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Be Like Others. by Eshaghian, Tanaz,film director.; PBS (Firm),dst; Kanopy (Firm),dst;
Originally produced by PBS in 2008.In Iran, according to Islamic law, homosexuality is punishable by death. However, sex-change operations are not only legal, they are embraced by a society that accepts male or female, but nothing in between. This is an intimate, yet alarming, exploration of the grip of Iranian theocracy and the power of internalized shame and the lengths some people will go to conform.Mode of access: World Wide Web.
Subjects: Documentary films.; Health.; Social sciences.; Medicine.; Foreign study.; Homosexuality.; Documentary films.; Middle East.; LGBTQ.; Current affairs.; Transgender people.; Medical care.; Islam.; Iran.;
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Anita de Monte laughs last / by Gonzalez, Xochitl,1977-author.;
"Who gets to leave a legacy? 1985. Anita de Monte, a rising star in the art world, is found dead in New York City; her tragic death is the talk of the town. Until it isn't. By 1998 Anita's name has been all but forgotten - certainly by the time Raquel, a third-year art history student is preparing her final thesis. On College Hill, surrounded by progeny of film producers, C-Suite executives, and international art-dealers, most of whom float through life knowing that their futures are secured, Raquel feels herself an outsider. Students of color, like Raquel, are the minority there, and the pressure to work twice as hard for the same opportunities is no secret. But when Raquel becomes romantically involved with a well-connected older art student, she finds herself unexpectedly rising up the social ranks. As she attempts to straddle both worlds, she stumbles upon Anita's story, raising questions about the dynamics of her own relationship, which eerily mirrors that of the forgotten artist. Moving back and forth through time and told from the perspectives of both women, Anita de Monte Laughs Last, is a propulsive, witty examination of power, love, and art, daring to ask who gets to be remembered and who is left behind in the rarefied world of the elite"--
Subjects: Bildungsromans.; Novels.; Art students; Elite (Social sciences); Interpersonal relations; Power (Social sciences); Women art historians; Women artists;
Available copies: 1 / Total copies: 1
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Shut Up Sona. by Gupta, Deepti,film director.; Mohapatra, Sona,actor.; Espresso Media International (Firm),dst; Kanopy (Firm),dst;
Sona MohapatraOriginally produced by Espresso Media International in 2020.A film about today's India at odds with the modern Indian woman. It is an intimate journey with Sona Mohapatra, famous singer, performer, and feminist. Being on the receiving end of blasphemy lawsuits, internet trolling, and death threats are all in a day's work for Indian singer and leading #MeToo activist. Selected at Hot Docs, Sheffield Doc Fest, Doc NYC, and Winner of the 67th National Film Awards.Mode of access: World Wide Web.
Subjects: Documentary films.; Arts.; Social sciences.; Music.; Asians.; Foreign study.; Gender identity.; Documentary films.; Women's studies.; Artists.; Performing arts.;
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The Price of Water in Finistère [electronic resource] : by Malmsten, Bodil.aut; CloudLibrary;
'In the same way as there's a partner for every person, there's a place. All you have to do is find the one that's yours among the billions that belong to someone else, you have to be awake, you have to choose.' With this conviction in mind, acclaimed Swedish writer Bodil Malmsten abandons her native country at the age of fifty-five and settles in Brittany. At the heart of this memoir is the conviction that the happiness to be found in Finistère will not allow itself to be, cannot be, expressed in writing. Embroidered around this seeming paradox are poignant, outraged and thought-provoking observations on the widest range of subjects: how not to buy plants, the elicit pleasures of bargain-hunting, the misery of writer's block, social democracy, racism, tulipomania, the stubbornness of bank managers, the controlling of moles and slugs, death, political hypocrisy, the delights of wild weather. Malmsten's passion and humour shine through every episode she describes, however minor, offering the reader a window onto a solitary life at once touching, thought-provoking and, occasionally, hilarious.College/higher education.Professional and scholarly.General adult.
Subjects: Electronic books.; France; Essays & Narratives; Personal Memoirs; Emigration & Immigration; Essays & Travelogues;
© 2012., Random House,
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Jennie's Boy A Newfoundland Childhood [electronic resource] : by Johnston, Wayne.aut; Johnston, Wayne.nrt; cloudLibrary;
NATIONAL BESTSELLER NAMED A BEST BOOK OF THE YEAR BY THE CBC WINNER OF THE 2023 LEACOCK MEDAL FOR HUMOUR Consummate storyteller and bestselling novelist Wayne Johnston reaches back into his past to bring us a sad, tender and at times extremely funny memoir of his Newfoundland boyhood. For six months between 1966 and 1967, Wayne Johnston and his family lived in a wreck of a house across from his grandparents in Goulds, Newfoundland. At seven, Wayne was sickly and skinny, unable to keep food down, plagued with insomnia and a relentless cough that no doctor could diagnose, though they had already removed his tonsils, adenoids and appendix. To the neigh­bours, he was known as “Jennie’s boy,” a back­handed salute to his tiny, ferocious mother, who felt judged for Wayne’s condition at the same time as worried he might never grow up. Unable to go to school, Wayne spent his days with his witty, religious, deeply eccentric mater­nal grandmother, Lucy. During these six months of Wayne’s childhood, he and Lucy faced two life-or-death crises, and only one of them lived to tell the tale. Jennie’s Boy is Wayne’s tribute to a family and a community that were simultaneously fiercely protective of him and fed up with having to make allowances for him. His boyhood was full of pain, yes, but also tenderness and Newfoundland wit. By that wit, and through love—often expressed in the most unloving ways—Wayne survived.
