Search:

Results 231 to 240 of 313 | « previous |

This woman's work : essays on music / by Gleeson, Sinéad,editor.; Gordon, Kim,editor.;
"THIS WOMAN'S WORK is a collection of essays by 18 female writers, writing about exclusively female experiences in music, co-edited by Sonic Youth co-founder Kim Gordon and Irish author Sinead Gleeson. This book celebrates the instrument makers, the experimentalists, the harmonizers, the avant-garde, the genre-breakers, the pop queens, and all those on the margins who expose the lack of intersectionality in this industry. For a long time, the narrative of music has been male-centered and hyper-masculine. The purpose of the women within it was to orbit these men: swooning to Elvis, screaming en-masse at Beatles gigs, or trying to get backstage to sleep with the rock bad boys. When women gained visibility in the music of the 1960s, they were-again-allocated specific tropes: backing singer, lone woman in the band, Motown trios singing innocuous love songs. In the 1970s, at the time Kate Bush became the first woman (at just 17) to have a number one with song she'd written herself, the women of punk began to make their voices heard. But many didn't like these acts of assertion; the femaleness, the raging against gender stereotypes, the Amazonian loudness of it all. Joan Jett recalls being knocked over on stage by flying bottles; The Slits were chased and threatened after gigs and their singer Ari Up was stabbed twice. Even as late as the 1980s, as hip hop gained prominence, it made room for only a handful of women, while trading in misogynist rhymes, where women could only be hoes, bitches or gold diggers. How were young female rappers of color to participate when they didn't see themselves represented in that culture? Trapped within an entertainment industry relentlessly catering to men, these rappers, and many other budding female musicians across a variety of genres in modern music, were often othered and exoticized-until the moment when they dared to own it. To speak up. To shout louder. Digging into the depths of an industry hard-coded for sexism, THIS WOMAN'S WORK is an ode to the thousands of women in music whose stories we don't know. Pioneers whose achievements are undervalued, often by virtue of their gender, or because someone else (many times, a man) took credit for it. Featuring brand new essays from notable feminist writers like Ottessa Moshfegh, Juliana Huxtable, Maggie Nelson, Rachel Kushner, Leslie Jamison, and more, THIS WOMAN'S WORK reminds us to pay our respects to the women who shattered ceilings and kicked in doors, vastly expanding the spectrum of women's influence in the world of modern music"--
Subjects: Essays.; Misogyny.; Music.; Women musicians.;
Available copies: 1 / Total copies: 1
unAPI

Revival69. by Chapman, Ron,film director.; Photon Films (Firm),dst; Kanopy (Firm),dst;
Originally produced by Photon Films in 2022.When a young concert promoter launches a festival in 1969 to revive the Kings of Rock 'n' Roll, unimaginable events manifest the 11th hour arrival of John Lennon and The Plastic Ono Band, triggering his decision to leave the Beatles.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Music.; History, Modern.; Documentary films.; Artists.;
unAPI

Dyke Hard. by Anderson, Bitte,film director.; Eriksson, Alle,actor.; Sands, Peggy,actor.; Under the Milky Way (Firm),dst; Kanopy (Firm),dst;
Alle Eriksson, Peggy SandsOriginally produced by Under the Milky Way in 2014.A lesbian rock band sets off on a road trip to a battle of the bands in the big city. A mysterious billionaire with an army of ninjas, cyborgs and roller derby girls is doing everything to stop them. Their journey is a whacky adventure filled with motorcycle gangs, prison riots and flamboyant musical numbers.Mode of access: World Wide Web.
Subjects: Feature films.; Foreign films.; Motion pictures.; Comedy films.; Queer cinema.; Action and adventure films.;
unAPI

George Michael : a life / by Gavin, James,author.;
Includes bibliographical references, discography, and index.This is the first full-scale biography of George Michael, offering an expansive look at the troubled life of the legendary singer, songwriter, and pop superstar. Acclaimed music biographer James Gavin traces Michaels metamorphosis from the shy and awkward Georgios Kyriacos Panayiotou into the swaggering, dominant half of the leading British pop duo of the 1980s Wham!; he then details Michaels sensational solo career and its subsequent unraveling.
Subjects: Biographies.; Michael, George, 1963-2016.; Rock musicians; Singers;
Available copies: 1 / Total copies: 1
unAPI

