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The Foundations of Western Civilization. by F., Thomas,actor.; The Great Courses (Firm),dst; Kanopy (Firm),dst;
Thomas F. X. NobleOriginally produced by The Great Courses in 2002.For 100 years after the death of Marcus Aurelius in 180, the Romans put up almost no great public structures - a sign of severe trouble. What lay behind this crisis, and how did Diocletian (who became emperor in 284) and his successor Constantine successfully respond?Mode of access: World Wide Web.
Subjects: Education films.; Social sciences.; History, Ancient.; Education.; Instructional films.;
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Muslim in America. by Khan, Deeyah,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 2020.Since 2015, anti-Muslim hate groups, conspiracy theories and hate crimes have risen in the United States. In this Peabody Award-winning exposé, Deeyah Khan explores the connections between this increase in hate-driven incidents and state-endorsed racism and investigates what it's like to be Muslim in a country where many people feel they don’t belong. Filmed before and during the coronavirus pandemic and while events following the death of George Floyd unfolded around her in America, Khan meets ordinary Muslims whose lives have been shattered by violence and intolerance, activists trying to combat a rising tide of hatred, armed militia who believe Islam is infiltrating the U.S., and lawmakers who have themselves been the target of vitriolic rhetoric, such as Minnesota congresswoman Ilhan Omar.Deploying her uniquely intimate filming style, Deeyah seeks to get to the heart of the Muslim experience - providing a vivid insight into the experiences of alienation, of rejection, and the daily struggles of keeping faith in both Islam and the American Dream.Mode of access: World Wide Web.
Subjects: Documentary films.; Political science.; Social sciences.; Enthnology.; History, Modern.; Americans.; Foreign study.; Sociology.; Documentary films.; Ethnicity.; Current affairs.; United States--Politics and government.; History.; Politicians.; Political participation.; Racism.; Social problems.; Discrimination.; Muslims.; Hate crimes.;
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Documenting Police Use of Force. by Roosblad, Serginho,film director.; PBS (Firm),dst; Kanopy (Firm),dst;
Originally produced by PBS in 2024.Investigating deaths after police used tactics like prone restraint and other “less lethal” force. With The Associated Press, drawing on police records, autopsy reports and body cam footage, the most expansive tally of such deaths nationwide.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; Human rights.; Sociology.; Documentary films.; Current affairs.; Racism.;
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Jennie's Boy A Newfoundland Childhood [electronic resource] : by Johnston, Wayne.aut; cloudLibrary;
NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE CBC WINNER OF THE 2023 LEACOCK MEDAL FOR HUMOUR Consummate storyteller and bestselling novelist Wayne Johnston reaches back into his past to bring us a sad, tender and at times extremely funny memoir of his Newfoundland boyhood. For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as “Jennie’s boy,” a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as worried he might never grow up. Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric mater­nal grandmother, Lucy. During these six months of Wayne’s childhood, he and Lucy faced two life-or-death crises, and only one of them lived to tell the tale. Jennie’s Boy is Wayne’s tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love—often expressed in the most unloving ways—Wayne survived.