Subjects: Audiobooks.; Social Classes; Personal Memoirs; Literary;
© 2022., Penguin Random House,
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The Phantom. by Forbes, Patrick,film director.; Greenwich Entertainment (Firm),dst; Kanopy (Firm),dst;
Originally produced by Greenwich Entertainment in 2021.THE PHANTOM tells the story of one of the darkest episodes in the long history of American justice. A story of how the State of Texas knowingly sent an innocent man to his death and left a serial killer at large. A case in which - for the first time - it can be conclusively proven that the US courts executed a blameless man. This film uncovers the shocking truth behind a tale of murder, corruption and lies that unfolded in the dusty, desperate streets of a Texas oil town nearly thirty years ago.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; Documentary films.; Current affairs.; True crime stories.; Capital punishment.; Serial murderers.;
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Ana Mendieta. by Miller, Branda,film director.; Horsfield, Kate,film director.; Garcia-Ferraz, Nereyda,film director.; Women Make Movies (Firm),dst; Kanopy (Firm),dst;
Originally produced by Women Make Movies in 1987.This beautiful film is a portrait of the life and work of Cuban-born American artist Ana Mendieta. Mendieta used her own body, the raw materials of nature, and Afro-Cuban religion to express her feminist political consciousness and poetic vision. Interview footage with Mendieta and her own filmed records of her earthworks and performances are incorporated to render a vivid testament to her energy and extraordinary talent after her tragic, untimely death in 1985.Mode of access: World Wide Web.
Subjects: Documentary films.; Art.; Arts.; Experimental films.; Social sciences.; Latin America.; Foreign study.; Gender identity.; Documentary films.; Women's studies.; Artists.; Current affairs.; Biography.; Cuba.; Women artists.; Feminism.; Art, Latin American.; Art and architecture.; Black people--Latin America..;
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This Much We Know. by Frances, L.,film director.; Oscilloscope Laboratories (Firm),dst; Kanopy (Firm),dst;
Originally produced by Oscilloscope Laboratories in 2022.Grieving the suicide of a friend, L. Frances Henderson heads to Las Vegas, the suicide capitol of the nation, to seek answers. There she learns about the shocking death of a local teenager who leaped from the roof of the city’s tallest casino. While investigating the suicide epidemic further, she finds that the city is also burdened by a national problem scrambling to bury decades of nuclear excess in a nearby mountain. Artfully maneuvering between two stories burgeoning with existential questions, THIS MUCH WE KNOW masterfully links these seemingly disparate subjects of self-annihilation and environmental issues into something supernatural, unforgettable, and transcendent.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; History, Modern.; Sociology.; Documentary films.; History.;
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Fire in the Heartland. by Miller, Daniel,film director.; Video Project (Firm),dst; Kanopy (Firm),dst;
Originally produced by Video Project in 2010.FIRE IN THE HEARTLAND: THE KENT STATE STORY documents the historic 1970 uprising of students at Kent State University, which ended in an unprecedented assault by the National Guard that resulted in four deaths, told by those who experienced it and were leading the charge in the 1960s and 1970s against racism, state violence, and the Vietnam War.Mode of access: World Wide Web.
Subjects: Documentary films.; Criminal law.; Social sciences.; Education.; Americans.; Foreign study.; Documentary films.; Educational films.; Current affairs.; History.; United States--Politics and government.; Violence.; Vietnam War, 1961-1975.; Ohio.; War.; United States--History.; Police.; Police brutality.; College students.; Universities and colleges.; Education, Higher--History.;
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Joseph Campbell and the Power of Myth. by Moyers, Bill,actor.; Campbell, Joseph,actor.; Film Movement (Firm),dst; Kanopy (Firm),dst;
Bill Moyers, Joseph CampbellOriginally produced by Film Movement in 1988.In this beloved 1988 PBS series, mythologist and storyteller Joseph Campbell joins Bill Moyers to explore what enduring myths can tell us about our lives. In each of six episodes, Moyers and Campbell focus on a character or theme found in cultural and religious mythologies. Campbell argues that these timeless archetypes continue to have a powerful influence on the choices we make and the ways we live.Released shortly after Campbell’s death on October 30, 1987, THE POWER OF MYTH was one of the most popular TV series in the history of public television, and continues to inspire new audiences.Mode of access: World Wide Web.
Subjects: Documentary films.; Social sciences.; Philosophy and religion.; Sociology.; Documentary films.; Television series.; Motion pictures.; Spirituality.; Mythology.; Religion.; Philosophy.; Documentary television programs.;
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