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Be Like Others. by Eshaghian, Tanaz,film director.; PBS (Firm),dst; Kanopy (Firm),dst;
Originally produced by PBS in 2008.In Iran, according to Islamic law, homosexuality is punishable by death. However, sex-change operations are not only legal, they are embraced by a society that accepts male or female, but nothing in between. This is an intimate, yet alarming, exploration of the grip of Iranian theocracy and the power of internalized shame and the lengths some people will go to conform.Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Social sciences.; Medicine.; Foreign study.; Homosexuality.; Documentary films.; Middle East.; LGBTQ.; Current affairs.; Transgender people.; Medical care.; Islam.; Iran.;
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Anita de Monte laughs last / by Gonzalez, Xochitl,1977-author.;
"Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten - certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last, is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite"--
Subjects: Bildungsromans.; Novels.; Art students; Elite (Social sciences); Interpersonal relations; Power (Social sciences); Women art historians; Women artists;
Available copies: 1 / Total copies: 1
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Shut Up Sona. by Gupta, Deepti,film director.; Mohapatra, Sona,actor.; Espresso Media International (Firm),dst; Kanopy (Firm),dst;
Sona MohapatraOriginally produced by Espresso Media International in 2020.A film about today's India at odds with the modern Indian woman. It is an intimate journey with Sona Mohapatra, famous singer, performer, and feminist. Being on the receiving end of blasphemy lawsuits, internet trolling, and death threats are all in a day's work for Indian singer and leading #MeToo activist. Selected at Hot Docs, Sheffield Doc Fest, Doc NYC, and Winner of the 67th National Film Awards.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Music.; Asians.; Foreign study.; Gender identity.; Documentary films.; Women's studies.; Artists.; Performing arts.;
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Jennie's Boy A Newfoundland Childhood [electronic resource] : by Johnston, Wayne.aut; Johnston, Wayne.nrt; cloudLibrary;
NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE CBC WINNER OF THE 2023 LEACOCK MEDAL FOR HUMOUR Consummate storyteller and bestselling novelist Wayne Johnston reaches back into his past to bring us a sad, tender and at times extremely funny memoir of his Newfoundland boyhood. For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as “Jennie’s boy,” a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as worried he might never grow up. Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric mater­nal grandmother, Lucy. During these six months of Wayne’s childhood, he and Lucy faced two life-or-death crises, and only one of them lived to tell the tale. Jennie’s Boy is Wayne’s tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love—often expressed in the most unloving ways—Wayne survived.
Subjects: Audiobooks.; Social Classes; Personal Memoirs; Literary;
© 2022., Penguin Random House,
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The Phantom. by Forbes, Patrick,film director.; Greenwich Entertainment (Firm),dst; Kanopy (Firm),dst;
Originally produced by Greenwich Entertainment in 2021.THE PHANTOM tells the story of one of the darkest episodes in the long history of American justice. A story of how the State of Texas knowingly sent an innocent man to his death and left a serial killer at large. A case in which - for the first time - it can be conclusively proven that the US courts executed a blameless man. This film uncovers the shocking truth behind a tale of murder, corruption and lies that unfolded in the dusty, desperate streets of a Texas oil town nearly thirty years ago.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; Documentary films.; Current affairs.; True crime stories.; Capital punishment.; Serial murderers.;
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This Much We Know. by Frances, L.,film director.; Oscilloscope Laboratories (Firm),dst; Kanopy (Firm),dst;
Originally produced by Oscilloscope Laboratories in 2022.Grieving the suicide of a friend, L. Frances Henderson heads to Las Vegas, the suicide capitol of the nation, to seek answers. There she learns about the shocking death of a local teenager who leaped from the roof of the city’s tallest casino. While investigating the suicide epidemic further, she finds that the city is also burdened by a national problem scrambling to bury decades of nuclear excess in a nearby mountain. Artfully maneuvering between two stories burgeoning with existential questions, THIS MUCH WE KNOW masterfully links these seemingly disparate subjects of self-annihilation and environmental issues into something supernatural, unforgettable, and transcendent.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Sociology.; Documentary films.; History.;
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Joseph Campbell and the Power of Myth. by Moyers, Bill,actor.; Campbell, Joseph,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
