphis and James Kaplan for Sinatra in Frank, Kriegel does for Tyson. It's not just the mesmerizing ascent that he captures, but Tyson's place in the American psyche"--
- Subjects: Biographies.; Personal narratives.; Tyson, Mike, 1966-; African American boxers; Boxing;
- Available copies: 0 / Total copies: 1
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Results 61 to 62 of 62 | « previous