Subjects: Electronic books.; Social Classes; Personal Memoirs; Literary;
© 2022., Knopf Canada,
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Anita de Monte laughs last / by Gonzalez, Xochitl,1977-author.;
"Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten - certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last, is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite"--
Subjects: Bildungsromans.; Novels.; Art students; Elite (Social sciences); Interpersonal relations; Power (Social sciences); Women art historians; Women artists;
Available copies: 1 / Total copies: 1
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Shut Up Sona. by Gupta, Deepti,film director.; Mohapatra, Sona,actor.; Espresso Media International (Firm),dst; Kanopy (Firm),dst;
Sona MohapatraOriginally produced by Espresso Media International in 2020.A film about today's India at odds with the modern Indian woman. It is an intimate journey with Sona Mohapatra, famous singer, performer, and feminist. Being on the receiving end of blasphemy lawsuits, internet trolling, and death threats are all in a day's work for Indian singer and leading #MeToo activist. Selected at Hot Docs, Sheffield Doc Fest, Doc NYC, and Winner of the 67th National Film Awards.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Music.; Asians.; Foreign study.; Gender identity.; Documentary films.; Women's studies.; Artists.; Performing arts.;
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Jennie's Boy A Newfoundland Childhood [electronic resource] : by Johnston, Wayne.aut; Johnston, Wayne.nrt; cloudLibrary;
NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE CBC WINNER OF THE 2023 LEACOCK MEDAL FOR HUMOUR Consummate storyteller and bestselling novelist Wayne Johnston reaches back into his past to bring us a sad, tender and at times extremely funny memoir of his Newfoundland boyhood. For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as “Jennie’s boy,” a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as worried he might never grow up. Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric mater­nal grandmother, Lucy. During these six months of Wayne’s childhood, he and Lucy faced two life-or-death crises, and only one of them lived to tell the tale. Jennie’s Boy is Wayne’s tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love—often expressed in the most unloving ways—Wayne survived.
Subjects: Audiobooks.; Social Classes; Personal Memoirs; Literary;
© 2022., Penguin Random House,
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This Much We Know. by Frances, L.,film director.; Oscilloscope Laboratories (Firm),dst; Kanopy (Firm),dst;
Originally produced by Oscilloscope Laboratories in 2022.Grieving the suicide of a friend, L. Frances Henderson heads to Las Vegas, the suicide capitol of the nation, to seek answers. There she learns about the shocking death of a local teenager who leaped from the roof of the city’s tallest casino. While investigating the suicide epidemic further, she finds that the city is also burdened by a national problem scrambling to bury decades of nuclear excess in a nearby mountain. Artfully maneuvering between two stories burgeoning with existential questions, THIS MUCH WE KNOW masterfully links these seemingly disparate subjects of self-annihilation and environmental issues into something supernatural, unforgettable, and transcendent.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Sociology.; Documentary films.; History.;
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Joseph Campbell and the Power of Myth. by Moyers, Bill,actor.; Campbell, Joseph,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
Bill Moyers, Joseph CampbellOriginally produced by Film Movement in 1988.In this beloved 1988 PBS series, mythologist and storyteller Joseph Campbell joins Bill Moyers to explore what enduring myths can tell us about our lives. In each of six episodes, Moyers and Campbell focus on a character or theme found in cultural and religious mythologies. Campbell argues that these timeless archetypes continue to have a powerful influence on the choices we make and the ways we live.Released shortly after Campbell’s death on October 30, 1987, THE POWER OF MYTH was one of the most popular TV series in the history of public television, and continues to inspire new audiences.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Philosophy and religion.; Sociology.; Documentary films.; Television series.; Motion pictures.; Spirituality.; Mythology.; Religion.; Philosophy.; Documentary television programs.;
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Oscar Micheaux. by Zippel, Francesco,film director.; D, Chuck,actor.; Singleton, John,actor.; Van, Melvin,actor.; Freeman, Morgan,actor.; The Party Film Sales (Firm),dst; Kanopy (Firm),dst;
Chuck D, John Singleton, Melvin Van Peebles, Morgan FreemanOriginally produced by The Party Film Sales in 2021.The most successful African American director of the first half of the 20th century, Oscar Micheaux wrote, directed, and produced more than 44 films and six novels before his death in 1951. Charting his incredible artistic journey, Zippel’s revealing documentary pays tribute to the extraordinary accomplishments of a resolute storyteller (and Illinois native) whose work served as a powerful rebuke to the ubiquitous racism of the times. A chorus of experts and fans—from Chuck D to Melvin van Peebles—weighs in on the incredible legacy of a man that cinema scholar Jacqueline Stewart describes as “the most important Black filmmaker who ever lived. Period.”Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Arts.; Motion pictures.; History, Modern.; Documentary films.; Ethnicity.; Artists.; History.; African Americans.;
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