Bill Moyers, Joseph CampbellOriginally produced by Film Movement in 1988.In this beloved 1988 PBS series, mythologist and storyteller Joseph Campbell joins Bill Moyers to explore what enduring myths can tell us about our lives. In each of six episodes, Moyers and Campbell focus on a character or theme found in cultural and religious mythologies. Campbell argues that these timeless archetypes continue to have a powerful influence on the choices we make and the ways we live.Released shortly after Campbell’s death on October 30, 1987, THE POWER OF MYTH was one of the most popular TV series in the history of public television, and continues to inspire new audiences.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Philosophy and religion.; Sociology.; Documentary films.; Television series.; Motion pictures.; Spirituality.; Mythology.; Religion.; Philosophy.; Documentary television programs.;
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Oscar Micheaux. by Zippel, Francesco,film director.; D, Chuck,actor.; Singleton, John,actor.; Van, Melvin,actor.; Freeman, Morgan,actor.; The Party Film Sales (Firm),dst; Kanopy (Firm),dst;
Chuck D, John Singleton, Melvin Van Peebles, Morgan FreemanOriginally produced by The Party Film Sales in 2021.The most successful African American director of the first half of the 20th century, Oscar Micheaux wrote, directed, and produced more than 44 films and six novels before his death in 1951. Charting his incredible artistic journey, Zippel’s revealing documentary pays tribute to the extraordinary accomplishments of a resolute storyteller (and Illinois native) whose work served as a powerful rebuke to the ubiquitous racism of the times. A chorus of experts and fans—from Chuck D to Melvin van Peebles—weighs in on the incredible legacy of a man that cinema scholar Jacqueline Stewart describes as “the most important Black filmmaker who ever lived. Period.”Mode of access: World Wide Web.
Subjects: Documentary films.; Enthnology.; Social sciences.; Arts.; Motion pictures.; History, Modern.; Documentary films.; Ethnicity.; Artists.; History.; African Americans.;
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Orlando, My Political Biography. by B., Paul,film director.; The Criterion Collection (Firm),dst; Kanopy (Firm),dst;
Originally produced by The Criterion Collection in 2023.“Come, come! I’m sick to death of this particular self. I want another.” Taking Virginia Woolf’s novel Orlando: A Biography as his starting point, academic virtuoso turned filmmaker Paul B. Preciado fashioned the documentary ORLANDO, MY POLITICAL BIOGRAPHY—a personal essay, historical analysis, and social manifesto. For almost a century, Woolf’s eponymous hero(ine) has inspired readers with their gender fluidity as well as their physical and spiritual metamorphoses across a three-hundred-year span. In making his film, Preciado invited a diverse group of more than twenty trans and nonbinary people to play the role of Orlando and to participate in this shared biography. Together, they perform interpretations of the novel, weaving into Woolf’s narrative their own stories of transition and identity formation. Not content to simply update a groundbreaking work, Preciado interrogates the relevance of Orlando in the ongoing struggle to secure dignity for trans people worldwide.Mode of access: World Wide Web.
Subjects: Documentary films.; Literature.; Arts.; Social sciences.; Gender identity.; Homosexuality.; Documentary films.; LGBTQ.; Artists.;
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A Good Bad Boy Luke Perry and How a Generation Grew Up [electronic resource] : by Wappler, Margaret.aut; cloudLibrary;
An artful and contemplative tribute to the late actor famed for his role as Dylan McKay in Beverly Hills, 90210. Best known for playing loner rebel Dylan McKay in Beverly Hills 90210, Luke Perry was fifty-two years old when he died of a stroke in 2019. There have been other deaths of 90’s stars, but this one hit different. Gen X was reminded of their own inescapable mortality, and robbed of an exciting career resurgence for one of their most cherished icons—with recent roles in the hit series Riverdale and Quentin Tarantino’s Once Upon a Time In Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture. In A Good Bad Boy, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers. To do so, she uses an inventive hybrid narrative. She speaks with dozens who knew Perry personally and professionally. They share insightful anecdotes: how he kept connected to his Ohio upbringing; nearly blew his 90210 audition; tried to shed his heartthrob image by joining the HBO prison drama Oz; and in the last year of his life, sought to set up two of his newly divorced friends. (After his death, the pair bonded in their grief and eventually married.) Amid these original interviews and exhaustive archival research, Wappler weaves poignant vignettes of memoir in which she serves as an avatar to show how Perry shaped a generation’s views on masculinity, privilege and the ideal of “cool.” Timed to the fifth anniversary of Perry’s death, A Good Bad Boy is a profound and entertaining examination of what it means to be an artist and an adult.
Subjects: Electronic books.; Entertainment & Performing Arts; History & Criticism; Popular Culture;
© 2024., Simon & Schuster,
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