The sisters Sputnik : a novel / by Favro, Terri,author.;
An odyssey wrapped in a love story, set in a near-future of artificial people. The Sisters Sputnik are a time-traveling trio of storytellers-for-hire who are much in demand throughout the multiverse of 2,052 alternate worlds. Each world was created by the detonation of a nuclear bomb in Earth Standard Time, home of the Sisters' leader, aging comic book creator Debbie Reynolds Biondi, her 20-something apprentice Unicorn Girl, and their pop culture--loving AI, Cassandra. Tales of Earth Standard Time-That-Was, from World Wars to the space race to Hollywood celebrities, have turned the Sisters into storytelling rock stars. In a distant reality where books and music have disappeared, Debbie finds herself in bed with an old Earth Standard Time lover who begs her to tell him a story. Over one long, eventful night, she spins the epic of the Sisters' adventures in alternate realities, starting with the theft of a book of evil comic strips in a post-pandemic Toronto full of ghost kitchens and robot-worshipping lost children known as junksters, to a disco-era purgatory where synthetic people are sending humans into the past through a reverse-engineered Statue of Liberty, to a version of the 1950s where the Sisters meet a rising star named Frank Sinatra and his girlfriend, the once-and-future Queen of England.
Subjects: Science fiction.; Novels.; Multiverse; Storytellers; Time travel;
Available copies: 1 / Total copies: 1
unAPI

Not who we expected / by Black, Lisa,1963-author.;
"Forensic experts Ellie Carr and Rachael Davies are pulled into solving a deadly mystery unfolding in the shadow of a celebrated rock star. The two crime experts are enlisted by legendary rock star Billy Diamond to find his missing daughter. A level-headed student at Yale, Devon left six months earlier with her boyfriend, Carlos, for a career development retreat in Nevada. Her calls and notes became less frequent until they stopped. Billy wanted to give his daughter space--but after learning Carlos' body was found a few miles upstream from the ranch, he needs answers. Rachael and Ellie hatch a plan--as Ellie goes undercover, Rachael will work with Billy to find out about Devon. But Rachael has a second agenda, to find out why Billy seems so familiar with her late sister Isis, whose little boy Rachael is raising. The music idol is hiding something, but what? The southwest ranch is full of surprises. Devon is not only alive but thriving, and no one mentions Carlos. The attendees follow their leader, Galen, with slavish devotion, and their daily mind-body exercises stretch from brain-numbing to downright treacherous. If Galen is behind some nefarious scheme, how does it relate to the rock star and his daughter? To answer those questions, Rachael will also have to ask: Who was her sister Isis, really? The answers will draw Ellie and Rachael deeper into danger. In Billy's world and in Galen's, the living, the missing, and the dead all have secrets"--
Subjects: Thrillers (Fiction); Novels.; Cults; Missing persons; Murder; Ranches; Rock musicians; Secrecy; Undercover operations; Women detectives; Women forensic scientists;
Available copies: 1 / Total copies: 1
unAPI

24 Hour Party People. by Winterbottom, Michael,film director.; Thomson, John,actor.; James, Lennie,actor.; Coogan, Steve,actor.; MGM (Firm),dst; Kanopy (Firm),dst;
John Thomson, Lennie James, Steve CooganOriginally produced by MGM in 2002.Blown away by an unknown local band called the Sex Pistols, TV personality Tony Wilson (Steve Coogan) is inspired to invent a uniquely anarchic record label. Soon he’s promoting everyone from New Order to Happy Mondays on his newly formed Factory Records and partying like a rock star. From Tony’s speedy rise to Factory’s hedonistic fall, "24 HOUR PARTY PEOPLE" captures the musical madness that was 1970s Manchester. Directed by Michael Winterbottom from a screenplay by Frank Cottrell Boyce.Mode of access: World Wide Web.
Subjects: Feature films.; Drama.; Comedy.; Motion pictures.;
unAPI

Willie, Waylon, and the boys : how Nashville outsiders changed country music forever / by Fairbanks, Brian,1981-author.;
Includes bibliographical references and index."The tragic and inspiring story of the leaders of Outlaw country and their influence on today's Alt-County and Americana superstars, tracing a path from Waylon Jennings' survival on the Day the Music Died through to the Highwaymen and on to the current creative and commercial explosion of Chris Stapleton, Brandi Carlile, Zach Bryan, Jason Isbell, and the Highwomen. On February 2, 1959, Waylon Jennings, bassist for his best friend, the rock star Buddy Holly, gave up his seat on a charter flight. Jennings joked that he hoped the plane, leaving without him, would crash. When it did, killing all aboard, on "the Day the Music Died," he was devastated and never fully recovered. Jennings switched to playing country, creating the Outlaw movement and later forming the Highwaymen supergroup, the first in country music, with Johnny Cash, Willie Nelson, and Kris Kristofferson. The foursome battled addiction, record companies, ex-wives, violent fans, and the I.R.S. and D.E.A., en route to unprecedented mainstream success. Today, their acolytes Kacey Musgraves, Ryan Bingham, Sturgill Simpson, and Taylor Swift outsell all challengers, and country is the most popular of all genres. In this fascinating new book, Brian Fairbanks draws a line from Buddy Holly through the Outlaw stars of the 60s and 70s, all the way to the country headliners and more diverse, up-and-coming Nashville rebels of today, bringing the reader deep into the worlds of not only Cash, Nelson, Kristofferson, and Jennings but artists like Chris Stapleton, Simpson, Bingham, and Isbell, stadium-filling masters whose stories have not been told in book form, as well as new, diverse artists like the Highwomen, Brittney Spencer, and Allison Russell. Thought-provoking and meticulously researched, Willie, Waylon, and the Boys ultimately shows how a twenty-one-year-old bass-playing plane crash survivor helped changed the course of American music"--
Subjects: Cash, Johnny.; Jennings, Waylon.; Kristofferson, Kris.; Nelson, Willie, 1933-; Country musicians; Country music;
Available copies: 1 / Total copies: 1
unAPI

Ducktails, drive-ins, and broken hearts : an unsweetened look at '50s music / by Davis, Hank,1941-author.;
Includes bibliographical references and index.They all tried, but few singers and musicians from the 1950s became stars. Yet many of them had stories to tell that were far more interesting than the ones you already know. Author Hank Davis was bitten by the music bug as a teenager. By the time he entered college in 1959, he was no stranger to New York's recording studios and had a few 45s of his own on the market. Spanning a 45 year career in music journalism, Davis has spent time backstage, in motel rooms, and on tour buses to uncover stories that rarely made the official annals of pop music history. Based on hundreds of hours of interviews and new research, 'Ducktails, Drive-Ins, and Broken Hearts' offers a fascinating, behind-the-scenes look at the winners and losers during rock 'n' roll's formative era. How did a decade as uptight and puritanical as the '50s produce so much cringe-worthy, politically incorrect music? What was it like to see a pale cover version of your latest record climb the charts while yours sat unplayed by mainstream radio stations? How did precious Elvis tapes end up in a Memphis landfill? And who was that thirteen-year-old girl who made a five-dollar vanity record at Sun just two years after Elvis had-and ended up singing backup on "Suspicious Minds" and "In the Ghetto?" This book is a must-read for all fans of '50s music.
Subjects: Biographies.; Personal narratives.; Musicians; Singers; Sound recording industry; Popular music;
Available copies: 1 / Total copies: 1
unAPI

Janis [videorecording] : little girl blue / by Cat Power,1972-narrator.; Berg, Amy,film director,screenwriter,film producer.; Gibney, Alex,film producer.; Jampol, Jeffrey,film producer.; Joplin, Janis,performer.; LeBlond, Katherine,1976-film producer.; Content Media Corporation,presenter.; Disarming Films,production company.; Jigsaw Productions,production company.; MVD Visual (Firm),film distributor.; Public Broadcasting Service (U.S.),presenter.; Thirteen Productions,production company.;
Narrator, Chan Marshall (Cat Power) ; producers, Alex Gibney, Amy J. Berg, Katherine LeBlond, Jeff Jampol ; editors, Billy McMillin, Garret Price, Joe Beshenkovsky ; music, Joel Shearer ; cinematographers, Francesco Carrozzini, Paula Huidobro, Jenna Rosher.Documentary on rock singer Janis Joplin, with her own words telling much of the story through a series of letters she wrote home over the years, read by Chan Marshall. Includes interviews with musicians P!nk, Kris Kristofferson, Melissa Etheridge, Bob Weir, Juliette Lewis, TV presenter Dick Cavett, filmmaker D.A. Pennebaker, the Joplin family, and others.E.DVD; region 0; NTSC; 5.1 surround, 2.0 stereophonic.
Subjects: Biographical television programs.; Documentary television programs.; Joplin, Janis.; Rock musicians; Singers;
For private home use only.
Available copies: 1 / Total copies: 1
unAPI

Results 231 to 240 of 313 | « previous |